“I thought about how, for so much of my life, I’d survived by staying quiet, making myself small enough to fly under the radar. I decided then that I no longer wanted to be quiet. I wanted to be loud and colorful and every piece of myself at any one time.”
Daniel is a scholarship student at a prestigious college in upstate New York. He is the first in his family to go to college, and the pressure to live up to the hopes and expectations of his parents and grandfather, who left Mexico before he was born. Daniel is also ready to be the person he’s always known he should be, someone confident and comfortable with his sexuality.
It’s not long before their easy friendship evolves into something sexual, but Sam isn’t quite able to give Daniel all he wants from a relationship. At the end of freshman year they go their separate ways, and Daniel is without Sam. And when an unspeakable tragedy occurs, Daniel must figure out how to cope. So he spends the summer in Mexico with his grandfather, learning more about his late uncle Daniel, for whom he was named and who, it seems, was quite similar to him.
This was gorgeous, emotional, and so moving. It’s incredible that this is a debut novel. I honestly hadn't heard of this book until shortly before I picked it up, and I'm so thankful for that! I fell in love with everything it made me think and feel.
Showing posts with label confidence. Show all posts
Showing posts with label confidence. Show all posts
Wednesday, January 31, 2024
Book Review: "How We Named the Stars" by Andrés N. Ordorica
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Thursday, February 23, 2023
Book Review: "Someone Else's Shoes" by Jojo Moyes
Caution: unpopular opinion ahead.
Ever since picking up Me Before You a number of years ago and dissolving into an emotional puddle, Jojo Moyes has been an auto-buy author for me. I’ve loved a number of her books and I was eagerly anticipating the release of this one. But to say this one didn’t work for me would be an understatement.
Sam has been struggling to keep afloat. Her husband has been depressed for a while but doesn’t want to get help, or do much of anything more than lay in bed or stare at the television. He's certainly not trying to look for a job. And ever since her employer was bought by a larger company, she’s had to deal with a sexist boss who’s never satisfied with her work.
Nisha has lived a life of luxury, traveling the globe with her wealthy husband. Until one day her husband decides it’s time to find a younger woman and he files for divorce, cutting Nisha off completely–no clothes, no place to live, no money. All she has is a fancy pair of custom-made Louboutin high-heeled shoes. But she doesn’t even have those anymore, because someone mistakenly walked off with her gym bag, leaving a nearly identical one behind.
When Sam realizes she has inadvertently picked up the wrong bag, she is horrified. But when she puts on Nisha’s shoes, a more confident Sam emerges. She understands that it’s up to her to change her life. This is the story of how one action changes lots of things, and how friendship can get you through anything.
This book was so much longer than it needed to be. At times, it was hard to figure out exactly what the book wanted to be. Toward the end it veered into silliness and I honestly didn’t like either of the main characters–or some of the supporting characters–very much. But others have loved this, so maybe I was just cranky?
Ever since picking up Me Before You a number of years ago and dissolving into an emotional puddle, Jojo Moyes has been an auto-buy author for me. I’ve loved a number of her books and I was eagerly anticipating the release of this one. But to say this one didn’t work for me would be an understatement.
Sam has been struggling to keep afloat. Her husband has been depressed for a while but doesn’t want to get help, or do much of anything more than lay in bed or stare at the television. He's certainly not trying to look for a job. And ever since her employer was bought by a larger company, she’s had to deal with a sexist boss who’s never satisfied with her work.
Nisha has lived a life of luxury, traveling the globe with her wealthy husband. Until one day her husband decides it’s time to find a younger woman and he files for divorce, cutting Nisha off completely–no clothes, no place to live, no money. All she has is a fancy pair of custom-made Louboutin high-heeled shoes. But she doesn’t even have those anymore, because someone mistakenly walked off with her gym bag, leaving a nearly identical one behind.
When Sam realizes she has inadvertently picked up the wrong bag, she is horrified. But when she puts on Nisha’s shoes, a more confident Sam emerges. She understands that it’s up to her to change her life. This is the story of how one action changes lots of things, and how friendship can get you through anything.
This book was so much longer than it needed to be. At times, it was hard to figure out exactly what the book wanted to be. Toward the end it veered into silliness and I honestly didn’t like either of the main characters–or some of the supporting characters–very much. But others have loved this, so maybe I was just cranky?
Monday, August 9, 2021
Book Review: "Fresh" by Margot Wood
Fresh, Margot Wood's debut novel, is a fun, sensitive, diverse, sex-positive YA novel about the craziness of freshman year of college.
“Hey, hi, hello there. My name is Elliot McHugh, I’m eighteen years old and hail from Cincinnati; I’m a Leo, a (mostly) chaotic-good extrovert, a freshman at Emerson College in Boston, and I have no idea what the hell I am doing right now.”
From the very start of this book, you know that Elliot, the main character, isn’t anywhere near as together as she thinks or hopes she is. But that’s doesn’t stop her from faking it as hard as she can.
She doesn’t have any idea what she wants to do with her future, unlike many of her classmates, so she chooses to focus on the good stuff—parties, hooking up, and…hooking up. Of course, it’s only so long before the reality of college comes back around to hit you in the face, and Elliot realizes that relationships (with friends, and those from whom you want more) aren’t what they’re cracked up to be, and partying all the time doesn’t help your GPA much.
I thought Fresh was such a fun book that hit home more than a few times for me. I remember freshman year of college and wanting desperately to fit in and make the kinds of friends I’d have forever. I also remember the freedom of not being monitored by anyone and how no one cared if you didn’t do your homework or show up for class—until you realized your grades suffered.
Elliot was such a hot mess and I totally rooted for her to get her happy ending. There was so much to love about this book, especially the diversity. I loved everything except the footnotes. I really HATE fiction that uses footnotes because it’s so distracting. (Oh, and the use of the phrase “tender chicken,” which almost made me hurl.)
This definitely was a fun, memorable read that reminded me of how far I’ve come!
“Hey, hi, hello there. My name is Elliot McHugh, I’m eighteen years old and hail from Cincinnati; I’m a Leo, a (mostly) chaotic-good extrovert, a freshman at Emerson College in Boston, and I have no idea what the hell I am doing right now.”
From the very start of this book, you know that Elliot, the main character, isn’t anywhere near as together as she thinks or hopes she is. But that’s doesn’t stop her from faking it as hard as she can.
She doesn’t have any idea what she wants to do with her future, unlike many of her classmates, so she chooses to focus on the good stuff—parties, hooking up, and…hooking up. Of course, it’s only so long before the reality of college comes back around to hit you in the face, and Elliot realizes that relationships (with friends, and those from whom you want more) aren’t what they’re cracked up to be, and partying all the time doesn’t help your GPA much.
I thought Fresh was such a fun book that hit home more than a few times for me. I remember freshman year of college and wanting desperately to fit in and make the kinds of friends I’d have forever. I also remember the freedom of not being monitored by anyone and how no one cared if you didn’t do your homework or show up for class—until you realized your grades suffered.
Elliot was such a hot mess and I totally rooted for her to get her happy ending. There was so much to love about this book, especially the diversity. I loved everything except the footnotes. I really HATE fiction that uses footnotes because it’s so distracting. (Oh, and the use of the phrase “tender chicken,” which almost made me hurl.)
This definitely was a fun, memorable read that reminded me of how far I’ve come!
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Friday, June 18, 2021
Book Review: "Satisfaction Guaranteed" by Karelia Stetz-Waters
As Karelia Stetz-Waters shows us in her new rom-com, Satisfaction Guaranteed, sometimes, to find happiness, you have to step outside your comfort zone. Way outside.
Cade is an anomaly in her family—the type-A, business-oriented one in a sea of free spirits. She singlehandedly runs her parents’ renowned gallery and basically spends her time working or, well, working. Who has time for a relationship? And it’s been far too long since she’s had good sex, or any sex, for that matter. (And don't even mention orgasms.)
When her aunt Ruth leaves her a failing sex toy store (which also sells cookware and Christmas decorations), Cade wants to cut her losses immediately. But there’s a catch—Cade now co-owns the store with Selena, a gorgeous friend of Ruth’s who helped care for her in the last days of her life. And Selena is determined to keep the store open and keep following Ruth’s vision, even if it hasn’t succeeded to date.
Selena has her own share of issues, too. As someone who has always used sex as a way of solving (or avoiding) problems, she’s taken a vow of celibacy. And it seems to be working—until she meets Cade.
Can Cade and Selena both agree to compromise on their vision for the store to perhaps make it successful and follow Ruth’s vision? And what complications would ensue if their relationship turned from colleagues to something more serious? Will the shop succeed? Will they?
I thought Satisfaction Guaranteed was a fun, sweet, and, of course, sexy rom-com. The cast of characters is diverse and fun and wacky, and you know there are secrets to be revealed, so even though you can predict how things will unfold, it was fun to go along for the ride.
Cade is an anomaly in her family—the type-A, business-oriented one in a sea of free spirits. She singlehandedly runs her parents’ renowned gallery and basically spends her time working or, well, working. Who has time for a relationship? And it’s been far too long since she’s had good sex, or any sex, for that matter. (And don't even mention orgasms.)
When her aunt Ruth leaves her a failing sex toy store (which also sells cookware and Christmas decorations), Cade wants to cut her losses immediately. But there’s a catch—Cade now co-owns the store with Selena, a gorgeous friend of Ruth’s who helped care for her in the last days of her life. And Selena is determined to keep the store open and keep following Ruth’s vision, even if it hasn’t succeeded to date.
Selena has her own share of issues, too. As someone who has always used sex as a way of solving (or avoiding) problems, she’s taken a vow of celibacy. And it seems to be working—until she meets Cade.
Can Cade and Selena both agree to compromise on their vision for the store to perhaps make it successful and follow Ruth’s vision? And what complications would ensue if their relationship turned from colleagues to something more serious? Will the shop succeed? Will they?
I thought Satisfaction Guaranteed was a fun, sweet, and, of course, sexy rom-com. The cast of characters is diverse and fun and wacky, and you know there are secrets to be revealed, so even though you can predict how things will unfold, it was fun to go along for the ride.
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Tuesday, December 8, 2020
Book Review: "Rodham" by Curtis Sittenfeld
Rodham is a fascinating and thought-provoking look at what could have been, at least filtered through Curtis Sittenfeld's mind.
Nearly everyone has an opinion of Hillary Clinton. Some love her, some admire her, some think she’s truly evil and corrupt. But no matter how polarizing a figure she is, there’s no denying the world’s interest in the Clinton family.
In 1971, Bill Clinton and Hillary Rodham met at Yale Law School. She’s a highly intellectual activist; he’s already planning a political future. He's flirtatious and magnetic, she was once told by a boy that she had a crush on that he thought of her as a guy. They’re drawn to each other passionately, and for Hillary, this relationship leaves her undone in ways she never expected.
In real life, Bill proposed to Hillary several times, and she ultimately said yes. But Rodham imagines a different scenario—in the book, Sittenfeld explores what might have happened if Hillary ultimately said no to Bill’s proposal. What does the trajectory of her life look like? What happens to Bill?
The book follows Hillary through 2016 and charts a very interesting personal and political path. She and Bill encounter each other through the years, and there’s no denying the pull they feel for one another. But is it possible to have everything you want all at the same time?
This was a fascinating read. Sittenfeld did a great job imagining Hillary as a woman and a politician, and how those two roles both mesh and clash. The life she created for Hillary was both admirable and bleak, and the “what-if” scenario was utterly compelling.
There are some steamy sex scenes which made me uncomfortable, because it was like reading about your parents having sex. But other than that, I’m a fan of Sittenfeld’s writing, and in Rodham, she has created a powerful character from a powerful woman.
Nearly everyone has an opinion of Hillary Clinton. Some love her, some admire her, some think she’s truly evil and corrupt. But no matter how polarizing a figure she is, there’s no denying the world’s interest in the Clinton family.
In 1971, Bill Clinton and Hillary Rodham met at Yale Law School. She’s a highly intellectual activist; he’s already planning a political future. He's flirtatious and magnetic, she was once told by a boy that she had a crush on that he thought of her as a guy. They’re drawn to each other passionately, and for Hillary, this relationship leaves her undone in ways she never expected.
In real life, Bill proposed to Hillary several times, and she ultimately said yes. But Rodham imagines a different scenario—in the book, Sittenfeld explores what might have happened if Hillary ultimately said no to Bill’s proposal. What does the trajectory of her life look like? What happens to Bill?
The book follows Hillary through 2016 and charts a very interesting personal and political path. She and Bill encounter each other through the years, and there’s no denying the pull they feel for one another. But is it possible to have everything you want all at the same time?
This was a fascinating read. Sittenfeld did a great job imagining Hillary as a woman and a politician, and how those two roles both mesh and clash. The life she created for Hillary was both admirable and bleak, and the “what-if” scenario was utterly compelling.
There are some steamy sex scenes which made me uncomfortable, because it was like reading about your parents having sex. But other than that, I’m a fan of Sittenfeld’s writing, and in Rodham, she has created a powerful character from a powerful woman.
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Sunday, July 5, 2020
Book Review: "Head Over Heels" by Hannah Orenstein
I honestly never knew I was missing a gymnastics-related love story until I found Hannah Orenstein'a Head Over Heels, but boy, was I ever!
Avery spent her entire childhood training to be an Olympic gymnast. She sacrificed any chance at being a “normal” teenager, endured the emotional abuse of her famous coach, stressed about her weight, and dreamed of the Olympics. And in one moment, her dreams and her career ended, leaving her ill-prepared for what came next.
Now, 7 years later, on the heels of breaking up with her football-star boyfriend, she moves home to Massachusetts to live with her parents. Not long after coming home, she gets a call from Ryan, a former Olympic gymnast that she and her best friend used to have a crush on. He asks if she’d be interested in helping coach a teenage gymnast with true Olympic potential.
Avery jumps at the chance to help coach Hallie, and feels like she’s making a difference. She can’t ignore the sparks flying between her and Ryan, but she isn’t sure if she should trust her heart again, and worries a relationship might complicate coaching. And when a scandal rocks the gymnastics world, and an offer is made, everything may be on the line, including any possibility of a relationship with Ryan.
This book hooked me from the very first word. I was nervous because the last two books I read didn’t wow me, but Orenstein pulled me in completely. I felt totally vested in Hallie’s dreams and Avery’s rebuilding her life and, of course, the sparks between her and Ryan.
Even as I knew the typical obstacles were coming, I rooted for everyone and hope things didn’t go too off-course. I also really loved the way Orenstein meshed some serious subjects with the lightness of a rom-com and the nerves around whether or not Hallie would succeed where Avery failed.
Looking for a great new rom-com of sorts? Maybe you’ll flip for Head Over Heels! (Sorry, couldn’t resist.)
Avery spent her entire childhood training to be an Olympic gymnast. She sacrificed any chance at being a “normal” teenager, endured the emotional abuse of her famous coach, stressed about her weight, and dreamed of the Olympics. And in one moment, her dreams and her career ended, leaving her ill-prepared for what came next.
Now, 7 years later, on the heels of breaking up with her football-star boyfriend, she moves home to Massachusetts to live with her parents. Not long after coming home, she gets a call from Ryan, a former Olympic gymnast that she and her best friend used to have a crush on. He asks if she’d be interested in helping coach a teenage gymnast with true Olympic potential.
Avery jumps at the chance to help coach Hallie, and feels like she’s making a difference. She can’t ignore the sparks flying between her and Ryan, but she isn’t sure if she should trust her heart again, and worries a relationship might complicate coaching. And when a scandal rocks the gymnastics world, and an offer is made, everything may be on the line, including any possibility of a relationship with Ryan.
This book hooked me from the very first word. I was nervous because the last two books I read didn’t wow me, but Orenstein pulled me in completely. I felt totally vested in Hallie’s dreams and Avery’s rebuilding her life and, of course, the sparks between her and Ryan.
Even as I knew the typical obstacles were coming, I rooted for everyone and hope things didn’t go too off-course. I also really loved the way Orenstein meshed some serious subjects with the lightness of a rom-com and the nerves around whether or not Hallie would succeed where Avery failed.
Looking for a great new rom-com of sorts? Maybe you’ll flip for Head Over Heels! (Sorry, couldn’t resist.)
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Wednesday, March 25, 2020
Book Review: "Fence Vol. 1" by C.S. Pacat, Johanna the Mad, and Joana LaFuente
Who knew there could be this much drama in fencing?
Nicholas dreams of becoming a fencing champion. Despite natural ability, he’s never had the opportunity to train properly or learn the right skills and strategies to succeed, but the fire of his determination fuels him on.
When he encounters teen sensation Seiji Katayama, he longs to make his mark so that the champion will notice his talent, but the match doesn’t go well, and Seiji dismisses him as a zero.
The two meet up again when Nicholas gets a scholarship to the prestigious King’s Row School and he must fight for a place on the fencing team against Seiji, who has nothing but disdain for him and anyone who dares challenge him.
Along the way there are rivalries, romances (one-sided ones, mostly), and challenges, as the entire team fights for their slots. Will Nicholas get out of his head and fence the way he truly can? Will Seiji face humility? Will dreamy Aiden get his comeuppance from all the boys he loves and discards?
This was a fun, tremendously well-drawn graphic novel which was mostly a set-up for future volumes. I’m totally hooked, though, so I’ll be ordering the next few volumes quickly, because I don’t like to be left hanging!
Definitely a quick, enjoyable read.
Nicholas dreams of becoming a fencing champion. Despite natural ability, he’s never had the opportunity to train properly or learn the right skills and strategies to succeed, but the fire of his determination fuels him on.
When he encounters teen sensation Seiji Katayama, he longs to make his mark so that the champion will notice his talent, but the match doesn’t go well, and Seiji dismisses him as a zero.
The two meet up again when Nicholas gets a scholarship to the prestigious King’s Row School and he must fight for a place on the fencing team against Seiji, who has nothing but disdain for him and anyone who dares challenge him.
Along the way there are rivalries, romances (one-sided ones, mostly), and challenges, as the entire team fights for their slots. Will Nicholas get out of his head and fence the way he truly can? Will Seiji face humility? Will dreamy Aiden get his comeuppance from all the boys he loves and discards?
This was a fun, tremendously well-drawn graphic novel which was mostly a set-up for future volumes. I’m totally hooked, though, so I’ll be ordering the next few volumes quickly, because I don’t like to be left hanging!
Definitely a quick, enjoyable read.
Saturday, November 30, 2019
Book Review: "The Nobodies" by Liza Palmer
When life knocks you to your knees, you can completely fall to pieces or you can hang on to at least a shred of self-esteem and dignity. Joan Dixon may be closer to the former than the latter at this point, since her journalism career continues to go nowhere, she's had to move back in with her parents, and she's applying for jobs that are far, far more junior than she should consider. But what choice does she have?
After landing an internship at a newspaper right out of high school, she thought she'd have a glorious career as a journalist, but it never materialized. And when a meeting with her old mentor leaves her wondering if she ever really had any talent, she's considering any opportunity, even working as a bar back (she apparently only needs to show one breast, which seems like a good compromise for her).
Joan applies to be a junior copywriter at Bloom, a startup tech company in Los Angeles founded by two college best friends, which is about to go public. She's easily one of the oldest people working there and she finds the culture intriguing, bewildering, and frustrating. She should feel good about the office's fancy coffee machine and the unlimited supply of snacks and beverages, but how can she reconcile a workplace where the employees care more about why the cafeteria stopped carrying a certain variety of ramen noodles than serious issues?
Even as she becomes close with her team, and may even be in the midst of a flirtation with a colleague, the journalist in Joan can't rest. So when she can't quite figure out what Bloom does beyond the buzzwordy descriptions she gets, she asks questions. When the answers to those questions don't satisfy her she starts to dig deeper. And then she realizes there may be some reality behind her sneaking suspicions.
When Joan starts doing some surreptitious investigating, she starts to wonder whether she's subconsciously trying to sabotage her chance at stability. Does she really think there's something worth digging into, and even if it is, could it be worth the possibility of hundreds of people losing their jobs if what she finds signals the end of Bloom? And when her newfound friends join in to help her investigation, should she let them risk their jobs just for the sake of companionship?
The Nobodies is an interesting character study about a woman relentless in her pursuit of her dreams who worries she might not have the stuff to make her dreams come true. Joan is so focused that throughout her life she's neglected relationships, friendships, family, and she wonders if all of those sacrifices were worth it given that she's left with nothing. But does that mean she should give up for good?
This was a quick read, and I enjoyed Liza Palmer's storytelling ability. I'll admit I had trouble figuring out just what Bloom did, too, so Joan's investigation was interesting, but it went on a little longer than it needed to. I loved the supporting characters in this story perhaps a little more than Joan herself, but I was still completely drawn into her story.
After landing an internship at a newspaper right out of high school, she thought she'd have a glorious career as a journalist, but it never materialized. And when a meeting with her old mentor leaves her wondering if she ever really had any talent, she's considering any opportunity, even working as a bar back (she apparently only needs to show one breast, which seems like a good compromise for her).
Joan applies to be a junior copywriter at Bloom, a startup tech company in Los Angeles founded by two college best friends, which is about to go public. She's easily one of the oldest people working there and she finds the culture intriguing, bewildering, and frustrating. She should feel good about the office's fancy coffee machine and the unlimited supply of snacks and beverages, but how can she reconcile a workplace where the employees care more about why the cafeteria stopped carrying a certain variety of ramen noodles than serious issues?
Even as she becomes close with her team, and may even be in the midst of a flirtation with a colleague, the journalist in Joan can't rest. So when she can't quite figure out what Bloom does beyond the buzzwordy descriptions she gets, she asks questions. When the answers to those questions don't satisfy her she starts to dig deeper. And then she realizes there may be some reality behind her sneaking suspicions.
When Joan starts doing some surreptitious investigating, she starts to wonder whether she's subconsciously trying to sabotage her chance at stability. Does she really think there's something worth digging into, and even if it is, could it be worth the possibility of hundreds of people losing their jobs if what she finds signals the end of Bloom? And when her newfound friends join in to help her investigation, should she let them risk their jobs just for the sake of companionship?
The Nobodies is an interesting character study about a woman relentless in her pursuit of her dreams who worries she might not have the stuff to make her dreams come true. Joan is so focused that throughout her life she's neglected relationships, friendships, family, and she wonders if all of those sacrifices were worth it given that she's left with nothing. But does that mean she should give up for good?
This was a quick read, and I enjoyed Liza Palmer's storytelling ability. I'll admit I had trouble figuring out just what Bloom did, too, so Joan's investigation was interesting, but it went on a little longer than it needed to. I loved the supporting characters in this story perhaps a little more than Joan herself, but I was still completely drawn into her story.
Tuesday, December 25, 2018
Book Review: "The Museum of Modern Love" by Heather Rose
Fans of 80s music, do you remember Hall & Oates' song, "Method of Modern Love"? The one that went, "M-E-T-H-O-D O-F L-O-V-E. It's the method of modern love..."? Because of a slightly similar title to this book (and nothing else), I couldn't get that song out of my head the entire time I read this! (I'm sure those of you who aren't familiar with the song are wondering what the hell I'm talking about.)
Pardon my digression.
Art fascinates me. While I tend to be a fairly literal person when it comes to art I enjoy (although I'm a sucker for Georges Seurat's pointillism), I'm always amazed by how differently people can interpret the same work of art. And that's not even taking performance art into consideration, which is a whole different jar of paint. (I was trying to go with an arty metaphor.)
Arky Levin is a musician who composes film scores, but he's hit a rough patch. His wife's unexpected departure has left him time to work, but he cannot seem to make any progress, so he decides to visit the Museum of Modern Art as a diversion.
"Levin was ready for something big. What was the point of turning fifty if you weren't ready to peak?"
At the museum he stumbles on an exhibit that he cannot get out of his mind. Visitors sit across a table from the performance artist Marina Abramović, without saying a word. (This is based on Abramović's real installation in 2010.) They can sit for as long or as little as they like; they can stare directly at the artist, glance at her shyly, or do whatever they choose. Some cry, some beseech the artist for some silent words of encouragement or strength, some simply enjoy being part of an art installation.
While the people who participate in the exhibit find themselves inexplicably changed, so do those simply viewing it. Arky is fascinated by the installation, and becomes one of a number of museum-goers who return day after day, simply to watch the parade of people sitting across from the artist. As he builds connections with his fellow observers, reflects upon his troubling relationship with his wife, and thinks about his work, he, too, starts to feel changed, as if somehow the exhibit is helping him through osmosis of some kind.
"Art is really a sort of sport. To master the leap is essential. It is the game of the leap. Practice, practice, practice, then leap. The starting point may be different for each, but the goal is the same. Do something worthwhile before you die."
The Museum of Modern Love is certainly a commentary about art and its effects on the viewers, the artist, and the participants, but more than that, this is a book about connection, human connection, and how much we hunger to be seen, heard, and viewed as relevant, as worthy. Of course, as the title suggests, this is also a book about love, and how we are changed by both its presence and its absence.
This was a tremendously thought-provoking book with many layers. I wasn't exactly sure what to expect when I started it, and my expectations kept changing as I read it. There are a lot of characters, and at times, the alternating of perspectives (as well as the shifting of time in Arky's recollections of his relationship with his wife) felt a bit confusing. But just like the way your perceptions change if you stare too long at a painting, the book's complexities kept revealing themselves.
Performance art isn't for everyone, and this book won't be either. But Heather Rose does a masterful job at creating such a unique story, anchored by some fascinating characters.
Pardon my digression.
Art fascinates me. While I tend to be a fairly literal person when it comes to art I enjoy (although I'm a sucker for Georges Seurat's pointillism), I'm always amazed by how differently people can interpret the same work of art. And that's not even taking performance art into consideration, which is a whole different jar of paint. (I was trying to go with an arty metaphor.)
Arky Levin is a musician who composes film scores, but he's hit a rough patch. His wife's unexpected departure has left him time to work, but he cannot seem to make any progress, so he decides to visit the Museum of Modern Art as a diversion.
"Levin was ready for something big. What was the point of turning fifty if you weren't ready to peak?"
At the museum he stumbles on an exhibit that he cannot get out of his mind. Visitors sit across a table from the performance artist Marina Abramović, without saying a word. (This is based on Abramović's real installation in 2010.) They can sit for as long or as little as they like; they can stare directly at the artist, glance at her shyly, or do whatever they choose. Some cry, some beseech the artist for some silent words of encouragement or strength, some simply enjoy being part of an art installation.
While the people who participate in the exhibit find themselves inexplicably changed, so do those simply viewing it. Arky is fascinated by the installation, and becomes one of a number of museum-goers who return day after day, simply to watch the parade of people sitting across from the artist. As he builds connections with his fellow observers, reflects upon his troubling relationship with his wife, and thinks about his work, he, too, starts to feel changed, as if somehow the exhibit is helping him through osmosis of some kind.
"Art is really a sort of sport. To master the leap is essential. It is the game of the leap. Practice, practice, practice, then leap. The starting point may be different for each, but the goal is the same. Do something worthwhile before you die."
The Museum of Modern Love is certainly a commentary about art and its effects on the viewers, the artist, and the participants, but more than that, this is a book about connection, human connection, and how much we hunger to be seen, heard, and viewed as relevant, as worthy. Of course, as the title suggests, this is also a book about love, and how we are changed by both its presence and its absence.
This was a tremendously thought-provoking book with many layers. I wasn't exactly sure what to expect when I started it, and my expectations kept changing as I read it. There are a lot of characters, and at times, the alternating of perspectives (as well as the shifting of time in Arky's recollections of his relationship with his wife) felt a bit confusing. But just like the way your perceptions change if you stare too long at a painting, the book's complexities kept revealing themselves.
Performance art isn't for everyone, and this book won't be either. But Heather Rose does a masterful job at creating such a unique story, anchored by some fascinating characters.
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Monday, June 11, 2018
Book Review: "Limelight" by Amy Poeppel
If you're looking for an enjoyable read with a lot of heart, Amy Poeppel's Limelight may be the book for you.
Allison Brinkley has her hands full. She's been the most vocal proponent of moving her family from their suburban Dallas home to the wilds of New York City when her husband is offered a new position within his company.
She can't wait to live in a brownstone, enjoy the beauty of Central Park, and spend time with one of her best friends, who has been trying to get her to come to New York for years. She already has a teaching job lined up, too, so she's completely set.
But then reality sets in. She discovers they can't afford a brownstone (more like an apartment in a high-rise building), her friend is escaping to the New Jersey suburbs, and her job has fallen through. All that, and her older daughter is barely speaking to her, her younger daughter is doing poorly in school, and she's already been called into school by her son's principal because of inappropriate behavior. Was moving the right decision?
Ever the optimist, Allison still tries to rally her familynot to mention herselfaround the excitement of New York. But when another career opportunity falls through, she starts to despair. Then opportunity comes her way in the most inauspicious of circumstances, when she has a fender-bender with a BMW in front of her son's schoolwhile the "popular mom crowd" watches.
Her accident leads her to a luxury penthouse on Central Park West, where she encounters a foul-mouthed, hungover, spoiled teenagerwho happens to be Carter Reid, a famous pop singer and teen heartthrob who seems to be taking a turn down the path of rebellion, spewing curses (and vomit), throwing punches, and causing trouble wherever he goes.
Carter is in New York City, abandoned by those who were working for him, in order to star in Limelight, a Broadway musical adaptation of the famous Charlie Chaplin film. The thing is, though, Carter doesn't want to do the musical and wants to fly home to Los Angeles. He doesn't care that he signed a contract, or what the implications are for his career or his fortune.
Amidst the wreck that Carter is making of his life and his career, Allison finds an opportunity to regain her self-worth, find a purpose, and perhaps finally fall in love with the city that never sleepsplus she might even get her kids to talk to her again. But it's going to require a lot of patience, marshaling her teaching skills, and buying a lot of cell phones!
This was a really fun read. Even if the story is utterly improbable, it charms you from start to finish. It's a bit of a love note to New York City, a paean of sorts to the power of positive thinking and encouragement, and a look at how if you take the bull by the horns, you can achieve success in the strangest of ways.
I enjoyed Poeppel's last book, Small Admissions (see my review), and I felt the same way about this book as well. Allison is a sweet yet persistent character who is determined not to give up, and although many of the other characters have their faults, I still found myself utterly engaged by the story. (It's probably about 50-75 pages longer than it needs to be, thoughCarter's shtick grew thin fairly quickly.)
Poeppel threw in lots of nuggets about Broadway, celebrity gossip, and New York City living along with the plot. This is definitely one of those books that are perfect to relax with on a rainy day, and enjoy the lighthearted story. I'll definitely read whatever Poeppel writes nextand I'm even thinking about checking out the Charlie Chaplin movie, too!
Allison Brinkley has her hands full. She's been the most vocal proponent of moving her family from their suburban Dallas home to the wilds of New York City when her husband is offered a new position within his company.
She can't wait to live in a brownstone, enjoy the beauty of Central Park, and spend time with one of her best friends, who has been trying to get her to come to New York for years. She already has a teaching job lined up, too, so she's completely set.
But then reality sets in. She discovers they can't afford a brownstone (more like an apartment in a high-rise building), her friend is escaping to the New Jersey suburbs, and her job has fallen through. All that, and her older daughter is barely speaking to her, her younger daughter is doing poorly in school, and she's already been called into school by her son's principal because of inappropriate behavior. Was moving the right decision?
Ever the optimist, Allison still tries to rally her familynot to mention herselfaround the excitement of New York. But when another career opportunity falls through, she starts to despair. Then opportunity comes her way in the most inauspicious of circumstances, when she has a fender-bender with a BMW in front of her son's schoolwhile the "popular mom crowd" watches.
Her accident leads her to a luxury penthouse on Central Park West, where she encounters a foul-mouthed, hungover, spoiled teenagerwho happens to be Carter Reid, a famous pop singer and teen heartthrob who seems to be taking a turn down the path of rebellion, spewing curses (and vomit), throwing punches, and causing trouble wherever he goes.
Carter is in New York City, abandoned by those who were working for him, in order to star in Limelight, a Broadway musical adaptation of the famous Charlie Chaplin film. The thing is, though, Carter doesn't want to do the musical and wants to fly home to Los Angeles. He doesn't care that he signed a contract, or what the implications are for his career or his fortune.
Amidst the wreck that Carter is making of his life and his career, Allison finds an opportunity to regain her self-worth, find a purpose, and perhaps finally fall in love with the city that never sleepsplus she might even get her kids to talk to her again. But it's going to require a lot of patience, marshaling her teaching skills, and buying a lot of cell phones!
This was a really fun read. Even if the story is utterly improbable, it charms you from start to finish. It's a bit of a love note to New York City, a paean of sorts to the power of positive thinking and encouragement, and a look at how if you take the bull by the horns, you can achieve success in the strangest of ways.
I enjoyed Poeppel's last book, Small Admissions (see my review), and I felt the same way about this book as well. Allison is a sweet yet persistent character who is determined not to give up, and although many of the other characters have their faults, I still found myself utterly engaged by the story. (It's probably about 50-75 pages longer than it needs to be, thoughCarter's shtick grew thin fairly quickly.)
Poeppel threw in lots of nuggets about Broadway, celebrity gossip, and New York City living along with the plot. This is definitely one of those books that are perfect to relax with on a rainy day, and enjoy the lighthearted story. I'll definitely read whatever Poeppel writes nextand I'm even thinking about checking out the Charlie Chaplin movie, too!
Monday, April 30, 2018
Book Review: "Feast: True Love in and out of the Kitchen" by Hannah Howard
"Life is big and scary. Food is constant, safe, dependable."
Growing up in Baltimore, Hannah Howard always loved and appreciated foodethnic and gourmet specialties as well as comfort food. Her mother was always dieting, always trying to shed those stubborn pounds, and Hannah, who was always taller and more amply proportioned than her classmates, inherited those struggles. She wanted to be popular, to be pretty, to be able to wear different clothes, but she couldn't outrun her body type or her love of food.
As she grew tired of hating how she looked in the mirror, she began starving herself. When she didn't eat, even though she felt dizzy and incapable of physically making it through the days, she was more satisfied with herself. When she occasionally slipped, falling prey to immense food binges, she made herself pay even more, with hours and hours at the gym, and existing only on coffee and yogurt for days.
Just before she enrolls at Columbia University, Hannah and her family move to Hoboken, New Jersey, and she gets a job scooping gelato for a brooding chef. She winds up in an all-consuming, dissatisfying, psychologically destructive relationship, which wreaks havoc with her head, her heart, and her self-esteem. It begins a pattern of these relationships, which only serve to exacerbate her growing battle with food and her self-image.
She gets a job as a hostess at New York's famed Picholine restaurant. While constantly worrying about how she looks and whether her clothes fit her takes a toll, she is around some of the world's best food, and she starts to truly appreciate the finest cheeses and other ingredients, all while her mind is making her believe she is fat and ugly.
"Not eating makes me feel powerful, but my goal is never to starve. I am obsessed with food. I read the new food blogs, every article and recipe in Gourmet and all of the cookbooks stacked in the Picholine office. My goal is to be so thin that it's okay, necessary, that I eat. Once I get to some magical, impossible land of skinnydom, I will stop starving and start some living."
Hannah's struggles with her body, her appetite, her unbridled love of food, and her poor self-worth make her an easy target romantically, and she winds up in poor relationship after poor relationship, with men who are emotionally unavailable, too old for her, and/or dealing with their own problems and addictions. She starts to realize she can never recover and never reconcile her love of food until she begins to love herself, which is no mean feat.
Feast is a powerfully emotional account of one woman's battle to accept herself as she is, and realize she is so much more than her weight and self-image. The depths to which she sinks, physically and emotionally, hit home for me, as I've struggled with my weight and my self-worth for many years, and I, too, love food and love to explore different cuisines, despite my worry about the calorie and fat levels of what I'm eating.
While at times you may wonder why Hannah allows herself to be treated so poorly and why she can't seem to rise above her addiction, and you want to scream at her to show some backbone, to walk away from her mistakes and stop endangering herself. But at the same time, you see just what a toll her physical and emotional state has taken on her.
Howard is a tremendously engaging writer, and the fact that she juxtaposed descriptions of amazing culinary encounters with instances of emotional and physical trauma made the book poignant, real, and hunger-inducing. I enjoy memoirs that combine physical and emotional struggle with a favorite pastime, and even though this was difficult to read at times, I really enjoyed it and felt connected to her character.
Don't read this on an empty stomach or if you're feeling low about your appearance!
Growing up in Baltimore, Hannah Howard always loved and appreciated foodethnic and gourmet specialties as well as comfort food. Her mother was always dieting, always trying to shed those stubborn pounds, and Hannah, who was always taller and more amply proportioned than her classmates, inherited those struggles. She wanted to be popular, to be pretty, to be able to wear different clothes, but she couldn't outrun her body type or her love of food.
As she grew tired of hating how she looked in the mirror, she began starving herself. When she didn't eat, even though she felt dizzy and incapable of physically making it through the days, she was more satisfied with herself. When she occasionally slipped, falling prey to immense food binges, she made herself pay even more, with hours and hours at the gym, and existing only on coffee and yogurt for days.
Just before she enrolls at Columbia University, Hannah and her family move to Hoboken, New Jersey, and she gets a job scooping gelato for a brooding chef. She winds up in an all-consuming, dissatisfying, psychologically destructive relationship, which wreaks havoc with her head, her heart, and her self-esteem. It begins a pattern of these relationships, which only serve to exacerbate her growing battle with food and her self-image.
She gets a job as a hostess at New York's famed Picholine restaurant. While constantly worrying about how she looks and whether her clothes fit her takes a toll, she is around some of the world's best food, and she starts to truly appreciate the finest cheeses and other ingredients, all while her mind is making her believe she is fat and ugly.
"Not eating makes me feel powerful, but my goal is never to starve. I am obsessed with food. I read the new food blogs, every article and recipe in Gourmet and all of the cookbooks stacked in the Picholine office. My goal is to be so thin that it's okay, necessary, that I eat. Once I get to some magical, impossible land of skinnydom, I will stop starving and start some living."
Hannah's struggles with her body, her appetite, her unbridled love of food, and her poor self-worth make her an easy target romantically, and she winds up in poor relationship after poor relationship, with men who are emotionally unavailable, too old for her, and/or dealing with their own problems and addictions. She starts to realize she can never recover and never reconcile her love of food until she begins to love herself, which is no mean feat.
Feast is a powerfully emotional account of one woman's battle to accept herself as she is, and realize she is so much more than her weight and self-image. The depths to which she sinks, physically and emotionally, hit home for me, as I've struggled with my weight and my self-worth for many years, and I, too, love food and love to explore different cuisines, despite my worry about the calorie and fat levels of what I'm eating.
While at times you may wonder why Hannah allows herself to be treated so poorly and why she can't seem to rise above her addiction, and you want to scream at her to show some backbone, to walk away from her mistakes and stop endangering herself. But at the same time, you see just what a toll her physical and emotional state has taken on her.
Howard is a tremendously engaging writer, and the fact that she juxtaposed descriptions of amazing culinary encounters with instances of emotional and physical trauma made the book poignant, real, and hunger-inducing. I enjoy memoirs that combine physical and emotional struggle with a favorite pastime, and even though this was difficult to read at times, I really enjoyed it and felt connected to her character.
Don't read this on an empty stomach or if you're feeling low about your appearance!
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Tuesday, January 30, 2018
Book Review: "Life is Like a Musical: How to Live, Love, and Lead Like a Star" by Tim Federle
I have been in love with the theater since my highly regarded performance as Sir Joseph in Marlboro Elementary School's production of HMS Pinafore. My rendition of "I Am the Monarch of the Sea" brought the house down, as much as I can remember, seeing I was in 4th grade at the time.
Growing up in New Jersey, I was fortunate enough to get to see Broadway shows fairly often, and I was persuasive enough that my parents or grandmother bought me the original cast album, which I quickly devoured and memorized every single word of. And even though I never pursued acting as a career, I have had my Tony Award acceptance speech written since I was about 14.
With all of that in mind, even though I don't read self-help books, I couldn't resist reading Life is Like a Musical, described as "a self-help guidewith jazz hands!" The advice that Tim Federle shares in this book doesn't require experience in the theater, knowledge of the theater, or even enjoyment of the theater. Instead, he applies lessons he learned in his years as a performer, dance captain, director's assistant, and playwright to "real life," and the results are entertaining.
"First off, the key to approximately 90 percent of adulthood is appearing more interested in something than you actually are. Seriously. So, hack number one: When you are attempting to appear at worst neutral or at best enthusiasticespecially when you don't feel particularly jazzed about somethingsimply uncross your arms. That's it." (From Chapter 9, "Don't Cross Your Arms When the Director is Talking.")
Federle's advice isn't necessarily earth-shattering. You don't have to know the lyrics to any musical or even have set foot in the theater in order to identify with at least some of what Federle is saying.
The book focuses a lot on living your best life, prizing courage over confidence, treating everyoneeven those who don't seem importantas if they were, and recognizing that "no" doesn't always mean "never" (except in social situations). But even though I'm fairly cynical and jaded, I still found some helpful perspectives here, things I'll try to remember in the heat of the moment, no matter what that moment is.
"We either mistrust people's enthusiasm for us or, worse, we vastly undervalue what it means to be appreciated, constantly looking over our shoulders for an even deeper high. We think there must be something wrong with people if they think there's something so right about us." (From Chapter 23, "Go Where the Love Is.")
The book is tremendously easy to read, and is written in a friendly, humorous, breezy style. Federle punctuates his "lessons" with his own experience, good and bad, from moments of triumph to moments of defeat. And sometimes he shares interesting anecdotes while sharing advice, like:
"When Bob Fosse had a bald spot, he put on a stylish hat. Where's your bald spot? Or blind spot? Or thing that you can barely accept about yourself? Go put a hat on it, and make it something beautiful." (From Chapter 6, "Turn Your Weaknesses into Strengths.")
I found this book enjoyable and, dare I say, even helpful. It's perfect for someone wondering how to get to the next step in their career or relationship, someone struggling with confidence issues, or someone considering or stepping into a leadership role for the first time. Plus, there are jazz hands, too!
Growing up in New Jersey, I was fortunate enough to get to see Broadway shows fairly often, and I was persuasive enough that my parents or grandmother bought me the original cast album, which I quickly devoured and memorized every single word of. And even though I never pursued acting as a career, I have had my Tony Award acceptance speech written since I was about 14.
With all of that in mind, even though I don't read self-help books, I couldn't resist reading Life is Like a Musical, described as "a self-help guidewith jazz hands!" The advice that Tim Federle shares in this book doesn't require experience in the theater, knowledge of the theater, or even enjoyment of the theater. Instead, he applies lessons he learned in his years as a performer, dance captain, director's assistant, and playwright to "real life," and the results are entertaining.
"First off, the key to approximately 90 percent of adulthood is appearing more interested in something than you actually are. Seriously. So, hack number one: When you are attempting to appear at worst neutral or at best enthusiasticespecially when you don't feel particularly jazzed about somethingsimply uncross your arms. That's it." (From Chapter 9, "Don't Cross Your Arms When the Director is Talking.")
Federle's advice isn't necessarily earth-shattering. You don't have to know the lyrics to any musical or even have set foot in the theater in order to identify with at least some of what Federle is saying.
The book focuses a lot on living your best life, prizing courage over confidence, treating everyoneeven those who don't seem importantas if they were, and recognizing that "no" doesn't always mean "never" (except in social situations). But even though I'm fairly cynical and jaded, I still found some helpful perspectives here, things I'll try to remember in the heat of the moment, no matter what that moment is.
"We either mistrust people's enthusiasm for us or, worse, we vastly undervalue what it means to be appreciated, constantly looking over our shoulders for an even deeper high. We think there must be something wrong with people if they think there's something so right about us." (From Chapter 23, "Go Where the Love Is.")
The book is tremendously easy to read, and is written in a friendly, humorous, breezy style. Federle punctuates his "lessons" with his own experience, good and bad, from moments of triumph to moments of defeat. And sometimes he shares interesting anecdotes while sharing advice, like:
"When Bob Fosse had a bald spot, he put on a stylish hat. Where's your bald spot? Or blind spot? Or thing that you can barely accept about yourself? Go put a hat on it, and make it something beautiful." (From Chapter 6, "Turn Your Weaknesses into Strengths.")
I found this book enjoyable and, dare I say, even helpful. It's perfect for someone wondering how to get to the next step in their career or relationship, someone struggling with confidence issues, or someone considering or stepping into a leadership role for the first time. Plus, there are jazz hands, too!
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