Twice Shy, the new rom-com by Sarah Hogle, is a sweet book which tackles some emotional issues and warms the heart.
(Fans of 80s music, I couldn’t get the song “Once Bitten Twice Shy” by Great White out of my head when reading this. You’re welcome.)
Maybell is a dreamer, because her dreams are better than the reality she’s living. She’s lived out romantic scenarios with her dream man in her head many times, but at the end of the day, she’s still stuck in a job she hates and she’s not treated well by anyone.
When she finds out she’s inherited a house in the Tennessee mountains from her Great-Aunt Violet, she thinks she may have hit the jackpot. But of course there’s a catch—two of them, actually.
First, the house should be condemned. The glorious house Maybell remembers from childhood is falling apart and is filled from top to bottom with things her aunt hoarded. And second, apparently Violet also left the house to her groundskeeper, Wesley. Wesley isn’t happy about sharing this inheritance with Maybell, and he has very different ideas about what to do with the property.
Maybell has nowhere else to go, so can they peacefully coexist and come to some agreement on what to do? And just maybe, will Wesley stop hating her? (Rom-com fans, what do you think?)
Twice Shy took a while to get going but once it did, it was sweet. I liked the way it dealt with social anxiety and I liked what happened when the characters—especially Wesley—let their guard down. Distinguishing Maybell’s dreams from reality was a bit confusing at times, but you could see why she preferred dreams.
I loved Hogle’s first book, You Deserve Each Other, so I’m becoming a real fan!!
Showing posts with label childhood. Show all posts
Showing posts with label childhood. Show all posts
Friday, April 9, 2021
Saturday, September 5, 2020
Book Review: "The Mouth of the Mine" by Caleb Posten
The Mouth of the Mine was a little CREEPY...and it got my heart pumping pretty quickly!
Even though it's a pretty big change, Wayne and Anita Evans are pleased to have left the chaos and pressure of New York City for a quieter life in Jackson, Wyoming, with their 10-year-old son, Al. They were able to get a great deal on a beautiful, big house with a wide expanse of property (it helps when a man disappears for no reason and his widow is eager to sell) and they are immediately taken with the peace and quiet, as well as the beautiful flora, fauna, and wildlife that surrounds them.
As they try to get acclimated to their new life, and learn what they need to about survival in the wilderness, fishing, guns, etc., Al is ready to embrace the full cowboy experience. One day, curious about what exists beyond their property line, Al goes exploring. He wanders a bit too far and gets lost, but he stumbles on a remarkable discovery that both excites and spooks him.
The more Al thinks about what he has found, the more he wants to keep going back to the place beyond their property, but getting free reign to wander without his parents noticing or worrying is difficult. He gets drawn in even further, and he keeps trying to figure out ways to outsmart them, because his greed gets the best of him. But as he ratchets up his actions to cover his tracks, is he putting himselfand perhaps his familyin danger? Is there some connection with all of the people who have disappeared?
I'm going to end my plot summary there because it's best to read this book not knowing too much and instead letting the plot unfold. This isn't too scary of a book (I wouldn't have read it otherwise because I'm a complete coward) but there is a pervasive sense of creepiness that I felt while reading. It's almost like I was reading with one hand over my eyes because I knew something bad was going to have to happen.
I enjoyed this book and thought Caleb Posten did a great job reeling me in and keeping me hooked from start to finish. While obviously there are some horror elements which require suspension of disbelief (like most horror books and movies), you could totally believe Al would act the way he did. Few 10-year-olds wouldn't want the chance to explore the wilderness and the wildness around them.
There are two animal deaths in here which might serve as a trigger for some. I'll admit I was unhappy with one of them but I understood the purpose it served. They're not gratuitously violent so don't let that dissuade you.
This is Posten's debut novel and it definitely shows he has real promise as a writer. Even though this isn't one of my preferred genres, I'll definitely be keeping my eye out to see what comes next for him!
The author and Black Rose Writing provided me with a complimentary copy of the book in exchange for an unbiased review. Thanks for making it available!
Even though it's a pretty big change, Wayne and Anita Evans are pleased to have left the chaos and pressure of New York City for a quieter life in Jackson, Wyoming, with their 10-year-old son, Al. They were able to get a great deal on a beautiful, big house with a wide expanse of property (it helps when a man disappears for no reason and his widow is eager to sell) and they are immediately taken with the peace and quiet, as well as the beautiful flora, fauna, and wildlife that surrounds them.
As they try to get acclimated to their new life, and learn what they need to about survival in the wilderness, fishing, guns, etc., Al is ready to embrace the full cowboy experience. One day, curious about what exists beyond their property line, Al goes exploring. He wanders a bit too far and gets lost, but he stumbles on a remarkable discovery that both excites and spooks him.
The more Al thinks about what he has found, the more he wants to keep going back to the place beyond their property, but getting free reign to wander without his parents noticing or worrying is difficult. He gets drawn in even further, and he keeps trying to figure out ways to outsmart them, because his greed gets the best of him. But as he ratchets up his actions to cover his tracks, is he putting himselfand perhaps his familyin danger? Is there some connection with all of the people who have disappeared?
I'm going to end my plot summary there because it's best to read this book not knowing too much and instead letting the plot unfold. This isn't too scary of a book (I wouldn't have read it otherwise because I'm a complete coward) but there is a pervasive sense of creepiness that I felt while reading. It's almost like I was reading with one hand over my eyes because I knew something bad was going to have to happen.
I enjoyed this book and thought Caleb Posten did a great job reeling me in and keeping me hooked from start to finish. While obviously there are some horror elements which require suspension of disbelief (like most horror books and movies), you could totally believe Al would act the way he did. Few 10-year-olds wouldn't want the chance to explore the wilderness and the wildness around them.
There are two animal deaths in here which might serve as a trigger for some. I'll admit I was unhappy with one of them but I understood the purpose it served. They're not gratuitously violent so don't let that dissuade you.
This is Posten's debut novel and it definitely shows he has real promise as a writer. Even though this isn't one of my preferred genres, I'll definitely be keeping my eye out to see what comes next for him!
The author and Black Rose Writing provided me with a complimentary copy of the book in exchange for an unbiased review. Thanks for making it available!
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Sunday, October 27, 2019
Book Review: "Verity" by Colleen Hoover
Since this book was published last year, I have seen some people absolutely rave about it, while others didn't quite get it. I often heard people say, "This book is completely nuts," or "I was totally shook by this book." Too many mixed reviews made me somewhat reluctant to dive in, until just recently, when I decided it was time to take the plunge and read Verity.
"That's why I stay at home and write. I think the idea of me is better than the reality of me."
Lowen is a struggling writer desperate for money. She's a talented writer, but she isn't willing to do any publicity for her books, so they don't sell very much. When she is given the chance to write the rest of a wildly popular book series written by best-selling author Verity Crawford, she knows she can’t pass up the opportunity, given the money offered. Verity, who was injured in a car accident, can no longer move or speak, and no one is sure she is even aware of her surroundings.
Lowen is nervous about the pressure of having to write at Verity’s level. Verity’s handsome husband, Jeremy, invites Lowen to stay with them in their Vermont home so she can go through Verity’s notes to help her with the last three books. There's something about Jeremy that Lowen can't put her finger on, but she's drawn to him despite the fact that he's married to a woman in a serious condition, and that his family has experienced some significant tragedies.
When she finds an unfinished manuscript, Lowen can’t help but read it. It appears to be Verity’s autobiography, full of startling confessions which horrify Lowen. Should she tell Jeremy what she’s found, or should she allow him to continue seeing his wife through the prism of his own memories?
But as strange things keep happening in the house, and Lowen’s feelings for Jeremy intensify, she suspects that Verity might not be quite as disabled as she appears. Lowen must make the choice whether to reveal what she believes about Verity, no matter how crazy it sounds, and she also must decide whether to share Verity's written confessions with him. Of course, she has no idea whether doing so could put her—or even Jeremy and his son—in danger.
I couldn’t put this book down and read it in just a few hours. I guess, however, the hype made me expect a lot crazier of a book than this was. There were some twists and turns, but I was hoping that the book would have a few more surprises. There were also a few plotlines that never went anywhere, unless I missed something, so that disappointed me. I guess I’ve read too many thrillers!!
Clearly Hoover is a great writer, as she hooked me from the very start. I look forward to reading more of her books (which I understand are very different). I definitely give kudos to writers who venture out of their usual genre to try something new.
"That's why I stay at home and write. I think the idea of me is better than the reality of me."
Lowen is a struggling writer desperate for money. She's a talented writer, but she isn't willing to do any publicity for her books, so they don't sell very much. When she is given the chance to write the rest of a wildly popular book series written by best-selling author Verity Crawford, she knows she can’t pass up the opportunity, given the money offered. Verity, who was injured in a car accident, can no longer move or speak, and no one is sure she is even aware of her surroundings.
Lowen is nervous about the pressure of having to write at Verity’s level. Verity’s handsome husband, Jeremy, invites Lowen to stay with them in their Vermont home so she can go through Verity’s notes to help her with the last three books. There's something about Jeremy that Lowen can't put her finger on, but she's drawn to him despite the fact that he's married to a woman in a serious condition, and that his family has experienced some significant tragedies.
When she finds an unfinished manuscript, Lowen can’t help but read it. It appears to be Verity’s autobiography, full of startling confessions which horrify Lowen. Should she tell Jeremy what she’s found, or should she allow him to continue seeing his wife through the prism of his own memories?
But as strange things keep happening in the house, and Lowen’s feelings for Jeremy intensify, she suspects that Verity might not be quite as disabled as she appears. Lowen must make the choice whether to reveal what she believes about Verity, no matter how crazy it sounds, and she also must decide whether to share Verity's written confessions with him. Of course, she has no idea whether doing so could put her—or even Jeremy and his son—in danger.
I couldn’t put this book down and read it in just a few hours. I guess, however, the hype made me expect a lot crazier of a book than this was. There were some twists and turns, but I was hoping that the book would have a few more surprises. There were also a few plotlines that never went anywhere, unless I missed something, so that disappointed me. I guess I’ve read too many thrillers!!
Clearly Hoover is a great writer, as she hooked me from the very start. I look forward to reading more of her books (which I understand are very different). I definitely give kudos to writers who venture out of their usual genre to try something new.
Tuesday, October 15, 2019
Book Review: "Look Both Ways" by Jason Reynolds
For many children, when the bell rings at the end of the day, it signifies excitement, the start of fun and adventure. When children walk home from school, the freedoms are sometimes greater since they’re not limited by the confines of the bus. However, there are other risk factors as well.
Jason Reynolds’ newest book, Look Both Ways, which was recently named a National Book Award finalist, looks at 10 different journeys homeeach characterized by a different block on the way home from schooland what they signify. They are somewhat interrelated, in that characters are mentioned in more than one story.
From the boy plotting a "safe" route home to escape a dog he’s afraid of to a girl returning back to school after being out with sickle-cell disease, the stories are at times humorous, at times poignant, and at times powerful.
In just under 200 pages, Reynolds tackles homophobia, parental illness, letting friends know they have hygiene issues, fear about a parent’s safety, and other heavy issues, yet he doesn’t do it in a heavy-handed way.
This is the first middle-grade book I’ve read and I was impressed with Reynolds’ deft storytelling. This book didn’t quite click for me, however, but I did feel the balance between humor and seriousness that Reynolds tried to convey.
This will be a good book for the middle-grade audience, as they may identify with one or more of the stories yet won’t feel singled out as they might if they read a whole book about a parent dying or bullying. Definitely one worth discussing with your children or your students.
Jason Reynolds’ newest book, Look Both Ways, which was recently named a National Book Award finalist, looks at 10 different journeys homeeach characterized by a different block on the way home from schooland what they signify. They are somewhat interrelated, in that characters are mentioned in more than one story.
From the boy plotting a "safe" route home to escape a dog he’s afraid of to a girl returning back to school after being out with sickle-cell disease, the stories are at times humorous, at times poignant, and at times powerful.
In just under 200 pages, Reynolds tackles homophobia, parental illness, letting friends know they have hygiene issues, fear about a parent’s safety, and other heavy issues, yet he doesn’t do it in a heavy-handed way.
This is the first middle-grade book I’ve read and I was impressed with Reynolds’ deft storytelling. This book didn’t quite click for me, however, but I did feel the balance between humor and seriousness that Reynolds tried to convey.
This will be a good book for the middle-grade audience, as they may identify with one or more of the stories yet won’t feel singled out as they might if they read a whole book about a parent dying or bullying. Definitely one worth discussing with your children or your students.
Thursday, March 7, 2019
Book Review: "The Au Pair" by Emma Rous
Seraphine and Danny Mayes are twins, born at Summerbourne, their family's estate on the English coast. Not long after their birth, their troubled mother, Ruth, leapt off the cliffs and fell to her death.
And as if that tragedy wasn't enough chaos for one day, the family's young au pair, Laura, also fled Summerbourne, never to be heard from again. While the twins were raised by their father and their fiercely protective maternal grandmother, the local townspeople never ceased whispering about the events of that day, talking about family curses, sprites that steal babies, and other dark magic.
Years later, the twins' father has died in an accident and Seraphine is in mourning at Summerbourne. While going through her father's possessions, she finds a photo that intrigues her. The photo is of their parents and their older brother, Edwin, and in the photo her parents look blissfully happy. But what's mysterious about the photo is their mother is only holding one baby, and it was taken the day they were born, just before their mother's suicide.
Who is the baby in the picture, Seraphine or Danny? Why isn't the other baby in the picture? Seraphine has always felt that her grandmother treated her differently than Dannydoes she know something about her parentage? What caused Laura to run away all those years ago? And why, on what seemed to be one of the happiest days of her life, would their mother commit suicide after giving birth to both of them?
With no real information except the photo she found and a copy of Laura's au pair contract, Seraphine decides to try and figure out what happened that day. She wants to determine the truth of who she is, and why everything went so awry that day. Little does she know that there's someone determined to keep those secrets secret, and the more she digs, the more she puts herselfand others in her familyin danger.
The Au Pair is full of family drama and intrigue. I just can't get enough of novels about family secrets, and you throw in a little mystery and I'm totally there. Emma Rous throws in lots of twists and turnsso many that at one point I had to re-read a section to be sure I was clear on what was happeningand while there might not be many surprises (if any), she created a compelling enough story to keep me flying through it.
The story shifts back and forth between Seraphine's attempts to figure out the secrets around the day she and Danny were born, and Laura's time as an au pair, until everything comes to a climax. If you're like me, you'll suspect practically everyone, and even wonder if there was a little of the supernatural involved as town legend would have it.
If you like your mysteries with a healthy dose of family melodrama, pick up The Au Pair. It's a fascinating read, and it feels like it would be a terrific made for television movie. Read it before it gets adapted!
And as if that tragedy wasn't enough chaos for one day, the family's young au pair, Laura, also fled Summerbourne, never to be heard from again. While the twins were raised by their father and their fiercely protective maternal grandmother, the local townspeople never ceased whispering about the events of that day, talking about family curses, sprites that steal babies, and other dark magic.
Years later, the twins' father has died in an accident and Seraphine is in mourning at Summerbourne. While going through her father's possessions, she finds a photo that intrigues her. The photo is of their parents and their older brother, Edwin, and in the photo her parents look blissfully happy. But what's mysterious about the photo is their mother is only holding one baby, and it was taken the day they were born, just before their mother's suicide.
Who is the baby in the picture, Seraphine or Danny? Why isn't the other baby in the picture? Seraphine has always felt that her grandmother treated her differently than Dannydoes she know something about her parentage? What caused Laura to run away all those years ago? And why, on what seemed to be one of the happiest days of her life, would their mother commit suicide after giving birth to both of them?
With no real information except the photo she found and a copy of Laura's au pair contract, Seraphine decides to try and figure out what happened that day. She wants to determine the truth of who she is, and why everything went so awry that day. Little does she know that there's someone determined to keep those secrets secret, and the more she digs, the more she puts herselfand others in her familyin danger.
The Au Pair is full of family drama and intrigue. I just can't get enough of novels about family secrets, and you throw in a little mystery and I'm totally there. Emma Rous throws in lots of twists and turnsso many that at one point I had to re-read a section to be sure I was clear on what was happeningand while there might not be many surprises (if any), she created a compelling enough story to keep me flying through it.
The story shifts back and forth between Seraphine's attempts to figure out the secrets around the day she and Danny were born, and Laura's time as an au pair, until everything comes to a climax. If you're like me, you'll suspect practically everyone, and even wonder if there was a little of the supernatural involved as town legend would have it.
If you like your mysteries with a healthy dose of family melodrama, pick up The Au Pair. It's a fascinating read, and it feels like it would be a terrific made for television movie. Read it before it gets adapted!
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Wednesday, March 6, 2019
Book Review: "The Winter Sister" by Megan Collins
Life changed completely when Sylvie was 14 years old. Her older sister, Persephone, disappeared one night, after sneaking out to meet her boyfriend, whom her mother forbade her to date. Sylvie kept lots of Persephone's secretsbecause that's what sisters doand she keeps hoping that Persephone will come home. It seems even more unfathomable when Persephone's body is found just a few days later.
Sylvie is wracked with grief and guilt, and she tries to get the police to focus on whom she believes the suspect is. She's unprepared when they really don't share her suspicions, but she's even more unprepared for the depth of her mother's anger and guilt. Her mother takes to violent expressions of grief, and long bouts of drinking, and Sylvie can't handle it any longer, so she leaves town and moves in with her aunt and cousin.
Sixteen years later, Sylvie's aunt summons her home to care for her mother, who has been diagnosed with cancer. The last thing she wants to do is return to the memories of Persephone's murder, especially since the crime was never solved, and her feelings about it, as well as her mother, who changed so drastically after Persephone's death.
"I couldn't pretend that, just by turning thirty, I was old enough now to have outgrown my feelings of motherlessness."
As she tries to negotiate her relationship with her mother and her always-mercurial moods, Sylvie finds it difficult to dwell on anything other than Persephone, especially when she encounters her sister's ex-boyfriend Ben, who now works as a nurse at her mother's cancer center. Sylvie has always believed Ben had something to do with Persephone's death, and tries to convince the police they should still consider him a suspect after all these years, but little by little, she comes to understand that the situation regarding her sister's death was more complicated than she could imagine.
She feels like she owes it to her sister to figure out what happened to her. It may resolve her own feelings of guilt, but at the same time, it could further destroy her mother and their relationship. Sometimes secrets are kept for a reason, and sometimes unearthing them only causes more heartache than good.
The Winter Sister is more of a mystery than a thriller, but along with the whodunit comes a healthy dose of family dysfunction. It's an interesting story about how the simplest of actions can scar us in ways we never realize, and how those scars affect us and our actions for the rest of our lives. It's also a look at how one secret can lead to a tangled web of them, a web that it is often difficult to escape.
This is Megan Collins' debut novel, and its strengths definitely show that she has a terrific future ahead of her. I thought at times the pacing of the book was a little slower than I would have liked, and some of the characters needed a little more complexity. But I thought she showed restraint where she could have taken the book down a very melodramatic path, and I definitely appreciated this.
Maybe reading a book called The Winter Sister made me feel even colder these last few days, but Collins' storytelling was worth the extra blanket!
Sylvie is wracked with grief and guilt, and she tries to get the police to focus on whom she believes the suspect is. She's unprepared when they really don't share her suspicions, but she's even more unprepared for the depth of her mother's anger and guilt. Her mother takes to violent expressions of grief, and long bouts of drinking, and Sylvie can't handle it any longer, so she leaves town and moves in with her aunt and cousin.
Sixteen years later, Sylvie's aunt summons her home to care for her mother, who has been diagnosed with cancer. The last thing she wants to do is return to the memories of Persephone's murder, especially since the crime was never solved, and her feelings about it, as well as her mother, who changed so drastically after Persephone's death.
"I couldn't pretend that, just by turning thirty, I was old enough now to have outgrown my feelings of motherlessness."
As she tries to negotiate her relationship with her mother and her always-mercurial moods, Sylvie finds it difficult to dwell on anything other than Persephone, especially when she encounters her sister's ex-boyfriend Ben, who now works as a nurse at her mother's cancer center. Sylvie has always believed Ben had something to do with Persephone's death, and tries to convince the police they should still consider him a suspect after all these years, but little by little, she comes to understand that the situation regarding her sister's death was more complicated than she could imagine.
She feels like she owes it to her sister to figure out what happened to her. It may resolve her own feelings of guilt, but at the same time, it could further destroy her mother and their relationship. Sometimes secrets are kept for a reason, and sometimes unearthing them only causes more heartache than good.
The Winter Sister is more of a mystery than a thriller, but along with the whodunit comes a healthy dose of family dysfunction. It's an interesting story about how the simplest of actions can scar us in ways we never realize, and how those scars affect us and our actions for the rest of our lives. It's also a look at how one secret can lead to a tangled web of them, a web that it is often difficult to escape.
This is Megan Collins' debut novel, and its strengths definitely show that she has a terrific future ahead of her. I thought at times the pacing of the book was a little slower than I would have liked, and some of the characters needed a little more complexity. But I thought she showed restraint where she could have taken the book down a very melodramatic path, and I definitely appreciated this.
Maybe reading a book called The Winter Sister made me feel even colder these last few days, but Collins' storytelling was worth the extra blanket!
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Sunday, December 16, 2018
Book Review: "Kitchen Yarns: Notes on Life, Love, and Food" by Ann Hood
"First we eat, then we do everything else."
M.F.K. Fisher
Like music, food often has such an indelible role in our memories. Many of us can remember where and when (and in some cases, with whom) we first tried certain foods, and some of us can even remember the meals or dishes we'd consider best-ever (or even worst-ever). Some turn to food for comfort, for celebration, for companionship, while some even have a complicated relationship with food. But no matter what, we can't deny the place food has in our lives beyond simple nourishment.
In her new book, Kitchen Yarns: Notes on Life, Love, and Food, Ann Hood reflects upon the connection between certain dishes and specific memories or times in her life. There are the pleasant memories of family, her first job as a flight attendant for TWA, dishes associated with her children. Then there are those dishes which remind her of times she was struggling, with grief, loneliness, despair, anger. And then there are the nostalgic recipes, which came from cookbooks that are heavily stained or have fallen apart through years of use. Each essay marks a particular time or memory, and each is accompanied by at least one recipe.
"When I write an essay about food, I am really uncovering something deeper in my lifeloss, family, confusion, growing up, growing away from what I knew, returning, grief, joy, and, yes, love."
There's the never-fail Chicken Marbella recipe from The Silver Palate Cookbook, which only failed her one time, when she was falling in love. There are the potato recipes enjoyed by two of her children, and the baked potato recipe from her new husband, the one which made her actually enjoy baked potatoes. Whether it's the blueberry muffins which remind her of the department store where she worked as a teenage model, or the various dishes her Italian grandmother and her mother afterward filled the days and nights of her childhood with, this book captures the warmth, the feeling of connection cooking brings. You know, this is why everyone winds up in the kitchen during a dinner party!
This book hit so many special notes for me. I love to cook and love to read recipes, but despite my struggles with liking food far too much (especially those dastardly carbohydrates), food has such a special place in my memories. I remember the dishes taught to me by my mother and grandmothers, those I learned in culinary school, those I tried to recreate after being wowed by a certain dish in a restaurant, and the foods I turned to during difficult times. There's a reason that when families in the Jewish religion mourn so much food is servedfood truly can bring comfort, albeit temporary, as well as fellowship.
"That even in grief, we must take tentative steps back into the world. That even in grief, we must eat. And that when we share that food with others, we are reclaiming those broken bits of our lives, holding them out as if to say, I am still here. Comfort me. As if with each bite, we remember how it is to live."
I have been a big fan of Hood's storytelling (I loved The Obituary Writer and Somewhere Off the Coast of Maine), but her writing in this book just dazzled me. I could see the ripe tomatoes in the tomato pies, taste the richness of the cassoulet, hear the crunch of her father's Indiana fried chicken. Needless to say, my stomach growled the entire day as I read this, and I cannot wait to try so many of the recipes she included in the book.
Kitchen Yarns will whet your appetite and wet your eyes from time to time. I think this is the perfect book to give as a gift to those with whom you've shared recipes, meals, and memories related to food.
Hopefully you'll be inspired to dig out recipes of your own that remind you of certain moments, and you'll think of food as more than simply a means to an end, but a way of expressing love, support, happiness, or helping you through life's difficult times. Ann Hood has given us a real gift with this book.
M.F.K. Fisher
Like music, food often has such an indelible role in our memories. Many of us can remember where and when (and in some cases, with whom) we first tried certain foods, and some of us can even remember the meals or dishes we'd consider best-ever (or even worst-ever). Some turn to food for comfort, for celebration, for companionship, while some even have a complicated relationship with food. But no matter what, we can't deny the place food has in our lives beyond simple nourishment.
In her new book, Kitchen Yarns: Notes on Life, Love, and Food, Ann Hood reflects upon the connection between certain dishes and specific memories or times in her life. There are the pleasant memories of family, her first job as a flight attendant for TWA, dishes associated with her children. Then there are those dishes which remind her of times she was struggling, with grief, loneliness, despair, anger. And then there are the nostalgic recipes, which came from cookbooks that are heavily stained or have fallen apart through years of use. Each essay marks a particular time or memory, and each is accompanied by at least one recipe.
"When I write an essay about food, I am really uncovering something deeper in my lifeloss, family, confusion, growing up, growing away from what I knew, returning, grief, joy, and, yes, love."
There's the never-fail Chicken Marbella recipe from The Silver Palate Cookbook, which only failed her one time, when she was falling in love. There are the potato recipes enjoyed by two of her children, and the baked potato recipe from her new husband, the one which made her actually enjoy baked potatoes. Whether it's the blueberry muffins which remind her of the department store where she worked as a teenage model, or the various dishes her Italian grandmother and her mother afterward filled the days and nights of her childhood with, this book captures the warmth, the feeling of connection cooking brings. You know, this is why everyone winds up in the kitchen during a dinner party!
This book hit so many special notes for me. I love to cook and love to read recipes, but despite my struggles with liking food far too much (especially those dastardly carbohydrates), food has such a special place in my memories. I remember the dishes taught to me by my mother and grandmothers, those I learned in culinary school, those I tried to recreate after being wowed by a certain dish in a restaurant, and the foods I turned to during difficult times. There's a reason that when families in the Jewish religion mourn so much food is servedfood truly can bring comfort, albeit temporary, as well as fellowship.
"That even in grief, we must take tentative steps back into the world. That even in grief, we must eat. And that when we share that food with others, we are reclaiming those broken bits of our lives, holding them out as if to say, I am still here. Comfort me. As if with each bite, we remember how it is to live."
I have been a big fan of Hood's storytelling (I loved The Obituary Writer and Somewhere Off the Coast of Maine), but her writing in this book just dazzled me. I could see the ripe tomatoes in the tomato pies, taste the richness of the cassoulet, hear the crunch of her father's Indiana fried chicken. Needless to say, my stomach growled the entire day as I read this, and I cannot wait to try so many of the recipes she included in the book.
Kitchen Yarns will whet your appetite and wet your eyes from time to time. I think this is the perfect book to give as a gift to those with whom you've shared recipes, meals, and memories related to food.
Hopefully you'll be inspired to dig out recipes of your own that remind you of certain moments, and you'll think of food as more than simply a means to an end, but a way of expressing love, support, happiness, or helping you through life's difficult times. Ann Hood has given us a real gift with this book.
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Monday, April 30, 2018
Book Review: "The Extraordinary Life of Sam Hell" by Robert Dugoni
Sam Hill's birth in 1957 caused quite a stir, as he was born with ocular albinism, which left him with red pupils. While his religiously devout mother viewed his eyes as evidence of the extraordinary potential his life holds. That's not the unanimous view of everyone in their community, howeverhis Catholic school classmates refer to him as "Devil Boy."
Sam's mother was determined that her son live life with great gusto, and not be discouraged by those who treat him badly or try to keep him from the opportunities given to every other child. Sam becomes the target of a trio of school bullies who wish to do him harm because of his eyes. But while his mother believes that events in Sam's life are determined by God's will, Sam isn't quite so sure that God would want him to suffer in fear and loneliness.
It's the arrival of Ernie Cantwell, the only African American kid in school, who first makes Sam believe people could be heaven-sent. Ernie becomes Sam's closest friend and confidante, and the two help each other battle those driven by fear and prejudice. And when brash Mickie Kennedy arrives at school, she is tougher and stronger than many of the boys, and proves that you really can go through life not caring what people think.
The Extraordinary Life of Sam Hell follows Sam as he travels from childhood to adulthood, experiences the flush of first love and lust, is buoyed by the intense loyalty and love of his closest friends, and, for the first time, realizes that God's will isn't always positive. When a tragedy hits close to home, he has to change the course of his life and become the man his mother always knew he would be, and he learns to keep people at a distance so he doesn't get hurtalthough that doesn't always guarantee emotional safety.
This book chronicles 40 years of Sam's life, relationships, work, love, family, and the bonds of friendship. It's the story of faith, disbelief, loyalty, and the struggle between right and wrong. But more than that, it's the story of one extraordinary boy who grows into an extraordinary man.
I thought this was a really great book. Sam is a fascinating yet flawed character who is able to find strength and courage in the face of tremendous adversity, thanks to an incredible support system of his parents and his friends. I grew very attached to these characters and found myself worrying about and cheering them, and wishing they'd say the things they needed to, to those they needed to.
I have seen many people wax poetic about Robert Dugoni's Tracy Crosswhite series, although I've not read any of them. I was really impressed with his storytelling in this bookin some ways it felt a little like John Irving's A Prayer for Owen Meany or something similar. It's a book that touched me emotionally and made me think at the same time.
My one criticism of the book is that it was a bit melodramatic at times, and I felt that a subplot involving the return of a figure from Sam's childhood really wasn't necessary. But beyond that, this is a book which grabbed me from the very first page, and I read it in just a few hours while on a long flight. And I may have brushed away more than a tear or two...
Sam's mother was determined that her son live life with great gusto, and not be discouraged by those who treat him badly or try to keep him from the opportunities given to every other child. Sam becomes the target of a trio of school bullies who wish to do him harm because of his eyes. But while his mother believes that events in Sam's life are determined by God's will, Sam isn't quite so sure that God would want him to suffer in fear and loneliness.
It's the arrival of Ernie Cantwell, the only African American kid in school, who first makes Sam believe people could be heaven-sent. Ernie becomes Sam's closest friend and confidante, and the two help each other battle those driven by fear and prejudice. And when brash Mickie Kennedy arrives at school, she is tougher and stronger than many of the boys, and proves that you really can go through life not caring what people think.
The Extraordinary Life of Sam Hell follows Sam as he travels from childhood to adulthood, experiences the flush of first love and lust, is buoyed by the intense loyalty and love of his closest friends, and, for the first time, realizes that God's will isn't always positive. When a tragedy hits close to home, he has to change the course of his life and become the man his mother always knew he would be, and he learns to keep people at a distance so he doesn't get hurtalthough that doesn't always guarantee emotional safety.
This book chronicles 40 years of Sam's life, relationships, work, love, family, and the bonds of friendship. It's the story of faith, disbelief, loyalty, and the struggle between right and wrong. But more than that, it's the story of one extraordinary boy who grows into an extraordinary man.
I thought this was a really great book. Sam is a fascinating yet flawed character who is able to find strength and courage in the face of tremendous adversity, thanks to an incredible support system of his parents and his friends. I grew very attached to these characters and found myself worrying about and cheering them, and wishing they'd say the things they needed to, to those they needed to.
I have seen many people wax poetic about Robert Dugoni's Tracy Crosswhite series, although I've not read any of them. I was really impressed with his storytelling in this bookin some ways it felt a little like John Irving's A Prayer for Owen Meany or something similar. It's a book that touched me emotionally and made me think at the same time.
My one criticism of the book is that it was a bit melodramatic at times, and I felt that a subplot involving the return of a figure from Sam's childhood really wasn't necessary. But beyond that, this is a book which grabbed me from the very first page, and I read it in just a few hours while on a long flight. And I may have brushed away more than a tear or two...
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Saturday, April 21, 2018
Book Review: "Every Other Weekend" by Zulema Renee Summerfield
"It is 1988 and America is full of broken homes. America's time is measured in every-other-weekend-and-sometimes-once-a-week. Her drawers are filled with court papers and photos no one looks at anymore. Her children have bags that're always packed and waiting by the door."
Nenny is eight years old when her parents tell her and her brothers, Bubbles and Tiny, that they are getting divorced, their father is moving into a new apartment, and they'll see him every other weekend.
After living in a house with their mother and a friend of hers from the hospital where she works, their mother starts dating a new man, Rick, a Vietnam vet who also works at the hospital. Rick has two children of his own, Kat, an emotional, know-it-all 16-year-old, and Charles, who is Nenny's age.
Once Nenny and her siblings have gotten used to the upheaval in their lives, they are thrown another loop when their mother and Rick marry, and they move into Rick's house. Suddenly, Nenny has more siblings and has to deal with a mother who must spread her attention and love even thinner, plus she must navigate the newness of Rick, his off-putting silences, his thriftiness, and the emotional distance he seems to keep.
Nenny is a nervous child with an overactive imagination. She fears experiencing the types of disasters she hears about on the newsfires, earthquakes, home invasionsbut she also fears unbelievable scenarios she's dreamed up, like Mikhail Gorbachev drafting her and all of her classmates into the Russian army, or her mother disappearing, never to be heard from again. But as she prepares for what she believes to be the worst to happen, she and her family are unprepared for the tragedy that does occur.
Every Other Weekend is a nostalgic look at growing up a child of divorce, when all of the things you've relied on for security are gone, and you have to become acclimated to an entirely new life. It's a book about desperately wanting to be noticed, wanting to be loved, and having that need be so palpable. It's also a book about how families can change shape and reform, and how it takes time to realize that comfort and love come from surprising places, when we least expect it.
This was a sweet book, and Zulema Renee Summerfield really created a memorable character with Nennysilly, sweet, emotional, loving, confused, fearful, and curious. I thought the book would be pretty predictable, yet Summerfield definitely chose her own path from time to time. She's a very talented writer, and none of her characters are more precocious than their agesthey sound authentic rather than too clever for their own good.
The story shifts between real life and Nenny's fears, as well as some strange chapters which felt a little more like non sequiturs than plot devices, and that disrupted the flow of the story for me. But at its core, this is a poignant story with a lot of heart, featuring an endearing character you'll remember.
NetGalley and Little, Brown and Company provided me an advance copy of the book in exchange for an unbiased review. Thanks for making this available!
Nenny is eight years old when her parents tell her and her brothers, Bubbles and Tiny, that they are getting divorced, their father is moving into a new apartment, and they'll see him every other weekend.
After living in a house with their mother and a friend of hers from the hospital where she works, their mother starts dating a new man, Rick, a Vietnam vet who also works at the hospital. Rick has two children of his own, Kat, an emotional, know-it-all 16-year-old, and Charles, who is Nenny's age.
Once Nenny and her siblings have gotten used to the upheaval in their lives, they are thrown another loop when their mother and Rick marry, and they move into Rick's house. Suddenly, Nenny has more siblings and has to deal with a mother who must spread her attention and love even thinner, plus she must navigate the newness of Rick, his off-putting silences, his thriftiness, and the emotional distance he seems to keep.
Nenny is a nervous child with an overactive imagination. She fears experiencing the types of disasters she hears about on the newsfires, earthquakes, home invasionsbut she also fears unbelievable scenarios she's dreamed up, like Mikhail Gorbachev drafting her and all of her classmates into the Russian army, or her mother disappearing, never to be heard from again. But as she prepares for what she believes to be the worst to happen, she and her family are unprepared for the tragedy that does occur.
Every Other Weekend is a nostalgic look at growing up a child of divorce, when all of the things you've relied on for security are gone, and you have to become acclimated to an entirely new life. It's a book about desperately wanting to be noticed, wanting to be loved, and having that need be so palpable. It's also a book about how families can change shape and reform, and how it takes time to realize that comfort and love come from surprising places, when we least expect it.
This was a sweet book, and Zulema Renee Summerfield really created a memorable character with Nennysilly, sweet, emotional, loving, confused, fearful, and curious. I thought the book would be pretty predictable, yet Summerfield definitely chose her own path from time to time. She's a very talented writer, and none of her characters are more precocious than their agesthey sound authentic rather than too clever for their own good.
The story shifts between real life and Nenny's fears, as well as some strange chapters which felt a little more like non sequiturs than plot devices, and that disrupted the flow of the story for me. But at its core, this is a poignant story with a lot of heart, featuring an endearing character you'll remember.
NetGalley and Little, Brown and Company provided me an advance copy of the book in exchange for an unbiased review. Thanks for making this available!
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Wednesday, April 11, 2018
Book Review: "The Gunners" by Rebecca Kauffman
From a young age, the six of them were inseparable friendsMikey, Jimmy, Sam, Alice, Sally, and Lynn. They pranked and teased, protected and supported each other, and even helped each other cheat in school. They became The Gunners, after the name on the mailbox of the abandoned house in their neighborhood they took over as their de-facto clubhouse. Even into their teenage years, they knew they'd be friends forever. But of course, that wasn't what happened.
"As children, The Gunners could not have imagined that by the time they were sixteen years old, one of them would turn her back on the others, and the group would be so fractured by the loss, the sudden and unexplained absence of this one, that within weeks the other friendships would also dissolve, leaving each of them in a dark and confounding solitude."
Mikey Callahan never leaves their hometown, although the rest of The Gunners head off in every direction. All of them except Sally, whose sudden, mysterious departure from the group caused its demise. Sally still lives in town as well, but even though she and Mikey see each other, she never speaks to him or even pretends to know him. It further reinforces Mikey's feelings of loneliness and disconnectionhe has a tenuous, almost formal relationship with his father, and he is slowly going blind due to macular degeneration. For a 30-year-old, he feels old and alone.
Although Mikey and his old friends keep in sporadic touch, they are all brought together when Sally unexpectedly commits suicide. Jimmy, Sam, Alice, and Lynn return home, each bearing their own wounds from life. As they reunite and reminisce, each is buoyed by rekindling the bonds of friendship, and pained by Sally's absence, and the confusion and hurt they all still feel about her abandoning the group. But many are also burdened by the belief that it was their actions that caused Sally's break from the group and their lives, and perhaps led to her suicide years later.
It's always amazing how vividly childhood memories can live on into adulthood, and how the hurts we sustain in childhood can continue to haunt us as well. Rebecca Kauffman's heartfelt story captures the innocence and the pain of growing up, the beauty and the disillusionment that friendship can bring to our lives, and how the memories and the connections we make are ones to be cherished our entire lives.
The Gunners tells a familiar story in many ways, yet Kauffman throws in her own unique touches. The narration shifts from childhood to adulthood, alighting on different memories of each of the friends. This is a beautifully written, poignant book with fascinating characters, but we don't get to know all of them as well as I wish we had. Mikey, however, is the heart and soul of this book, and his journey, his longing, tugs at your heart and your emotions.
For those who are disturbed by such things, there is a segment toward the end of the book (which runs far too long, although I understood the overall point Kauffman was looking to make) which takes place in a meat processing plant, so there are descriptions of animals being killed and processed. I pretty much skimmed most of it, but it may upset some.
While the plot of The Gunners didn't remind me of the movie Stand By Me in any way, I couldn't stop thinking of my favorite quote from that movie while reading this book: "I never had any friends later on like the ones I had when I was twelve. Jesus, does anyone?"
This book is a wonderful tribute to the power of connection, of belonging, and the beauty of friendship. I so enjoyed this.
"As children, The Gunners could not have imagined that by the time they were sixteen years old, one of them would turn her back on the others, and the group would be so fractured by the loss, the sudden and unexplained absence of this one, that within weeks the other friendships would also dissolve, leaving each of them in a dark and confounding solitude."
Mikey Callahan never leaves their hometown, although the rest of The Gunners head off in every direction. All of them except Sally, whose sudden, mysterious departure from the group caused its demise. Sally still lives in town as well, but even though she and Mikey see each other, she never speaks to him or even pretends to know him. It further reinforces Mikey's feelings of loneliness and disconnectionhe has a tenuous, almost formal relationship with his father, and he is slowly going blind due to macular degeneration. For a 30-year-old, he feels old and alone.
Although Mikey and his old friends keep in sporadic touch, they are all brought together when Sally unexpectedly commits suicide. Jimmy, Sam, Alice, and Lynn return home, each bearing their own wounds from life. As they reunite and reminisce, each is buoyed by rekindling the bonds of friendship, and pained by Sally's absence, and the confusion and hurt they all still feel about her abandoning the group. But many are also burdened by the belief that it was their actions that caused Sally's break from the group and their lives, and perhaps led to her suicide years later.
It's always amazing how vividly childhood memories can live on into adulthood, and how the hurts we sustain in childhood can continue to haunt us as well. Rebecca Kauffman's heartfelt story captures the innocence and the pain of growing up, the beauty and the disillusionment that friendship can bring to our lives, and how the memories and the connections we make are ones to be cherished our entire lives.
The Gunners tells a familiar story in many ways, yet Kauffman throws in her own unique touches. The narration shifts from childhood to adulthood, alighting on different memories of each of the friends. This is a beautifully written, poignant book with fascinating characters, but we don't get to know all of them as well as I wish we had. Mikey, however, is the heart and soul of this book, and his journey, his longing, tugs at your heart and your emotions.
For those who are disturbed by such things, there is a segment toward the end of the book (which runs far too long, although I understood the overall point Kauffman was looking to make) which takes place in a meat processing plant, so there are descriptions of animals being killed and processed. I pretty much skimmed most of it, but it may upset some.
While the plot of The Gunners didn't remind me of the movie Stand By Me in any way, I couldn't stop thinking of my favorite quote from that movie while reading this book: "I never had any friends later on like the ones I had when I was twelve. Jesus, does anyone?"
This book is a wonderful tribute to the power of connection, of belonging, and the beauty of friendship. I so enjoyed this.
Tuesday, April 3, 2018
Book Review: "Inside Charlie's Chocolate Factory" by Lucy Mangan
My favorite movie of all time is Willy Wonka and the Chocolate Factory, the original version, starring Gene Wilder. (People who ask, "Which version," flummox me; as far as I'm concerned, there was never any reason to remake it in the first place!)
The book has always been a favorite of mine, too; in fact, Roald Dahl is one of those authors whose books were such an integral part of my childhood. (Interestingly, I've seen the movie so many times, and it's been a while since I read the book, so I sometimes forget which things were carried over into the film, and which things were created anew!)
Lucy Mangan's Inside Charlie's Chocolate Factory was written in 2014, to coincide with the 50th anniversary of Dahl's book. For fans of the story and the movie, this book is a treasure trove of trivia, memorabilia, and fascinating facts, about what led Dahl to write the book, his life at the time it was written, and the inspirations behind each of the movie adaptations. Some things I knew, and some things I was really surprised by.
Some things I found really interesting:
This book once again reminded me why I love Willy Wonka the character, and the movie, so much. Mangan did some terrific research and although the book doesn't quite follow a linear pathit jumps between the book and the movie adaptations from time to timeMangan keeps your interest the whole way through. This is as much a story of Dahl as it is his characters and his creative process.
You don't have to be the kind of person who knows the entire movie word for word, used a quote from the movie as his senior quote in college ("We are the music makers and we are the dreamers of dreams"), and has a collection of character figurines in their office at work to enjoy this book. If you have fond memories of being read, or reading, Dahl's original book, or watching the movie, you'll enjoy this deliciously delightful trip into the world of pure imagination.
The book has always been a favorite of mine, too; in fact, Roald Dahl is one of those authors whose books were such an integral part of my childhood. (Interestingly, I've seen the movie so many times, and it's been a while since I read the book, so I sometimes forget which things were carried over into the film, and which things were created anew!)
Lucy Mangan's Inside Charlie's Chocolate Factory was written in 2014, to coincide with the 50th anniversary of Dahl's book. For fans of the story and the movie, this book is a treasure trove of trivia, memorabilia, and fascinating facts, about what led Dahl to write the book, his life at the time it was written, and the inspirations behind each of the movie adaptations. Some things I knew, and some things I was really surprised by.
Some things I found really interesting:
- The name "Willy Wonka" was pulled nearly out of thin airDahl's brother used to make a kind of boomerang for him, which he called "Skilly Wonka," so when Dahl sat down to write the book, he remembered that, and decided to change two letters in the name, and the rest is history.
- Broadway actor (and eventual Academy Award winner) Joel Grey was one of director Mel Stuart's first choices to play Wonka in the 1971 film, yet despite his proven ability to sing, dance, and act, he felt Grey "wasn't physically imposing enough" to be a surrogate father figure to the children. (They found out later that Fred Astaire had been interested in playing the part, but nothing came to fruition; perhaps the fact that Astaire was in his early 70s at the time convinced him not to pursue it.)
- Although in my mind, and the mind of countless moviegoers through the years, Gene Wilder was truly the quintessential Willy Wonka, apparently Dahl disliked Wilder's portrayal. Apparently he wanted an actor like Peter Sellers, and he was unhappy that Wilder was completely wrong for the role, playing it for "subtle adult laughs." (Ironically, that's one of the things I love so much about his performancethe sly asides which became clearer with multiple viewings, and getting older.)
This book once again reminded me why I love Willy Wonka the character, and the movie, so much. Mangan did some terrific research and although the book doesn't quite follow a linear pathit jumps between the book and the movie adaptations from time to timeMangan keeps your interest the whole way through. This is as much a story of Dahl as it is his characters and his creative process.
You don't have to be the kind of person who knows the entire movie word for word, used a quote from the movie as his senior quote in college ("We are the music makers and we are the dreamers of dreams"), and has a collection of character figurines in their office at work to enjoy this book. If you have fond memories of being read, or reading, Dahl's original book, or watching the movie, you'll enjoy this deliciously delightful trip into the world of pure imagination.
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Friday, November 24, 2017
Book Review: "Green" by Sam Graham-Felsen
"I am the white boy at the Martin Luther King Middle. Well, one of two. Kev, my oldest friend and the biggest dick I know, is the other. But if you had to pick just one, it'd be me. There are a few other white kids in the system (unless you count Boston Latin as a public school, which you shouldn't), and I pretty much know all of them."
Dave Greenfeld (aka "Green") is starting the sixth grade in Boston in 1992. His "hippie parents" have no interest in the latest fashion trends or really any of the status symbols that would ease his transition into middle schoolthey'd rather buy his clothes at thrift shops, and don't see the need to spend money on fancy sneakers, even if no one else would be caught dead in year-old Filas. He wishes his parents would just send him to private school, like they do his troubled younger brother, Benno.
Middle school starts pretty much the same way elementary school ended for Davethe girls pretty much ignore him, and he gets bullied by kids of all races. Even Kev, his oldest friend, would rather avoid him and hang out with the cooler kids. Avoiding bullies and being friendless seems to be Dave's destiny, unless he aces the placement test that will guarantee him a spot at Boston Latin, the best public high school in the city. If you get into Latin, you're going to college, guaranteed.
One day, Dave is surprised when one of his fellow classmates, Marlon Wellings, stands up for him. Marlon lives with his grandmother in the public housing projects down the street from Dave's house. But Marlon is far from the stereotypical "projects kid": he is driven by his ambition to get into Latin, he steers clear of those who want to draw him into their gangs or their trouble, and he's obsessed with the Boston Celtics, especially his favorite player, Larry Bird.
Mar and Dave become fast friends, and they spend their time hanging out at Dave's house, watching vintage Celtics games (Mar has them all on videotape), playing "nasketball," a game Dave made up involving a trampoline, and listening to Mar's obsession with doing well on the Latin placement test. Dave envies Mar's devotion to his church (Dave was raised a "secular Jew," although his family doesn't observe any religion, which is a frustration to his paternal grandfather, whose entire family was killed in the Holocaust), his fascination with going to Harvard some day, and the way he doesn't seem to let anything bother him, yet Dave knows he has issues of his own.
But when Mar is not around, Dave is still being bullied, and confronting the violence that breeds in the urban community in which he lives, as well as among his own classmates. He becomes more and more desperate for his parents to put him in private school because he doesn't think he'll be able to do well enough on the Latin placement test to escape his school, but his parents would rather just report Dave's problems to the principal, making him even more a target. He's afraid to stand up for himself, let alone his friends, like Mar.
As Mar begins experiencing problems of his own, problems he doesn't want to discuss with Dave, Dave realizes that there are differences between the two of them that they keep running into. He never really thought he was actually luckier than his friend, and doesn't quite understand the struggles that Mar faces, snap judgments from people that don't even know him. But little by little, those differences strain their relationship, causing both of them to act in ways they never imagined they would.
Green is an insightful, thought-provoking coming-of-age novel which deals with some significant issues without being overly heavy-handed. Sam Graham-Felsen, in his debut novel, provides interesting, and at times poignant, commentary about racial and cultural differences, and how they can strain a friendship. He has also created a fascinating, flawed narrator in Dave, who at times seems much older than his age, and at times reminds you that you're listening to life filtered through the eyes of a sixth-grader.
I enjoyed this book but thought the pacing was a little slow, and the same things seemed to happen a few times before the plot advanced. There were a few plot threads that never really got resolved, particularly why Benno refused to speak for more than a year, and there were veiled references to tragedies within Dave's father's family that never were addressed. Why allude to things that you're not willing to wrap them up?
One warning: there's a good amount of attention given to Dave's burgeoning hormones and his increasing obsession with masturbation, so this could make you uncomfortable.
Much like the main character himself, Green is imperfect but tremendously engaging. Sam Graham-Felsen has created a refreshing new narrator with a fascinating and moving perspective on growing up in the midst of racial and cultural tensions. It's a surprisingly timely book, even though it takes place in 1992.
NetGalley and Random House provided me an advance copy of the book in exchange for an unbiased review. Thanks for making this available!
Dave Greenfeld (aka "Green") is starting the sixth grade in Boston in 1992. His "hippie parents" have no interest in the latest fashion trends or really any of the status symbols that would ease his transition into middle schoolthey'd rather buy his clothes at thrift shops, and don't see the need to spend money on fancy sneakers, even if no one else would be caught dead in year-old Filas. He wishes his parents would just send him to private school, like they do his troubled younger brother, Benno.
Middle school starts pretty much the same way elementary school ended for Davethe girls pretty much ignore him, and he gets bullied by kids of all races. Even Kev, his oldest friend, would rather avoid him and hang out with the cooler kids. Avoiding bullies and being friendless seems to be Dave's destiny, unless he aces the placement test that will guarantee him a spot at Boston Latin, the best public high school in the city. If you get into Latin, you're going to college, guaranteed.
One day, Dave is surprised when one of his fellow classmates, Marlon Wellings, stands up for him. Marlon lives with his grandmother in the public housing projects down the street from Dave's house. But Marlon is far from the stereotypical "projects kid": he is driven by his ambition to get into Latin, he steers clear of those who want to draw him into their gangs or their trouble, and he's obsessed with the Boston Celtics, especially his favorite player, Larry Bird.
Mar and Dave become fast friends, and they spend their time hanging out at Dave's house, watching vintage Celtics games (Mar has them all on videotape), playing "nasketball," a game Dave made up involving a trampoline, and listening to Mar's obsession with doing well on the Latin placement test. Dave envies Mar's devotion to his church (Dave was raised a "secular Jew," although his family doesn't observe any religion, which is a frustration to his paternal grandfather, whose entire family was killed in the Holocaust), his fascination with going to Harvard some day, and the way he doesn't seem to let anything bother him, yet Dave knows he has issues of his own.
But when Mar is not around, Dave is still being bullied, and confronting the violence that breeds in the urban community in which he lives, as well as among his own classmates. He becomes more and more desperate for his parents to put him in private school because he doesn't think he'll be able to do well enough on the Latin placement test to escape his school, but his parents would rather just report Dave's problems to the principal, making him even more a target. He's afraid to stand up for himself, let alone his friends, like Mar.
As Mar begins experiencing problems of his own, problems he doesn't want to discuss with Dave, Dave realizes that there are differences between the two of them that they keep running into. He never really thought he was actually luckier than his friend, and doesn't quite understand the struggles that Mar faces, snap judgments from people that don't even know him. But little by little, those differences strain their relationship, causing both of them to act in ways they never imagined they would.
Green is an insightful, thought-provoking coming-of-age novel which deals with some significant issues without being overly heavy-handed. Sam Graham-Felsen, in his debut novel, provides interesting, and at times poignant, commentary about racial and cultural differences, and how they can strain a friendship. He has also created a fascinating, flawed narrator in Dave, who at times seems much older than his age, and at times reminds you that you're listening to life filtered through the eyes of a sixth-grader.
I enjoyed this book but thought the pacing was a little slow, and the same things seemed to happen a few times before the plot advanced. There were a few plot threads that never really got resolved, particularly why Benno refused to speak for more than a year, and there were veiled references to tragedies within Dave's father's family that never were addressed. Why allude to things that you're not willing to wrap them up?
One warning: there's a good amount of attention given to Dave's burgeoning hormones and his increasing obsession with masturbation, so this could make you uncomfortable.
Much like the main character himself, Green is imperfect but tremendously engaging. Sam Graham-Felsen has created a refreshing new narrator with a fascinating and moving perspective on growing up in the midst of racial and cultural tensions. It's a surprisingly timely book, even though it takes place in 1992.
NetGalley and Random House provided me an advance copy of the book in exchange for an unbiased review. Thanks for making this available!
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Thursday, September 7, 2017
Book Review: "The Child Finder" by Rene Denfeld
You've got that right. But it's not Gaston who has slayed me this time, it is Rene Denfeld's exquisite new book, The Child Finder.
Denfeld has left me breathless before, with her incredible debut novel, The Enchanted (see my original review), which made my list of the best books I read last year. With her second novel, she proves her talent for creating exceptionally memorable characters and beautiful stories which you cannot get out of your mind.
Naomi is an investigator with an uncanny ability of finding lost children. She is often the last resort for desperate parents and police, sometimes even defense attorneys, who call her the "Child Finder." But as successful as Naomi has been at finding out what happened to these children, even saving many of them, Naomi was once a lost girl, too, and she can't quite remember what happened to her before she was found.
"Each child she found was a molecule, a part of herself still remaining in the scary world she had left behind. Eventually they would all come together and form one being, knitted together in triumph. We are not forgotten, her actions told her. You will not put us aside."
Naomi is hired by the Culver family to find their daughter Madison, who went missing three years ago in Oregon's Skookum National Forest, when they were looking for a Christmas tree. No one can figure out what happened to Madisondid she get lost, did she fall into an abandoned mine hole or other crevasse, or was she taken by someone watching the woods? While the latter option is a disturbing one to ponder, the bitter cold and snow makes it unlikely she might have survived otherwise, let alone still be alive three years later.
Naomi is methodical in her search, knowing that one misstep, or misjudging the weather, could prove dangerous. Yet as she tries to figure out what might have happened to Madison, whether she is alive, and if so, where she might be, she has her own struggles to deal with. She wants to figure out what the nightmares that have her running in her sleep and waking with a howl mean, and where the missing pieces of her own childhood memories lead.
"Her entire life she had been running from terrifying shadows she could no longer seeand in escape she ran straight into life. In the years since, she had discovered the sacrament of life did not demand memory. Like a leaf that drank from the morning dew, you didn't question the morning sunrise or the sweet taste on your mouth. You just drank."
She must also understand why she can never stay in one place, and why she doesn't allow people to get too close to her. And more than that, she faces a decision about her future, and how she feels about the one person who has been a consistent figure in her life for as long as she can remember.
I fell in love with The Child Finder from its very first lines. This is a quietly powerful and emotional story, one of tragedy and triumph, loss and hope, of the balance between uncovering the truth and letting memories be. The chapters are narrated alternatively by Naomi and a magical child, and the characters in this book will find their way into your mind and your heart.
Denfeld is an exceptional writer, and she knows how to draw you into a story and keep you hooked from start to finish. This is a must-read, and if you've never read The Enchanted, run, don't walk, to get that one as well. I will now wait impatiently for Denfeld's next book.
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Monday, March 20, 2017
Book Review: "News of the World" by Paulette Jiles
Yeah, I'm late to the party on this one.
I'm man enough to admit I didn't read this before now because I was misinformed. For some reason I mistakenly believed this book was another story which veered closely to True Grityou know, cantankerous old man becomes the protector of a young-but-tough girl, and hijinks and friendships ensue. Having read the book, and seen both versions of the film, and also read a pretender or two, I really wasn't enamored of reading another similar story.
While there are perhaps a few similar elements, Paulette Jiles' News of the World is a story all its own, full of heart and beauty and simplicity and tenderness, and even a little poetry. It totally took me by surprise and I loved nearly every minute of it.
1870. The U.S. is starting to recover from the damages wrought by the Civil War. Captain Jefferson Kyle Kidd, a veteran of two wars (the first when he was just a teenager), is now an elderly widower, a former printer who now spends his days traveling throughout Texas, reading newspapers from all over the world to paying crowds anxious and interested to hear about what is happening both in places they know and places they might only have imagined. He is careful, however, to steer away from any news of Reconstruction and the Confederacy, knowing how it will inflame tempers.
While in one town, he is offered a joband a $50 gold pieceto bring a young girl who had been taken from her family four years before by a band of Kiowa raiders. Her family was killed, but she survived, and was taken in to the Kiowa family, raised as one of them. But such things cannot be, and when she is recaptured, it is decreed that she should be returned to her closest living relatives, an aunt and uncle near San Antonio.
For 10-year-old Johanna, the only family she really knows are the Kiowa Indians who raised her, and she cannot understand why she has been taken away from them. She doesn't appear to know English, refuses to wear shoes or act in a "civilized" manner, will not eat with a fork and knife, and tries to find any opportunity to cross the river and hopefully return home.
But as Captain Kidd and Johanna travel through Texas, finding themselves in danger more often than they care to count, and trying to find common ground, the two begin building a relationship of sorts, with Kidd trying to find empathy for this young girl whose life has already been turned upside down twice, and by dint of his job, he will be party to this happening a third time.
"More than ever knowing in his fragile bones that it was the duty of men who aspired to the condition of humanity to protect children and kill for them if necessary."
As they draw closer and closer to San Antonio, and an uncertain fate for Johanna, Kidd is tornhe knows at his age, a widower living alone has no place raising a child, especially one so traumatized by life as Johanna has been. But can he really let her go, after he has become the only person she trusts and can communicate with? And if he doesn't deliver her to her aunt and uncle, does that make his as much a kidnapper as the Kiowa?
I've really simplified the plot of this book, but it is such a lovely story. Have we seen elements of this type of story before? Certainly. But even if you have suspicions of how the plot will unfold, and those suspicions may prove correct, Jiles' tells such a beautiful story, and has created two immensely memorable characters, characters which warm the heart and stay in the mind.
What struck me about this book is that Jiles was able to create a little bit of tension at every turn, which made the story move even a little faster, and she imbued her descriptions of their surroundings throughout their journey with such evocative imagery, it was lyrical, even poetic. I was fascinated by Kidd's reading the news to peopleit's the first time I've ever heard of that happening.
I am not generally a fan of historical fiction, but this book really worked for me. If you're not one of the people who already has taken this book to your heart, add it to your list, because these characters will make you smile and, perhaps even cry a little.
I'm man enough to admit I didn't read this before now because I was misinformed. For some reason I mistakenly believed this book was another story which veered closely to True Grityou know, cantankerous old man becomes the protector of a young-but-tough girl, and hijinks and friendships ensue. Having read the book, and seen both versions of the film, and also read a pretender or two, I really wasn't enamored of reading another similar story.
While there are perhaps a few similar elements, Paulette Jiles' News of the World is a story all its own, full of heart and beauty and simplicity and tenderness, and even a little poetry. It totally took me by surprise and I loved nearly every minute of it.
1870. The U.S. is starting to recover from the damages wrought by the Civil War. Captain Jefferson Kyle Kidd, a veteran of two wars (the first when he was just a teenager), is now an elderly widower, a former printer who now spends his days traveling throughout Texas, reading newspapers from all over the world to paying crowds anxious and interested to hear about what is happening both in places they know and places they might only have imagined. He is careful, however, to steer away from any news of Reconstruction and the Confederacy, knowing how it will inflame tempers.
While in one town, he is offered a joband a $50 gold pieceto bring a young girl who had been taken from her family four years before by a band of Kiowa raiders. Her family was killed, but she survived, and was taken in to the Kiowa family, raised as one of them. But such things cannot be, and when she is recaptured, it is decreed that she should be returned to her closest living relatives, an aunt and uncle near San Antonio.
For 10-year-old Johanna, the only family she really knows are the Kiowa Indians who raised her, and she cannot understand why she has been taken away from them. She doesn't appear to know English, refuses to wear shoes or act in a "civilized" manner, will not eat with a fork and knife, and tries to find any opportunity to cross the river and hopefully return home.
But as Captain Kidd and Johanna travel through Texas, finding themselves in danger more often than they care to count, and trying to find common ground, the two begin building a relationship of sorts, with Kidd trying to find empathy for this young girl whose life has already been turned upside down twice, and by dint of his job, he will be party to this happening a third time.
"More than ever knowing in his fragile bones that it was the duty of men who aspired to the condition of humanity to protect children and kill for them if necessary."
As they draw closer and closer to San Antonio, and an uncertain fate for Johanna, Kidd is tornhe knows at his age, a widower living alone has no place raising a child, especially one so traumatized by life as Johanna has been. But can he really let her go, after he has become the only person she trusts and can communicate with? And if he doesn't deliver her to her aunt and uncle, does that make his as much a kidnapper as the Kiowa?
I've really simplified the plot of this book, but it is such a lovely story. Have we seen elements of this type of story before? Certainly. But even if you have suspicions of how the plot will unfold, and those suspicions may prove correct, Jiles' tells such a beautiful story, and has created two immensely memorable characters, characters which warm the heart and stay in the mind.
What struck me about this book is that Jiles was able to create a little bit of tension at every turn, which made the story move even a little faster, and she imbued her descriptions of their surroundings throughout their journey with such evocative imagery, it was lyrical, even poetic. I was fascinated by Kidd's reading the news to peopleit's the first time I've ever heard of that happening.
I am not generally a fan of historical fiction, but this book really worked for me. If you're not one of the people who already has taken this book to your heart, add it to your list, because these characters will make you smile and, perhaps even cry a little.
Labels:
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Monday, February 20, 2017
Book Review: "The Dry" by Jane Harper
Wow, this was really a great book! I love it when books which are hyped actually live up to the praise they're getting, and Jane Harper's The Dry definitely did.
This book had everythinggreat writing, a terrifically evocative setting (I felt hot every time I read it, and it wasn't just because I'm running a fever, and I kept expecting everyone I came into contact with to speak with an Australian accent), interesting character development, and lots of twists and turns. It's amazing to think that this is Harper's debut novel, because it felt like a book written by a virtuoso.
Federal Agent Aaron Falk returns to Kiewarra, the small, rural Australian town where he grew up, when he hears that his childhood best friend, Luke, is dead, along with Luke's wife and young son. Actually his return for Luke's funeral isn't by choice: he's summoned by Luke's father, who threatens to bring to light an old secret that Luke and Aaron shared if he doesn't come home. Years ago, their friend Ellie Deacon drowned, but it turned out she was murdered. Luke and Aaron were each other's alibi that night, although neither really asked where the other one was. Many in the town suspected they lied.
"They'd all been so tight. Teenage tight, where you believe your friends are soul mates and the bonds will last forever."
Kiewarra has been ravaged by endless drought and the townspeople are on edge, coupled with the tragic circumstances around the deaths of Luke and his family. Given that Aaron and his father fled the town years ago, after both were accused of being involved in Ellie's death, many people in town, including Ellie's ne'er-do-well father and violent cousin, still aren't happy to see him.
As much as he wants to get out of Kiewarra as quickly as he arrived, Aaron promises Luke's parents that he will look into what really happened the day Luke and his family died. Partnering with a local police officer, Aaron tries to make sense of who could have been involved, and they both quickly find more than their share of secrets and lies, and Aaron must come face-to-face with an unending supply of childhood memories, some good, some bad. But the more they dig into the crime, the more they uncover, and the more hostile the townspeople become.
Is this crime related to the lie that Luke and Aaron told all those years ago, or was something else afoot? Are those still trying to cause people to suspect Aaron's involvement in Ellie's death actually involved in Luke's? Did the drought so destroy this town and any sense of hope that someone felt compelled to murder, or did Luke just snap under pressure one day, like so many believe? These are questions Aaron and his police partner need to find answers to, but will danger find them first?
The truth is, a lot of times I'm hesitant to read crime or mystery novels where you actually have to figure out who the perpetrator is, mainly because I feel this way:
Harper really did her best to keep you guessing, although that didn't stop me from suspecting nearly everyone at one point. "Wait, you seem sympathetic? You did it," I thought. But while I wasn't completely surprised by the way she resolved the story, I still was surprised at the motivation behind it until the very end. And there was one revelation about the second mystery that baffled me, so I'm going to need to reach out to someone else who has read the book to see if I understood the plot correctly.
All told, this is a tremendously suspenseful, exceptionally well-written book that really blew me away. Lately I've been reading crime novels that have been more novel than crime, which hasn't been a bad thing, but The Dry was really a crime novel. If this is Harper's debut, I can't wait to see what comes next, because she hit a homer with this one!!
This book had everythinggreat writing, a terrifically evocative setting (I felt hot every time I read it, and it wasn't just because I'm running a fever, and I kept expecting everyone I came into contact with to speak with an Australian accent), interesting character development, and lots of twists and turns. It's amazing to think that this is Harper's debut novel, because it felt like a book written by a virtuoso.
Federal Agent Aaron Falk returns to Kiewarra, the small, rural Australian town where he grew up, when he hears that his childhood best friend, Luke, is dead, along with Luke's wife and young son. Actually his return for Luke's funeral isn't by choice: he's summoned by Luke's father, who threatens to bring to light an old secret that Luke and Aaron shared if he doesn't come home. Years ago, their friend Ellie Deacon drowned, but it turned out she was murdered. Luke and Aaron were each other's alibi that night, although neither really asked where the other one was. Many in the town suspected they lied.
"They'd all been so tight. Teenage tight, where you believe your friends are soul mates and the bonds will last forever."
Kiewarra has been ravaged by endless drought and the townspeople are on edge, coupled with the tragic circumstances around the deaths of Luke and his family. Given that Aaron and his father fled the town years ago, after both were accused of being involved in Ellie's death, many people in town, including Ellie's ne'er-do-well father and violent cousin, still aren't happy to see him.
As much as he wants to get out of Kiewarra as quickly as he arrived, Aaron promises Luke's parents that he will look into what really happened the day Luke and his family died. Partnering with a local police officer, Aaron tries to make sense of who could have been involved, and they both quickly find more than their share of secrets and lies, and Aaron must come face-to-face with an unending supply of childhood memories, some good, some bad. But the more they dig into the crime, the more they uncover, and the more hostile the townspeople become.
Is this crime related to the lie that Luke and Aaron told all those years ago, or was something else afoot? Are those still trying to cause people to suspect Aaron's involvement in Ellie's death actually involved in Luke's? Did the drought so destroy this town and any sense of hope that someone felt compelled to murder, or did Luke just snap under pressure one day, like so many believe? These are questions Aaron and his police partner need to find answers to, but will danger find them first?
The truth is, a lot of times I'm hesitant to read crime or mystery novels where you actually have to figure out who the perpetrator is, mainly because I feel this way:
Harper really did her best to keep you guessing, although that didn't stop me from suspecting nearly everyone at one point. "Wait, you seem sympathetic? You did it," I thought. But while I wasn't completely surprised by the way she resolved the story, I still was surprised at the motivation behind it until the very end. And there was one revelation about the second mystery that baffled me, so I'm going to need to reach out to someone else who has read the book to see if I understood the plot correctly.
All told, this is a tremendously suspenseful, exceptionally well-written book that really blew me away. Lately I've been reading crime novels that have been more novel than crime, which hasn't been a bad thing, but The Dry was really a crime novel. If this is Harper's debut, I can't wait to see what comes next, because she hit a homer with this one!!
Saturday, January 14, 2017
Book Review: "Our Short History" by Lauren Grodstein
If it has been said that insanity is doing the same thing over and over again and expecting a different result, well then, I'm (more than) a touch insane. Because I keep reading books that are tearjerkers despite the fact that television commercials make me tear up, and yet I'm surprised that these books leave me a sniffling mess nearly Every. Single. Time. And so it is with Lauren Grodstein's newest novel, Our Short History.
Karen Neulander has made a name for herself as one of New York's top political consultants. She's not afraid to leak things to the press about her clients' opponents, or do everything she needs to in order to help them gain advantage and, of course, votes. She's equally protective of her six-year-old son, Jake, whom she has raised alone since before he was born. When she found out she was pregnant, her boyfriend at the time told her he didn't want to have kids, so she left and never spoke to him again.
Now Karen is facing an even tougher opponent. Two years ago she was diagnosed with Stage IV ovarian cancer, and given approximately four years to live. While she has fought as hard as she could, with surgery and chemotherapy, she knows there will come a time that she won't be around any longer, no matter how much she hopes a miracle might come her way. But she has everything all planned outwhen she feels that she's ready, she and Jake will move to Seattle to live with her younger sister Allie and her family, so Jake will be cared for when it's time.
While Jake understandsas much as a young child canwhat is happening to his mother, he has one request: he wants her to get in touch with his father. After dragging her feet for a while in the hopes that he will forget what he asked, Karen relents. She's not too surprised to find out that Dave Kersey is still living in the same expensive condo in New Jersey. But she is thrown for a loop when he's excited to meet Jake.
Despite how happy Dave makes Jake (and vice-versa), Karen is adamant about allowing him to become too large a part of her son's life. She can't reconcile this man who is head over heels for his son when he didn't want her to have the baby in the first place, and as the two grow closer, she becomes frightened that Dave may try to take Jake away from her, or at the very least, upset the plans she has made for his future. And she can't seem to accept that perhaps what Jake needs most of all is his father, at a time when all she wants to do is cling as closely to her son as possible.
Our Short History is written as Karen's "memoir," ostensibly to be read by Jake when he is older. She provides glimpses of her childhood and her relationships with her own parents and grandparents, as well as her time with Dave, and what it has been like raising Jake. It also includes "advice" and her hopes for her son, so he knows how much she has always thought, and feels, about him.
Well, as you can imagine, this packs an emotional punch. But despite its ability to generate tears, this is a book about the fierceness of a mother's love, and the need to hold on to her son as tightly as she can for as long as she can, as if that can make up for the time she won't have with him. It's also a story about how we can be short-sighted and let our own hurts take precedence over doing what is right.
As I remember from her previous books, A Friend of the Family and The Explanation for Everything, Grodstein is a talented writer and knows how to tell a story. I thought this was a little predictable, and while I completely understood the emotions, fears, and anxieties Karen was experiencing given everything happening in her life, I found her to be a little more unlikable for a little longer than I expected.
This book definitely makes you count your blessings as well as wonder how you might act if faced with similar circumstances. It takes you on an emotional journey and gives you a touching picture of everything a mother would do for her child.
NetGalley and Algonquin Books provided me an advance copy of the book in exchange for an unbiased review. Thanks for making this available!
Karen Neulander has made a name for herself as one of New York's top political consultants. She's not afraid to leak things to the press about her clients' opponents, or do everything she needs to in order to help them gain advantage and, of course, votes. She's equally protective of her six-year-old son, Jake, whom she has raised alone since before he was born. When she found out she was pregnant, her boyfriend at the time told her he didn't want to have kids, so she left and never spoke to him again.
Now Karen is facing an even tougher opponent. Two years ago she was diagnosed with Stage IV ovarian cancer, and given approximately four years to live. While she has fought as hard as she could, with surgery and chemotherapy, she knows there will come a time that she won't be around any longer, no matter how much she hopes a miracle might come her way. But she has everything all planned outwhen she feels that she's ready, she and Jake will move to Seattle to live with her younger sister Allie and her family, so Jake will be cared for when it's time.
While Jake understandsas much as a young child canwhat is happening to his mother, he has one request: he wants her to get in touch with his father. After dragging her feet for a while in the hopes that he will forget what he asked, Karen relents. She's not too surprised to find out that Dave Kersey is still living in the same expensive condo in New Jersey. But she is thrown for a loop when he's excited to meet Jake.
Despite how happy Dave makes Jake (and vice-versa), Karen is adamant about allowing him to become too large a part of her son's life. She can't reconcile this man who is head over heels for his son when he didn't want her to have the baby in the first place, and as the two grow closer, she becomes frightened that Dave may try to take Jake away from her, or at the very least, upset the plans she has made for his future. And she can't seem to accept that perhaps what Jake needs most of all is his father, at a time when all she wants to do is cling as closely to her son as possible.
Our Short History is written as Karen's "memoir," ostensibly to be read by Jake when he is older. She provides glimpses of her childhood and her relationships with her own parents and grandparents, as well as her time with Dave, and what it has been like raising Jake. It also includes "advice" and her hopes for her son, so he knows how much she has always thought, and feels, about him.
Well, as you can imagine, this packs an emotional punch. But despite its ability to generate tears, this is a book about the fierceness of a mother's love, and the need to hold on to her son as tightly as she can for as long as she can, as if that can make up for the time she won't have with him. It's also a story about how we can be short-sighted and let our own hurts take precedence over doing what is right.
As I remember from her previous books, A Friend of the Family and The Explanation for Everything, Grodstein is a talented writer and knows how to tell a story. I thought this was a little predictable, and while I completely understood the emotions, fears, and anxieties Karen was experiencing given everything happening in her life, I found her to be a little more unlikable for a little longer than I expected.
This book definitely makes you count your blessings as well as wonder how you might act if faced with similar circumstances. It takes you on an emotional journey and gives you a touching picture of everything a mother would do for her child.
NetGalley and Algonquin Books provided me an advance copy of the book in exchange for an unbiased review. Thanks for making this available!
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Monday, January 9, 2017
Book Review: "Born a Crime: Stories from a South African Childhood" by Trevor Noah
I was really surprised when Trevor Noah was named Jon Stewart's successor on The Daily Show. I inherently knew that they wouldn't pick someone with a sense of humor and style identical to Stewart's, but I felt that Noah was so different that his selection meant the show would have a really different feel, which might not appeal to long-time fans of the show. But I always root for the underdog, so as he was getting savaged by critics and fans in his first few days on the job, I kept hoping he'd be able to tough it out and show the stuffcomedic and otherwiseof which he was made.
After reading Born a Crime: Stories from a South African Childhood, I realize that I needn't have worried about Trevor Noah. For a child growing up in South Africa in the last days of, and the tumult following apartheid, he faced crises far greater than dissatisfied fans. And if he could be raised during such a crazily illogical time in a country where more violence, racism, and mistreatment went unreported than caught the media's eye, he'd have no problem skewering the insanity of our political system, especially leading into the election of 2016!!
"On February 20, 1984, my mother checked into Hillbrow Hospital for a scheduled C-section delivery. Estranged from her family, pregnant by a man she could not be seen with in public, she was alone. The doctors took her up to the delivery room, cut open her belly, and reached in and pulled out a half-white, half-black child who violated any number of laws, statutes, and regulationsI was born a crime."
Born to a black Xhosa mother and a white Swiss father, Noah literally spent his earliest days hiding indoors. His parents, who never married, couldn't be seen together, and because his mother looked so different than he did, she couldn't walk through the streets with him, because at any moment someone might accuse her of kidnapping another person's child. Yet while their lives dealt with crushing poverty, violence, and racism from all sides, his deeply religious mother never let anything bother her, or stop her from raising her son to know he was loved, and to know that he truly could accomplish anything he wanted, despite all of the obstacles in his way.
"She taught me to challenge authority and question the system. The only way it backfired on her was that I constantly challenged and questioned her."
Born a Crime provides a first-hand account of the last days of apartheid and its aftermath, and what it was like to grow up as a mixed-race child, where he wasn't white enough to be considered white, nor was he black enough to be considered black. While at times this had its advantages, for the most part, it left him on the outside looking in, having to handle everything on his own, fight his own battles, struggle to find people who genuinely liked him for who he was and not the novelty of his skin color, and rebel against a mother who only wanted him to behave.
If you go into this book expecting to laugh hysterically because of Noah's day job, think again. While the book does include some of the wry humor that has begun endearing him to fans, this is an emotional, brutal, and educational story of a life which flourished despite the odds stacked against it. This is a book about growing up in a culture of poverty and crime, and how easy it was to get caught up in that, especially when it was one of the only ways to make money and be able to feed, clothe, and enjoy yourself. It's also a book about fear, how it motivates you, how it paralyzes you, and how it threatens to take away the one thing you cherish more than any other.
More than anything, though, this is a book about the unwavering love of a mother for a child she chose to have. She knew it would be difficult raising her son in the age of apartheid, and in fact, she had no idea when he was born that it would end anytime soon. But Noah was a remarkable child, and while he exasperated, frightened, and upset his mother from time to time, she knew he would accomplish great things one day (as soon as he stopped putting cornrows in his hair and hanging out with those awful hoodlums he called friends).
I enjoyed this book and learned a lot about apartheid, which I really didn't know much about. Noah is a good writer, and delivered his narrative much as I've heard him deliver his lines on The Daily Show. This is a funny, thought-provoking, and emotional book, although I felt that some of his anecdotes went on a little too long, while others didn't go on long enough. I also would have liked to have learned how he went from his upbringing in South Africa to one day hosting an acclaimed television showother than passing mentions of things he did, I have no idea how he made the leap.
I've heard some people say that the audio version of this book is brilliant because Noah reads it himself, but if you read the print/digital version, you can still hear his voice. Noah's story is a lesson of the inequities of the past, and a warning for what is still possible to happen again in our world. But this isn't heavy-handed; it's fun, insightful, and very compelling.
After reading Born a Crime: Stories from a South African Childhood, I realize that I needn't have worried about Trevor Noah. For a child growing up in South Africa in the last days of, and the tumult following apartheid, he faced crises far greater than dissatisfied fans. And if he could be raised during such a crazily illogical time in a country where more violence, racism, and mistreatment went unreported than caught the media's eye, he'd have no problem skewering the insanity of our political system, especially leading into the election of 2016!!
"On February 20, 1984, my mother checked into Hillbrow Hospital for a scheduled C-section delivery. Estranged from her family, pregnant by a man she could not be seen with in public, she was alone. The doctors took her up to the delivery room, cut open her belly, and reached in and pulled out a half-white, half-black child who violated any number of laws, statutes, and regulationsI was born a crime."
Born to a black Xhosa mother and a white Swiss father, Noah literally spent his earliest days hiding indoors. His parents, who never married, couldn't be seen together, and because his mother looked so different than he did, she couldn't walk through the streets with him, because at any moment someone might accuse her of kidnapping another person's child. Yet while their lives dealt with crushing poverty, violence, and racism from all sides, his deeply religious mother never let anything bother her, or stop her from raising her son to know he was loved, and to know that he truly could accomplish anything he wanted, despite all of the obstacles in his way.
"She taught me to challenge authority and question the system. The only way it backfired on her was that I constantly challenged and questioned her."
Born a Crime provides a first-hand account of the last days of apartheid and its aftermath, and what it was like to grow up as a mixed-race child, where he wasn't white enough to be considered white, nor was he black enough to be considered black. While at times this had its advantages, for the most part, it left him on the outside looking in, having to handle everything on his own, fight his own battles, struggle to find people who genuinely liked him for who he was and not the novelty of his skin color, and rebel against a mother who only wanted him to behave.
If you go into this book expecting to laugh hysterically because of Noah's day job, think again. While the book does include some of the wry humor that has begun endearing him to fans, this is an emotional, brutal, and educational story of a life which flourished despite the odds stacked against it. This is a book about growing up in a culture of poverty and crime, and how easy it was to get caught up in that, especially when it was one of the only ways to make money and be able to feed, clothe, and enjoy yourself. It's also a book about fear, how it motivates you, how it paralyzes you, and how it threatens to take away the one thing you cherish more than any other.
More than anything, though, this is a book about the unwavering love of a mother for a child she chose to have. She knew it would be difficult raising her son in the age of apartheid, and in fact, she had no idea when he was born that it would end anytime soon. But Noah was a remarkable child, and while he exasperated, frightened, and upset his mother from time to time, she knew he would accomplish great things one day (as soon as he stopped putting cornrows in his hair and hanging out with those awful hoodlums he called friends).
I enjoyed this book and learned a lot about apartheid, which I really didn't know much about. Noah is a good writer, and delivered his narrative much as I've heard him deliver his lines on The Daily Show. This is a funny, thought-provoking, and emotional book, although I felt that some of his anecdotes went on a little too long, while others didn't go on long enough. I also would have liked to have learned how he went from his upbringing in South Africa to one day hosting an acclaimed television showother than passing mentions of things he did, I have no idea how he made the leap.
I've heard some people say that the audio version of this book is brilliant because Noah reads it himself, but if you read the print/digital version, you can still hear his voice. Noah's story is a lesson of the inequities of the past, and a warning for what is still possible to happen again in our world. But this isn't heavy-handed; it's fun, insightful, and very compelling.
Saturday, January 7, 2017
Movie Review: "Lion"
Lion is billed as a "feel-good movie." While it's certainly more upbeat than many of the movies released this holiday season, it certainly manipulates your emotions on the way there, although that's not entirely a bad thing.
Saroo (a fantastic and adorable Sunny Pawar) is a five-year-old boy living in a small rural, impoverished village in India. He is raised by his mother, an uneducated woman who makes her living carrying rocks. Saroo helps his older brother Guddu, whom he idolizes, with the odd jobs he does to make money for the family. For a young boy, Saroo is tough and strong, and wants to help make whatever difference he can for his family, plus he likes being in the middle of the action when he gets to accompany Guddu.
One night, he convinces Guddu to take him along when he goes looking for nighttime work at the train station. He leaves Saroo to wait for him at the station while he goes to look for the foreman; bored with waiting, Saroo explores one of the empty trains and falls asleep. The next thing he knows, he is stuck on the train for several days, forced to forage for whatever trash he can find, until it lets him off in Calcutta, thousands of kilometers from home. Not speaking the same dialect as those in Calcutta, unable to communicate who he is or where he is from, he fends for himself for a while until he is taken to an orphanage.
While the orphanage tries to search for Saroo's family with the limited information they have, they are unsuccessful, so ultimately Saroo is adopted by an Australian couple, Sue and John Brierley (Nicole Kidman and David Wenham), and he is taken to Australia to live with them. A year later, the couple adopts a troubled young boy from the orphanage as well.
Some 20 years later, while in graduate school, Saroo (now played by Dev Patel) begins thinking about his natural family, and whether they still think and wonder what became of him. He decides he must try and find them, although that task is like finding a needle in a haystack, since he never could figure out the correct name of the village he came from, or even how to find people so far off the grid, if they even were still there (or alive, for that matter).
Encouraged by his girlfriend (Rooney Mara), trying to find the train station where he was first taken from becomes an obsessive task, one which threatens his studies, his job, and his relationships with his parents (especially his emotionally fragile mother) and his girlfriend. But how can he not do everything in his power to find his real family? And if he does, what will that do to John and Sue?
This film is based on a true story, but I knew nothing about it, so it was as much a mystery/thriller for me as it was a drama. It really raises a lot of interesting questions, though. What happens to lost children in poor and developing countries, and what dangers do they face? How can a poor, uneducated family marshal any available resources to find a lost child? What leads people to adopt children from another country, another culture, and remain positive in the face of emotional difficulties suffered by the children?
Lion is essentially a film in two parts, one chronicling young Saroo's harrowing journey and one following Saroo's quest to find his family. At the center of the film are the two Saroos, Sunny Pawar and Dev Patel. Pawar, in his film debut, is pitch-perfect. He is adorable, feisty, brave, and vulnerable. Patel is utterly magnificent as well, and his performance shows an emotional depth that his previous performances in more feel-good movies like Slumdog Millionaire and the Best Exotic Marigold Hotel series only hinted at. This is the crowning performance of Patel's career to date, and it is one worthy of at least an Oscar nomination, if not the award itself.
Kidman doesn't have a very large role but it is a quietly powerful and emotional one. She continues to transform herself physically and emotionally for her roles, and you both admire the sacrifices she has made yet feel for her powerlessness in the face of both of her sons. She appears vulnerable and yet her quiet strength is fascinating. Mara's role doesn't really transcend that of the supporting girlfriend, but she does well with what she is given. Both Abhishek Bharate and Priyanka Bose, who play Saroo's brother and mother, respectively, bring heart and emotion to their small but crucial roles.
Incredibly, this is Director Garth Davis' first full-length film; to date he has only directed two television shows, a documentary, and a short film, although he is renowned for his commercials. Yet he showed immense talent and restraint in his work on Lion; in another's hands, this film could have become melodramatic, mawkish, even heavy-handed in its messaging, but Davis has created a film that sneaks up on you, one which makes you cry as it makes you think. I wouldn't be surprised to see it among the Best Picture nominees later this month, and believe it is definitely one of the best films of 2016 I've seen.
Saroo (a fantastic and adorable Sunny Pawar) is a five-year-old boy living in a small rural, impoverished village in India. He is raised by his mother, an uneducated woman who makes her living carrying rocks. Saroo helps his older brother Guddu, whom he idolizes, with the odd jobs he does to make money for the family. For a young boy, Saroo is tough and strong, and wants to help make whatever difference he can for his family, plus he likes being in the middle of the action when he gets to accompany Guddu.
One night, he convinces Guddu to take him along when he goes looking for nighttime work at the train station. He leaves Saroo to wait for him at the station while he goes to look for the foreman; bored with waiting, Saroo explores one of the empty trains and falls asleep. The next thing he knows, he is stuck on the train for several days, forced to forage for whatever trash he can find, until it lets him off in Calcutta, thousands of kilometers from home. Not speaking the same dialect as those in Calcutta, unable to communicate who he is or where he is from, he fends for himself for a while until he is taken to an orphanage.
While the orphanage tries to search for Saroo's family with the limited information they have, they are unsuccessful, so ultimately Saroo is adopted by an Australian couple, Sue and John Brierley (Nicole Kidman and David Wenham), and he is taken to Australia to live with them. A year later, the couple adopts a troubled young boy from the orphanage as well.
Some 20 years later, while in graduate school, Saroo (now played by Dev Patel) begins thinking about his natural family, and whether they still think and wonder what became of him. He decides he must try and find them, although that task is like finding a needle in a haystack, since he never could figure out the correct name of the village he came from, or even how to find people so far off the grid, if they even were still there (or alive, for that matter).
Encouraged by his girlfriend (Rooney Mara), trying to find the train station where he was first taken from becomes an obsessive task, one which threatens his studies, his job, and his relationships with his parents (especially his emotionally fragile mother) and his girlfriend. But how can he not do everything in his power to find his real family? And if he does, what will that do to John and Sue?
This film is based on a true story, but I knew nothing about it, so it was as much a mystery/thriller for me as it was a drama. It really raises a lot of interesting questions, though. What happens to lost children in poor and developing countries, and what dangers do they face? How can a poor, uneducated family marshal any available resources to find a lost child? What leads people to adopt children from another country, another culture, and remain positive in the face of emotional difficulties suffered by the children?
Lion is essentially a film in two parts, one chronicling young Saroo's harrowing journey and one following Saroo's quest to find his family. At the center of the film are the two Saroos, Sunny Pawar and Dev Patel. Pawar, in his film debut, is pitch-perfect. He is adorable, feisty, brave, and vulnerable. Patel is utterly magnificent as well, and his performance shows an emotional depth that his previous performances in more feel-good movies like Slumdog Millionaire and the Best Exotic Marigold Hotel series only hinted at. This is the crowning performance of Patel's career to date, and it is one worthy of at least an Oscar nomination, if not the award itself.
Kidman doesn't have a very large role but it is a quietly powerful and emotional one. She continues to transform herself physically and emotionally for her roles, and you both admire the sacrifices she has made yet feel for her powerlessness in the face of both of her sons. She appears vulnerable and yet her quiet strength is fascinating. Mara's role doesn't really transcend that of the supporting girlfriend, but she does well with what she is given. Both Abhishek Bharate and Priyanka Bose, who play Saroo's brother and mother, respectively, bring heart and emotion to their small but crucial roles.
Incredibly, this is Director Garth Davis' first full-length film; to date he has only directed two television shows, a documentary, and a short film, although he is renowned for his commercials. Yet he showed immense talent and restraint in his work on Lion; in another's hands, this film could have become melodramatic, mawkish, even heavy-handed in its messaging, but Davis has created a film that sneaks up on you, one which makes you cry as it makes you think. I wouldn't be surprised to see it among the Best Picture nominees later this month, and believe it is definitely one of the best films of 2016 I've seen.
Labels:
childhood,
children,
drama,
family,
growing up,
loss,
movie reviews,
mystery,
parenthood,
poverty,
true
Tuesday, November 15, 2016
Book Review: "The Reminders" by Val Emmich
"...for most people, memories are like fairy tales, which means they're simpler and funnier and happier and more exciting than how life really is. I don't understand how people can pretend something happened differently than it actually did, but Dad says they don't even realize they're pretending."
Ten-year-old Joan Sully has HSAM, or highly superior autobiographical memory. She can recall every day in her life in explicit detailshe knows what day of the week any day was, what she was wearing, what she was doing, who she was with, and what they said to her.
While this ability certainly comes in handy at times, it's actually very hard to live with. She's not able to enjoy things like movies because something will remind her of a memory from another day, and she'll start replaying that entire day in her head. Not only that, but Joan's mother doesn't like to be reminded how many times she's uttered the phrase "it never fails" over the last six months. (Twenty-seven.)
For someone who can remember everything so clearly, Joan's biggest fear is being forgotten. She saw it happen when her beloved grandmother was diagnosed with Alzheimer's disease, and Joan misses her terribly. An aspiring musician who worships John Lennon, Joan is determined to win a songwriting contest, which she believes will be the first step she needs on the road to notoriety.
Gavin Winters is just starting to experience success as an actor after many years of trying. His life is utterly rocked by the sudden death of his partner, Sydney, and he doesn't know how to cope without him. After the decision to rid himself of anything in the couple's house that reminds him of Sydney gets a little more media attention than he's expecting, Gavin flees their home in Los Angeles for New Jersey, where he hopes to hide out at the home of his old college roommate, who happens to be Joan's father.
At first Gavin is unsure how to handle Joan and her memory, but then he realizes he can use it to his advantage: Joan can tell him in detail each of the times Sydney visited, what he talked about, how he seemed. If Joan shares these memories with him, Gavin agrees to help Joan write her song, and even sing it.
"I was wrong about there being no way of building new memories of Sydney. They can be found, it turns out, in the minds of others."
As Joan shares her memories of Sydney, Gavin starts to discover that there were secrets Sydney was keeping from him. What was Sydney hiding? Was their relationship everything Gavin believed it was, was Sydney the man Gavin thought he was, or were his perceptions vastly different from reality? Sometimes in our desire to remember things, we uncover things we might wish we never knew.
This is a sweet, moving, and thought-provoking book. Val Emmich, who is a terrific musician and an actor, shows real finesse with his debut novel, creating memorable characters and situations that might not always surprise you, but definitely tug at your heartstrings, although not in a manipulative way. (At times Joan seemed a little odd, but then I remembered she was only 10.) If you've ever dealt with the loss of a loved one, you know what it's like to wish you said one more thing, spent more time together instead of worrying about what seemed insurmountable at the time. And if you've ever thought that having a better memory would be a blessing, this book helps you see the flip side of that.
I really liked this book and found it tremendously charming. But can I now put in a plea for no more books featuring characters with unique illnesses or syndromes? So far this year I've seen Moebius syndrome (David Arnold's Kids of Appetite) and prosopagnosia (Jennifer Niven's Holding up the Universe), not to mention the various maladies that affected Ivan Isaenko (in Scott Stambach's The Invisible Life of Ivan Isaenko). I'm a hypochondriac, so I'm thankful that none of these are contagious, or otherwise I'd be absolutely miserable!
I look forward to seeing what's next for Val Emmich. I know I'll keep listening to his music, and I'll read whatever he writes in the future!
NetGalley and Little, Brown and Company provided me an advance copy of the book in exchange for an unbiased review. Thanks for making this available!
Ten-year-old Joan Sully has HSAM, or highly superior autobiographical memory. She can recall every day in her life in explicit detailshe knows what day of the week any day was, what she was wearing, what she was doing, who she was with, and what they said to her.
While this ability certainly comes in handy at times, it's actually very hard to live with. She's not able to enjoy things like movies because something will remind her of a memory from another day, and she'll start replaying that entire day in her head. Not only that, but Joan's mother doesn't like to be reminded how many times she's uttered the phrase "it never fails" over the last six months. (Twenty-seven.)
For someone who can remember everything so clearly, Joan's biggest fear is being forgotten. She saw it happen when her beloved grandmother was diagnosed with Alzheimer's disease, and Joan misses her terribly. An aspiring musician who worships John Lennon, Joan is determined to win a songwriting contest, which she believes will be the first step she needs on the road to notoriety.
Gavin Winters is just starting to experience success as an actor after many years of trying. His life is utterly rocked by the sudden death of his partner, Sydney, and he doesn't know how to cope without him. After the decision to rid himself of anything in the couple's house that reminds him of Sydney gets a little more media attention than he's expecting, Gavin flees their home in Los Angeles for New Jersey, where he hopes to hide out at the home of his old college roommate, who happens to be Joan's father.
At first Gavin is unsure how to handle Joan and her memory, but then he realizes he can use it to his advantage: Joan can tell him in detail each of the times Sydney visited, what he talked about, how he seemed. If Joan shares these memories with him, Gavin agrees to help Joan write her song, and even sing it.
"I was wrong about there being no way of building new memories of Sydney. They can be found, it turns out, in the minds of others."
As Joan shares her memories of Sydney, Gavin starts to discover that there were secrets Sydney was keeping from him. What was Sydney hiding? Was their relationship everything Gavin believed it was, was Sydney the man Gavin thought he was, or were his perceptions vastly different from reality? Sometimes in our desire to remember things, we uncover things we might wish we never knew.
This is a sweet, moving, and thought-provoking book. Val Emmich, who is a terrific musician and an actor, shows real finesse with his debut novel, creating memorable characters and situations that might not always surprise you, but definitely tug at your heartstrings, although not in a manipulative way. (At times Joan seemed a little odd, but then I remembered she was only 10.) If you've ever dealt with the loss of a loved one, you know what it's like to wish you said one more thing, spent more time together instead of worrying about what seemed insurmountable at the time. And if you've ever thought that having a better memory would be a blessing, this book helps you see the flip side of that.
I really liked this book and found it tremendously charming. But can I now put in a plea for no more books featuring characters with unique illnesses or syndromes? So far this year I've seen Moebius syndrome (David Arnold's Kids of Appetite) and prosopagnosia (Jennifer Niven's Holding up the Universe), not to mention the various maladies that affected Ivan Isaenko (in Scott Stambach's The Invisible Life of Ivan Isaenko). I'm a hypochondriac, so I'm thankful that none of these are contagious, or otherwise I'd be absolutely miserable!
I look forward to seeing what's next for Val Emmich. I know I'll keep listening to his music, and I'll read whatever he writes in the future!
NetGalley and Little, Brown and Company provided me an advance copy of the book in exchange for an unbiased review. Thanks for making this available!
Labels:
book reviews,
childhood,
family,
fiction,
friendship,
grief,
growing up,
loss,
love,
memories,
music,
secrets,
songs
Sunday, August 21, 2016
Book Review: "The Dream Life of Astronauts: Stories" by Patrick Ryan
So let me make one thing clear before you make the decision whether or not to read this collection of short stories based on the title: despite taking place at or around Cape Canaveral (in some cases simply in the same Florida county), the majority of these stories have nothing to do with astronauts.
While a few have the space program as a narrative thread within them (or at least mention something space-related in passing), for the most part, these well-written stories are about people who find themselves at a crossroads in their lives. Some are emotional, some are thought-provoking, and at least one was laugh-out-loud funny, and a few are interconnected with others in the collection.
Among my favorites in the collection were: "Earth, Mostly," in which a woman who is raising her granddaughter finds herself assigned to a driver's ed class after a traffic accident and is attracted to the instructor; "Go Fever," which is about a man whose coworker is convinced his wife is poisoning him (but that's just the tip of the iceberg); "Miss America," in which an aspiring Miss America contestant is taken to an audition with a less-than-reputable talent scout, while she is dealing with upheaval in her own life and her mother's; "Fountain of Youth," about a man in witness protection from the Mafia now living in a retirement community and matching wits with the power-hungry head of the condo board; "The Way She Handles," which tells of a young boy whose parents' marriage hits a rough patch with the arrival of his carefree uncle; and the beautiful title story, in which a young man is drawn to a former astronaut and is unprepared for what comes next.
While one or two of the stories didn't resonate for me as much as the ones I mentioned above, Patrick Ryan is a tremendously talented writer, and he created some memorable characters and situations I really enjoyed reading about. Although I felt that a few of the stories could have taken place anywhere and the connection with Cape Canaveral almost felt like an afterthought, it is the foibles of the human heart and our interactions with lovers, colleagues, family members, children, and strangers that powered these stories and imbued them with impact.
I am continually amazed at the immense talent among those individuals writing short stories today, and Ryan definitely belongs in this community. If you like short stories, this is a collection worth reading, even if you're not a space enthusiast. I look forward to seeing what's next in his career.
While a few have the space program as a narrative thread within them (or at least mention something space-related in passing), for the most part, these well-written stories are about people who find themselves at a crossroads in their lives. Some are emotional, some are thought-provoking, and at least one was laugh-out-loud funny, and a few are interconnected with others in the collection.
Among my favorites in the collection were: "Earth, Mostly," in which a woman who is raising her granddaughter finds herself assigned to a driver's ed class after a traffic accident and is attracted to the instructor; "Go Fever," which is about a man whose coworker is convinced his wife is poisoning him (but that's just the tip of the iceberg); "Miss America," in which an aspiring Miss America contestant is taken to an audition with a less-than-reputable talent scout, while she is dealing with upheaval in her own life and her mother's; "Fountain of Youth," about a man in witness protection from the Mafia now living in a retirement community and matching wits with the power-hungry head of the condo board; "The Way She Handles," which tells of a young boy whose parents' marriage hits a rough patch with the arrival of his carefree uncle; and the beautiful title story, in which a young man is drawn to a former astronaut and is unprepared for what comes next.
While one or two of the stories didn't resonate for me as much as the ones I mentioned above, Patrick Ryan is a tremendously talented writer, and he created some memorable characters and situations I really enjoyed reading about. Although I felt that a few of the stories could have taken place anywhere and the connection with Cape Canaveral almost felt like an afterthought, it is the foibles of the human heart and our interactions with lovers, colleagues, family members, children, and strangers that powered these stories and imbued them with impact.
I am continually amazed at the immense talent among those individuals writing short stories today, and Ryan definitely belongs in this community. If you like short stories, this is a collection worth reading, even if you're not a space enthusiast. I look forward to seeing what's next in his career.
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