I'm a Travelin' Man...

When I switched jobs about a year ago, one of the things that appealed to me most was that I would be significantly reducing the amount of business travel I had to do. At my previous job, between conferences, board meetings, site visits for future conferences and other events, it seemed like I traveled at least once or twice a month, sometimes making two trips nearly back to back.

Yesterday, however, when I found myself arriving at my fifth airport in two days, I felt like I was stuck in a bit of a time warp. And while the first part of my travel was to celebrate my niece's graduation from college, on Saturday I flew from Orlando to Washington, DC, and then yesterday I flew from Washington to Las Vegas, through Long Beach, CA.

While there are some advantages to traveling—particularly, for me, the opportunity to read while in the air and waiting to board—travel is becoming less and less appealing as a result of stricter security measures and the increasingly selfish behavior of my fellow travelers. Believe me, I understand the need for heightened security in airports and on planes, especially following Osama bin Laden's recent death, but I believe very few (if any) airports are adequately staffed or prepared to handle the volume of travelers who need to be screened, particularly those who see no reason to pay attention to any of the regulations or procedures they need to follow.

Emptying everything out of your pockets doesn't mean you should leave your wallet or your phone in there until asked. Taking your laptop out of your bag and putting it into a separate bin means, well, just that. And the regulation about no liquids, gels or aerosols over 3 ounces has been around for years now, but yet it constantly seems to surprise people. Which, of course, just delays the screening process for people like me, who can take off my belt and shoes, put my laptop in a bin and get everything on the belt in the blink of an eye.

And don't get me started about the way people behave on planes these days. I realize airlines no longer provide free meals unless you're traveling first or business class, so it makes sense to bring your own food on the plane. But could you stop and think that maybe something with extra onions, or some type of fish, might not be the most appealing scent for your fellow passengers to inhale for a few hours? And when the flight crew announces that the fasten seatbelt sign is on, that actually applies to everyone on the plane. It doesn't mean you can wander down the aisle to get something out of your oversized carry-on bag.

Some airlines now offer free wireless internet service on flights, which has led to some predicting that cell phone calls might eventually be allowed during flights. That might be my cue to stop traveling, because if people scream into their cell phones while they're in their cars or in restaurants, can you imagine how loudly they'll talk at 36,000 feet?

Yes, I know I'm impatient and fairly intolerant. But if travel is becoming more expensive and more of a hassle, shouldn't it be somewhat enjoyable? Of course, it's important to note that I also traded one crazy playground (Orlando) for another (Las Vegas). So, to quote Jimmy Buffett, it could be my fault.

Book Review: "The Ice Princess" by Camilla Läckberg

Swedish author Camilla Läckberg's first mystery to be published in the US, The Ice Princess, is a suspenseful and compelling read. Set in the Swedish coastal town of Fjällbacka, the book follows well-known biography author Erica Falck, who has returned to the town after the tragic death of her parents in an accident. She plans to stay for a while to get their affairs in order and finish her latest book. One day while on a walk, she is flagged down by an elderly caretaker who has found a disturbing sight—the body of a woman lying in a bathtub of frozen water and blood. It turns out this woman was Alexandra Wijkner, Erica's best childhood friend, from whom she was inseparable, until they were 10 years old, when they inexplicably drifted apart and Alexandra's family moved away. For a woman who appeared to have everything—a successful art gallery, a handsome and wealthy husband, a beautiful and historic home—the idea of Alexandra committing suicide seems difficult for anyone to fathom.

Erica is asked by Alexandra's parents to write an article about her for the local newspaper, and as she does research into her life since their friendship ended, she becomes convinced that Alexandra's death might not have been a suicide after all. She also tries to figure out why Alexandra drifted away all of those years ago. Teaming up with Patrik, another childhood friend who is now a police detective, she begins to discover that the case isn't as clear cut as it looks, and there are many secrets many people in Fjällbacka want to leave hidden.

I feel a little bit of pity for any Swedish author whose work gets publicity in America, because they all get compared to Stieg Larsson. And in fact, a blurb on the cover this book says, "Stieg Larsson fans who give this book a chance will be rewarded." I enjoyed this book, but it's nothing like Larsson's Millennium Trilogy, so don't go into this book expecting that. However, many of the characters are richly layered, and while some of the secondary characters were a little too clichéd for me, the plot took some very interesting twists and kept me flipping pages fairly quickly. Erica wasn't your typical accidental detective and certainly was far from omniscient, and that made her curiousity about the case even more interesting. Apparently this is the first of seven books Läckberg has written about Fjällbacka (I know at least the next one features Erica and Patrick), so I'm definitely going to keep reading them. If you're a mystery fan, you'll probably enjoy this.

Book Review: "The House of Tomorrow" by Peter Bognanni

Since his parents' death when he was very young, 16-year-old Sebastian has lived in Iowa's first geodesic dome with Nana (his grandmother), a devout follower of designer and futurist R. Buckminster Fuller. Nana has home schooled Sebastian and allowed him little contact with the outside world beyond the tour groups that come to the dome each week, and he is ready to follow the path that she has set for his future. When she suffers a stroke one day, Sebastian's life is thrown into turmoil. He meets Jared Whitcomb, a teenage boy with issues of his own, and his loving yet overprotective mother, Janice, who are touring the dome when Nana suffers her stroke. Later, Sebastian also meets Jared's older sister, Meredith, who teaches Sebastian a thing or two about the complexity of emotions. As Jared and Sebastian become friends, Sebastian starts discovering all of the things he has been missing in life—punk rock, processed foods, girls, and most of all, companionship with a peer. But he is torn between this new life and continuing to work with Nana on fulfilling her visions for his future.

I really loved this book. Every one of the characters is endearing in their own way, even if you're not supposed to empathize with them. Sebastian's interactions with the Whitcombs and Nana were at turns funny, thought-provoking and touching, and Bognanni really gave him depth beyond the fish-out-of-water storyline. Even though I had a feeling where the book would go, I never felt bored, because Bognanni's storytelling ability was really great. I was sad when I finished the book because I'd love to know what happened to all of the characters once the story ended. That, to me, is the mark of a great story.

Book Review: "The Year We Left Home" by Jean Thompson

I'm always fascinated by novels that explore the dynamics of family, the good times and the frictions, the struggles that recur and the unspoken challenges that remain hidden, and how each member of a family deals with the same things. Jean Thompson's new novel, The Year We Left Home, is an interesting and well-written look at more than the 30 years in the life of the Erickson family, seen through the eyes of the matriarch, her four children, a distant cousin and one of her grandchildren. While the book doesn't necessarily explore earth-shattering issues and there are no shocking plot developments, I feel it aptly represents more than 95 percent of families—it's the everyday issues that challenge and test a family's strength.

The book opens in Grenada, Iowa in 1973. Anita, the oldest Erickson child, has just gotten married and can think of nothing more than a life raising a family in the town where she grew up. Meanwhile, her brother Ryan, just on the cusp of graduating from high school, watches the wedding reception from the sidelines and dreams of getting out of Grenada and making a life for himself far away from the clutches of his family. An encounter with his cousin, Chip, recently returned from Vietnam, lays the foundation for a sporadic relationship that has interesting ramifications throughout the book. Each chapter looks at a different character at a different point in time, as they deal with the different challenges life throws at them—good and bad. Some characters grow while others stay the same, much like life itself.

I enjoyed this book and definitely felt compelled to keep reading because I wanted to see how the story would unfold for all of the characters. As I mentioned earlier, nothing truly earth-shattering or surprising happens in the book, although there are some moments when I wondered how a situation would resolve itself. Some of the characters are more interesting than others, which makes some of the chapters less enjoyable, but on the whole, I felt as if I really got to know this family, and liked being part of their lives. A good read; perhaps not one that will knock your socks off, but Thompson is a terrific writer.

AI Top 5 Recap: You Think Love Hurts?

Has Ryan finally tired of sharing the spotlight with the judges? Because tonight’s show started with the judges already seated and they didn’t get their special introductions, so we didn’t get to see J.Lo’s full “librarian bride” outfit or Steven’s latest ensemble from the women’s section of Merry-Go-Round. (Remember those? And Chess King?) We did, however, get the full Peaches-down-the-stairs treatment, along with close-ups of Kelly Preston (guess the tabloids are wrong and she’s not pregnant again) and Sir Anthony Hopkins, and the clever “I (Heart) The Seacrest Side Part” poster.

With only three weeks until the inevitable Scotty-Lauren finale in the Nokia Theater, Ryan reminded us that tonight was probably the most important show of the season. Why? Well, as Randy explained (like he does every week), at this point in the season everyone is wondering who is in it to win it? (Because I guess no one remembers that Randy tells us at least one or two of them are in it to win it every week, right?)

This week’s theme, “Now and Then,” will have the contestants singing a “current” song and a song from the 1960s or 1970s. (Remember, on American Idol, “current” means songs dating from 2004 through an unreleased song, but more on that later.) To help protect Jimmy from the wrath of the contestants he dissed last week mentor the contestants this week, Jimmy enlisted some “musical royalty.” Who comes to mind when you hear that term? Bet Sheryl Crow wasn’t it…

James was first up, and for his “current” song he chose 30 Seconds to Mars’ Closer to the Edge. (Not bad, it was released in 2010!) Sheryl was singing backup for James during rehearsal and she excitedly chanted “I get to sing with James,” to which James replied, “I got to sing with Sheryl.” Cute. Jimmy said that there is “nothing standing between him and greatness.” Clad in a sleeveless jacket with “Give Metal a Chance” on the back, James worked the stage and the crowd like a total pro during the song, high-fiving the crowd, encouraging them to sing along, and hitting some pretty fantastic notes. To use a Randy-ism (I hate when I do that), it wasn’t my favorite song, but I am so amazed with the comfort he has performing. Steven told him he “kicked the song’s ass” and he’s “ready for stadiums” the way he storms the stage. J.Lo told him the competition was his to take. Randy reminded us that 30 Seconds to Mars is Jared Leto’s band (what a barrel of knowledge the Dawg is), and said he felt like this was a good song choice for James, as it shows where he’s going as an artist. And in case you didn’t remember from last week, “James is in it to win it! He wants it, Ryan!”

Time for “Positive Affirmations” with our own Jacob. Ryan asked Jacob if he still thought he could win the competition (was he going to say no), and of course, Mr. Ever-so-Humble explained that he brings something painful different every week, but more importantly, he’s bringing a positive message that something good could come out of his hometown of Compton, CA. (Now, correct me if I’m wrong, but didn’t the rap group NWA as well as Venus and Serena Williams come from Compton? I’d think the town is doing pretty well for itself already, so no need to pat yourself on the back, Baby Luther.)

Jacob picked No Air, the duet by Season 6 winner Jordin Sparks and everyone’s favorite stable boyfriend, Chris Brown. (This “current” song is from 2008, BTW.) And lucky for us, Jacob chose to sing both parts. I prayed for no air during the performance, one of my Facebook friends prayed for no hearing…it was just that awful, perhaps one of the worst performances I’ve seen in years. But maybe the judges got to see a different rendition, because instead of telling him how horrible it was, J.Lo told him she was glad he was starting to define himself as an artist (because he mentioned in the pre-performance footage that this was the type of song he wanted to record) and if this is the type of song he wants to sing, he should cultivate this direction. Randy didn’t agree, explaining that while Jacob “is one of the greatest singers on the show” (compared to Ashthon, Karen, Naima and Paul, maybe), no one should ever sing duets by themselves. He also said that most of Jacob’s vocals were sharp, and he counseled Jacob that he isn’t the next Chris Brown or Jordin Sparks, but should be the next Luther, because “he’s the church kid.” Steven’s tone-deafness continued, as he told Jacob he “loves where [he goes] with his voice,” and although it was sharp, he was terrific. In response to Randy’s criticism, Jacob explained he is “an artist that appeals to everyone,” and even Luther sang pop songs. (Newsflash: You don’t appeal to me, Jacob. Burn!)

Lauren’s “current” song choice was Carrie Underwood’s Flat on the Floor (from 2008). Sheryl encouraged Lauren to “stay put” while singing instead of running all over the stage. This week’s first installment of “The Little Lauren That Could” found Jimmy explaining how proud he was of Lauren because she takes all of the constructive criticism and is ready to come out fighting. (Funny thing is, other than the “you need more confidence” and “you can hit big notes” tall tales that get spun each week, Lauren hasn’t had much, if any, constructive criticism. I’m just sayin’.)

As usual, I thought Lauren’s performance was fine. She shouted a lot, and I felt she had trouble sustaining some of her notes, but she was entertaining. At one point, the camera caught J.Lo bobbing her head along with the song, but her face didn’t look like she was enjoying herself that much. (That cameraman will be looking for work soon.) Record exec Randy told Lauren this was the direction she should go in, and “Lauren is in it, y’all!” (But if the dawg doesn’t say “in it to win it,” does that mean she’s not?) Steven said that Lauren has “found her niche,” and at “15 years old” (she’s 16), he thinks “she’s it.”

Dear Nigel,
PLEASE MAKE RYAN STOP CALLING SCOTTY “THE BODY.” IT IS CREEPY!
Thanx.

As hard as it may be to believe, Scotty’s “current” song, Gone by Montgomery Gentry, is from 2004! Regardless, Sheryl told Scotty he has a big career ahead of him. Jimmy promised that because of the intensity and angst of the song, “people will be moved” by Scotty’s performance. I am not sure what performance he was talking about, because I didn’t sense any intensity except for how hard Scotty rolls his eyes when he makes his funny faces, and I certainly wasn’t moved. Look, Scotty has a great voice, but apart from a rare performance here and there, I feel he’s fairly one-note. At this point in the competition, it’s great he’s such a polished performer, but I’d like to see some growth week after week. I don’t see that with Scotty; all I see is the same stuff, just a different song and a different outfit. But I’m just blogging for people on Facebook, you know? I'm no musical expert. (But I do have 17,000+ songs on my iPod.) Steven told Scotty, “Up to now you’ve been a Puritan, but I saw you dance with the devil tonight, and that’s good for you!” J.Lo said she “lost it there for a second,” and called his performance “some American Idol stuff.” Randy trotted out his second-most used phrase of the season, saying he felt as if he was “sitting at Scotty’s concert,” and then reminded us “this guy is in it to win it, too!”

Haley somehow lucked into the pimp spot again this week. Apparently Jimmy felt the need to apologize for how horribly he criticized her last week encouraged her to sing an unreleased Lady GaGa song called You and I, which she sings at her concerts. Haley was slightly ambivalent but decided to take the chance once she got the opportunity to talk to GaGa herself. (Does that seem as stupid to read as it did to write?) Jimmy said that the way Haley sings this song will show the audience “she’s got it.” She started out the song laying across the stairs, and gave a sexy, sultry performance, with some really powerful vocals. I didn’t love the song, and it didn’t sound like Madonna like most of GaGa's other songs (oops), but I think Haley was great, especially as she traded lines with the backup singers. But remember, the judges are trying to sabotage Haley like they did Kimberley Locke in Season 2 (anything to protect the Ruben/Clay finale) and Syesha Mercado in Season 7. (Remember when her “producers choice” song was Hit Me Up from “Happy Feet”?) So J.Lo said that Haley had “some good moments” in the song but didn’t think it was wise “when you have James and Scotty out here doing their thing” that she chose to sing a song no one had heard of. (Had you heard the 30 Seconds to Mars song before this show? Or the Montgomery Gentry or Carrie Underwood ones? I hadn’t. What difference does it make? Are the voters so sheep-like they can only vote for performers who sing songs they know? If that’s the case, why have theme weeks at all?) Randy said he didn’t think it was a very good song, and although she “had some nice notes,” he thinks of her as more the Joss Stone type of singer. (Wait, what about Janis Joplin?) Steven said he heard “all of Haley,” and told her she was “one perfect song away from being the American Idol,” but she just had to find it. Haley was really angry during the judges’ criticism, and when Ryan asked her if she regretted choosing the GaGa song, she chose her words carefully, by saying she took a risk. F—king bulls—t, this is.

The contestants’ second songs were from the 1960s or 1970s. (Even Scotty slid under the wire with this one.) James’ choice was Harry Nilsson’s Without You, sung previously by Kelly Clarkson (boy, was her voice hurting that week) and Carly Smithson in Season 7. The song really affected James emotionally because he misses his fiancée and son so much, and rehearsal footage had him crying so hard he stopped singing and sat outside. In typical faux-AI drama, we were led to wonder whether James would be able to pull it together. And…he did. The performance was definitely pitchy in places (dawg), but his emotions were truly captivating, as he broke down at the end. Randy called it “the mark of a truly great performer,” because while “the song wasn’t perfect vocally—it was sharp, flat, whatever in places—it was perfect emotionally.” He then deemed the title James’ to lose. Steven called it “crazy beautiful,” noting that “when you sing as good as you do, you can let a song get the best of you.” J.Lo praised James’ heart and soul, calling him “a true true artist” and saying “he’s amazing, guys.” As much as I love James, I will say that the judges giving him a total vocal pass on this performance—and so many other contestants throughout this season—is indicative of the “everyone should be the American Idol”-style judging I really dislike. That being said, an emotional James revealed that “every week I leave everything on this stage,” and I believe we’re luckier for it.

Here’s a lead-in to a commercial I never thought I’d hear: “Coming up, Jacob takes on Nazareth.” (Silly Jewish boy, I was figuring he would sing a gospel song after that. LOL.)

Jacob apparently came in with ideas for his second song, but Jimmy and Sheryl convinced him to take on Nazareth’s Love Hurts. (Most convincing was the soft, tender way Sheryl sang it a capella, but Jacob clearly didn’t pay attention.) Jacob tore into the song like a lioness after a gazelle—yep, it was that gross—and although he had a few moments, his refrain of “it hurts” couldn’t have been more apt. (The bemused look on Hannibal Lecter’s face led me to hope some fava beans and Chianti might be served after the show, but that’s just wishful thinking, right?) But bad as it is, remember what show we’re watching, people. Steven called himself “a sucker for [Jacob’s] passion,” and although he got “lost in the song” (code for “you f—ked up”), it was “a beautiful thing.” J.Lo discounted his “little bobble in the middle,” because of his ability to bring so many “tricks in the end.” (She said it, not me.) Randy said Jacob might have hit the highest note ever on the show and warned us, “Jacob is back!”

For little Lauren’s old song, she chose the unfamiliar little ditty Unchained Melody, which apparently was her parents’ song. (And you know it was their song because of its popularity in the movie Ghost, because her parents are younger than me, y’all.) As I pondered her rehearsal footage and Sheryl and Jimmy telling us how powerful of a moment Lauren was going to have, I seemed to recall that Lauren sang this song during Hollywood week, thus rendering this entire “Lauren can’t hit high notes” BS scenario moot. Anyway, her rendition was fine, although she was out of breath when going to some of her bigger notes, and I didn’t think she brought anything new to the song. But boo to the judges who gave her no feedback. J.Lo said there was “nothing to judge,” calling it “a beautiful song sung beautifully.” And Steven said she picked “just the right song,” because he could listen to her all night long. (Gross, don’t go there.) So remember: singing a familiar song and bringing nothing special to it > singing a song that no one knows really well. (And people said I’m not good at math.)

Were you wondering what Scotty would sing for this round? Easy peasy: Elvis Presley’s rendition of Always On My Mind, which I remember Anoop Desai singing so well in Season 8. Once again, Sheryl told us what a great career Scotty will have, and she said she can’t wait until he gets to Nashville so she can try to “horn in” on his career. (Naked ambition wins points, Sheryl.) Vocally, he did well, and we got the whole “sensitive Scotty” thing this time, but I felt none of the emotional connection that I do when James sings, and not because Scotty didn’t cry. I just feel like he checks things off—look soulfully into the camera (check), hit low notes (check), point (check). As I’ve said before, I feel like Scotty has already peaked on the show, so unless he pulls out a surprise or two, this is what we’re getting for the next three weeks. J.Lo called him a well-rounded artist and a true performer, and said he could do anything. Randy gave us that special insight into his psyche again, explaining he lives by the philosophies of “if it ain’t broke, don’t fix it,” and “the quietest things make the loudest impression.” (I don’t think anyone would accuse Randy of the latter.) Steven told Scotty that “America loves your voice,” and that because everyone has performed so well, it’s going to be “tough for America to vote.” And then Ryan introduced Scotty’s Puerto Rican grandmother, who just said “He’s my Scotty.” So remember, folks, Scotty = America y Puerto Rico.

For her final performance, Haley chose The Animals’ House of the Rising Sun. After Siobhan Magnus’ kickass performance of the song last season, I was psyched for Haley’s rendition, especially after I saw that Kelly Clarkson called it “one of the best performances ever on the show” on Facebook and Twitter. Sheryl Crow had suggested she start singing the song a capella and then have the band come in. It was an absolutely flawless performance. Haley truly proved once again that she belongs on this stage, and has a better voice than Jacob, Scotty and Lauren. I just don’t understand what it is the producers and the judges don’t like about her, because I think she’s worthy of the kind of praise they give the others. The judges gave her a standing ovation. Randy said “The best performance of the night goes to Haley!” Steven praised her “sweet, sour and raspy” rendition, while J.Lo said, “You probably were a little angry at us when you came out, but that song has never been sung like that before.”

Just before my DVR gave out, the judges went into their whole “everyone is so deserving of your votes” charade. Here’s what I think:

Who should be in the bottom two: Jacob and Lauren (sorry)
Who will be in the bottom two: Jacob and Haley, although people may think James is safe given his emotional performance and the judges’ praise

There is no justice in this competition if Jacob doesn’t go home tonight. But then again, remember what show we’re watching. And if Haley does go home, I once again will remind you of the order in which they introduced the top 6 last week—Scotty, Lauren, James, Jacob, Haley and Casey.

I’ll be on the road in Florida tonight so I don’t know if I’ll get to watch the results show in its entirety. How I might live with myself if I miss Lady Antebellum (I love them) and a pre-recorded performance by J.Lo is between my therapist and me.

Book Review: "The Tragedy of Arthur" by Arthur Phillips

I don't know if this ever happens to you, but when I love an author, I eagerly anticipate their next book, and often buy it shortly after it is released, because I can't wait to get my hands on it. This was definitely the case with Arthur Phillips, whose book The Song is You was among the best books I read in 2009. But sadly, although I've seen almost nothing but fantastic reviews for his latest book, The Tragedy of Arthur, I was really disappointed by it.

The concept behind the book is really interesting. The narrator is an author named Arthur Phillips. Just before his death, Arthur's father, who made his living as a con artist and forger, gave Arthur what he claimed was a long-lost Shakespeare play, The Tragedy of Arthur. His father's dying request was that Arthur do the necessary research to prove that the play was legitimately written by Shakespeare and then ensure its publication, sharing the proceeds with his mother, sister and one of his father's associates. Arthur's twin sister, Dana, and their father shared a lifelong love of Shakespeare, which Arthur felt he needed to compete with; in fact, he became an author to prove to his father he was capable of creating something that caused people to feel things. As the verification of the manuscript continues, Arthur begins to question whether the play is legitimate or his father's last big con, and struggles with what to do, with both the play and his life—and major consequences ensue.

The first half of the novel is supposed to be Arthur's introduction to Random House's version of the play, while the second half is the play itself. While I really liked the concept of the book, Arthur's character is tremendously unlikeable (despite his struggles with his father), and I stopped caring what happened to him. The mess he proceeds to make of his life—and how those around him deal with those mistakes—was probably the most intolerable part of the book, because it felt tremendously false. I felt as if Phillips tried to throw a lot of things into this book; some of it stuck and some of it didn't, at least for me. If you're a Shakespeare fan, there is some really interesting information to be gleaned from the book, and the "Shakespeare play" itself is fascinating. But I guess I'll just wait for Phillips' next book and see if it resonates for me more like his last book than this one.

"Justice Has Been Done"...

Unless you've been trapped in a cave in the wilds of Tora Bora for the last 24 hours, you've probably heard the monumental news that Osama bin Laden finally met his end at the hands of US Navy SEALS. While his death doesn't signify the end of the war on terror by any means, bin Laden represented the face of terrorism for so many people for so long. And for those who lost a loved one on 9/11, bin Laden's death brings some closure.

Much like the 9/11 tragedy itself, most people will remember where they were when they first heard the news of bin Laden's demise. Coming so late on a Sunday evening, we were nearly asleep when my friend Dave called. Having been raised in a household where calls after 10:00 pm on a "school night" didn't usually mean good news, so I was a bit anxious when I answered the phone.

He asked if we were watching television, and my first thought was that there had been some type of tragedy, or perhaps even a scandal related to the controversy around President Obama's birth certificate. When he explained that the president was expected to make a major announcement on television any moment, it seemed like we needed to watch, to be a part of whatever history was about to unfold in front of us.

Although the wait for the president—nearly an hour after first turning on the television—seemed interminable and slightly frustrating, it was utterly surreal to hear the news of bin Laden's death from Wolf Blitzer and John King. While, not surprisingly, the newscasters were somewhat prone to hyperbole and factual errors given their being called into work unexpectedly on a Sunday night, it didn't lessen the drama as President Obama strode down the East Room hallway to address the world. He began:

"Tonight, I can report to the American people and to the world that the United States has conducted an operation that killed Osama bin Laden, the leader of al Qaeda, and a terrorist who’s responsible for the murder of thousands of innocent men, women, and children.

"It was nearly 10 years ago that a bright September day was darkened by the worst attack on the American people in our history. The images of 9/11 are seared into our national memory—hijacked planes cutting through a cloudless September sky; the Twin Towers collapsing to the ground; black smoke billowing up from the Pentagon; the wreckage of Flight 93 in Shanksville, Pennsylvania, where the actions of heroic citizens saved even more heartbreak and destruction.

"And yet we know that the worst images are those that were unseen to the world. The empty seat at the dinner table. Children who were forced to grow up without their mother or their father. Parents who would never know the feeling of their child’s embrace. Nearly 3,000 citizens taken from us, leaving a gaping hole in our hearts."

As he outlined the scenario under which bin Laden's whereabouts were determined, then confirmed, and when the president gave the order to capture the terrorist leader, I marveled at the strength of our intelligence community, which was able to keep these developments secret for so long. And more than that, I was grateful for the bravery of those involved in the operation, for being able to kill bin Laden without incurring any American casualties, and I was grateful to all of those who have given their time—and in some cases, their lives—defending the US.

President Obama concluded his speech by saying, "The cause of securing our country is not complete. But tonight, we are once again reminded that America can do whatever we set our mind to. That is the story of our history, whether it’s the pursuit of prosperity for our people, or the struggle for equality for all our citizens; our commitment to stand up for our values abroad, and our sacrifices to make the world a safer place. Let us remember that we can do these things not just because of wealth or power, but because of who we are: one nation, under God, indivisible, with liberty and justice for all."

When Saddam Hussein was captured and ultimately executed, I didn't feel much of anything, mainly because his horrendous crimes were perpetuated on the Iraqis and other people in the Middle East. But having lost friends on 9/11, while this time of celebration is slightly tinged with sorrow, I feel as if in some small way, their deaths have been avenged.

This moment was a long time coming, and while it was President Obama who gave the final order, those in President G.W. Bush's administration did doggedly try for years to capture bin Laden. All should be proud of this accomplishment.

Never forget, we are the land of the free because of the brave.