If you read as much as I do (or even if you don't), you're bound to come across a book that is hailed by literary critics and readers as one of the greatest things ever, but no matter how much you try and read it and are determined to love it, it just doesn't click for you. I know that happens most often with the classics, but it certainly happens with "regular" fiction and nonfiction as well.
Anthony Marra's debut novel, A Constellation of Vital Phenomena, is such a book for me. Reviews have hailed it as everything from "brilliant" and "haunting" to "a flash in the heavens that makes you look up and believe in miracles." One reviewer even said this book "restores my faith in the future of the novel all over again."
One day, in a snowy village in war-torn Chechnya, eight-year-old Havaa hides as Russian soldiers abduct her father, Dokka, in the middle of the night. Their kindly neighbor, Akhmed, fears the worst when he sees the soldiers setting fire to Dokka's house as they take him away, but he rescues Havaa from her hiding place. Fearing she will be discovered, Akhmed takes Havaa to the local hospital, abandoned but for one doctor, Sonja, who alone (with the help of one cantankerous nurse) has been treating all of the victims of war and illness that enter the dilapidated hospital's doors. Akhmed, who was a medical student at the very bottom of his class, promises to work as a doctor with Sonja to ensure Havaa is provided for.
Sonja comes with her own set of issues, most notably her sister, Natasha, who has continuously disappeared and reappeared in Sonja's life, but has been missing for some time. And Akhmed is caring for his own bedridden wife, and worrying about his neighbor and childhood friend, who is an informant for the Russians. But Sonja and Akhmed forge a reluctant partnership, one which opens both of their eyes to the surprising connections that tie them together.
For me, while there's no doubt that Marra is a tremendously talented writer who has created some memorable characters and some beautiful sentences, this book just didn't click the way I hoped it would. It's a very dense storyin order to give gravity to his narrative, Marra packs a great deal of Chechen history and details that seemed to run on for far too long. The book takes place over a 10-year-period, and switches perspectives frequently and abruptly. And although he weaves all of his storylines together at the end, before that point I wondered why he spent so much time dwelling on certain details about secondary characters.
I'm not usually an outlier in this fashion; I usually like books more than others. So if the story and people's reviews make this book sound like one you think you'd love, have at it. And then perhaps we can discuss what I'm missing.