Showing posts with label Broadway. Show all posts
Showing posts with label Broadway. Show all posts

Friday, January 31, 2025

Book Review: "In Gad We Trust: A Tell-Some" by Josh Gad

From the first time I saw him stumble onto the stage in The Book of Mormon, I’ve been a fan of Josh Gad’s. Whether seeing his face or just hearing his voice (as Olaf in Frozen), his presence in a show adds laughter and heart.

I’m always fascinated by funny people and what makes them tick. Where did their sense of humor and desire to make people laugh come from?

For Gad, his “radioactive-spider-bite-inception moment” was in kindergarten, when his mother threw his father out of the house for being unfaithful to her.

“The trauma of going from a full family unit to a broken household in a matter of minutes was fairly earth-shattering to me, but it would also set me on a course to become the entertainer I would one day be.”

What I enjoyed about this “Tell-Some” was the combination of Gad’s humorous asides and times when he addressed things that affected him emotionally. He talks about his parents’ divorce, his struggle with his weight and self-image, and what it felt like to become a father in the midst of his career trajectory starting to rise.

I don’t read a lot of memoirs, particularly celebrity memoirs, but there’s something about Gad that reminds me of myself. (In the fat Jewish kid who desperately wanted to show all of his doubters how talented he was way, not the Tony-nominated actor way.) It definitely revealed his complexity and served as a reminder that you never know what a person is going through just by looking at them!

Now…do you want to build a snowman?

Monday, January 20, 2025

Book Review: "Truly, Madly, Deeply" by Alexandria Bellefleur

“If some relationships were doomed from the start, why ever put your heart on the line? Why risk it?”

Truly (her actual name) is a bestselling author of queer historical romances. When she is invited to give relationship advice on a popular podcast, she’s reeling: her 6-year relationship just ended when she found her fiancĂ© with another woman.

Her cohost for the podcast is Colin, the incredibly sexy brother of the podcast creator. Colin is a divorce lawyer, and his views on romance completely contradict Truly’s, and infuriate her, too. She’s so irritated by Colin that she walks out on the podcast in the middle of recording.

Imagine her surprise when Colin reaches out to apologize and ask for a second chance. She enjoys making him beg, plus she can’t help but fantasize more than a little about him, so she agrees. As they get to know each other better, their insults turn into playful flirting, and the sexual tension grows more intense.

Truly is attracted to Colin, but she’s not in the right headspace for a relationship, especially when she learns her parents are on a trial separation. But Colin breaks down every argument, and she realizes how good it feels to have someone care about her this strongly, and to feel the same way. Is it too good to be true?

Y’all, this book is S-T-E-A-M-Y!! I really enjoyed the characters—Truly’s parents and her best friend cracked me up—and the banter is both hysterical and hot. I’ve been a fan of Alexandria Bellefleur’s books for a while, and this was another good one.

Thursday, March 14, 2024

Book Review: "Uncle of the Year & Other Debatable Triumphs" by Andrew Rannells

When I read his first memoir, Too Much Is Not Enough, a few years ago, I remember thinking I could totally be friends with Andrew Rannells. Sure, he’s a Tony nominee and has been both on television and in movies, but we still have a lot in common.

After reading his collection of essays, Uncle of the Year & Other Debatable Triumphs, I’m further convinced we have similar senses of humor and similar anxieties, so while I probably wouldn’t go to karaoke with him (he’s starred in several musicals, after all), maybe we’d get along, or crack each other up.

This book is thought-provoking, hysterically funny in places, and poignant in others, and many times I found myself recognizing feelings and thoughts. In one essay he ponders when he became an adult. “Was it in my twenties, when I started my career? Was it after my first big breakup? Was it when my dad died? Was it when I started living on my own without roommates?”

Rannells recounts highs and lows in his life, from pretending to be straight so he and a friend could get on a talk show to the many rejections he experienced auditioning. He touches on dating disasters (like hooking up with a married Christian co-star), landing his starring role in The Book of Mormon, and what it’s like to be nominated for—and lose—two Tony Awards. And in the title essay he talks about the fact that while he never really wanted children of his own, he loves being an uncle (even a great-uncle) and how interesting it is to date a man with grown children.

I really enjoyed this. Even if you have no idea who he is, I think if you identify with some of the themes he touches on, you may find this to be fun and moving. And while I promise not to stalk him, if you know Andy, tell him we should be friends.

Tuesday, August 29, 2023

Book Review: "Once More with Feeling" by Elissa Sussman

Katee Rose is living the life she’s always wanted. She’s a huge pop star with fans all over the world, giving sold-out concerts, and topping the charts. The media can’t get enough of her, especially her relationship with Ryan LaNeve, the breakout star of the beloved boy band CrushZone. But fame and constant media scrutiny have their price. She doesn’t love that producers keep auto-tuning her voice, and she hates having to worry about everything she eats, everything she wears, and making sure she’s always “on” in case she inadvertently upsets a fan.

And as much as she cares about Ryan, having a relationship in the public eye is exhausting. Which is why she finds herself turning more and more to her good friend Cal, another CrushZone member. Cal is quiet, more mature, and he seems to understand Katee more than Ryan. And when friendship turns to romance, it destroys everything–her relationship with Ryan, her career, her reputation, and her future, as well as her friendship with Cal.

Years later, Kathleen Rosenberg is fine with her life outside the spotlight. But when her best friend Harriet’s musical–with a part she created specifically for Kathleen–has an opportunity to get to Broadway, Kathleen is thrilled for her friend. Harriet is determined that Kathleen gets another chance at fame. That chance, however, is in the hands of Cal, now a successful director and choreographer. Neither has spoken to the other since the implosion of both of their careers, and both blame each other.

Can Kathleen trust Cal this time with the possibility of a second chance? They both know the scrutiny the show and both of them will be under if she gets the role, but they also know that it has the potential to resurrect both of their careers. What to do when the chemistry and the old feelings reawaken? Is there potential for a comeback in their romantic lives as well, or will that be too much for the show to sustain, not to mention the public scrutiny?

Elissa Sussman’s last book, Funny You Should Ask, was one of my favorite books of last year, so needless to say, I had very high hopes for this book. While it was an enjoyable read, and I loved the behind-the-scenes look at the mounting of a musical bound for Broadway, it was a little too predictable, and the whole book ran far longer than it needed to. (What is it with super-long rom-coms lately?)

But Kathleen and Cal definitely had chemistry, and it’s always great to read a rom-com with more mature characters.

Sunday, December 9, 2018

Book Review: "Too Much is Not Enough: A Memoir of Fumbling Toward Adulthood" by Andrew Rannells


I've always thought that Andrew Rannells was my spirit animal.

Seriously, when I first saw him perform in his Tony Award-nominated role in The Book of Mormon, I thought to myself, if I were younger, thinner, and more talented, I could totally be him. But since I'm none of those things, I've become a big fan, having seen him in both Book and Falsettos on Broadway, and watched him on television in both Girls and The New Normal. (He's also a really fun guest on the late night talk show circuit.)

Needless to say, when I was offered the chance to read an advance copy of his memoir, Too Much is Not Enough (the title comes from a lyric from the song "Fame"), I jumped at it. While I was expecting a humorous, heartfelt chronicle of how Rannells made it to Broadway and what it's like to be famous, this book was much more than the former, and didn't really touch on the latter.

This book isn't your typical celebrity memoir of brags and name-dropping. It's actually a more universal story about pursuing your dreams even when everything is telling you that you might want to reconsider. It's also a story about coming to terms with who you are and the need for self-acceptance, or at least getting to the point where you don't give a s--t about what people think. And at the same time, it's the story about navigating the challenges of familial relationships, and how to cope when your family is far away.

Of course, much of this book is Rannells' story about moving from Omaha to New York City in 1997 and enrolling in the theater program at Marymount Manhattan College, and how everything didn't quite turn out the way he thought it would. School wasn't the magical, inspirational classes he saw in Fame, he was living in squalor, and Broadway casting directors weren't quite welcoming him with open arms. (How was he even supposed to find them?)

You also get the story of his childhood, how he became interested in theater and his desire to be a star grew, his relationships with his family, and the always rocky road of coming to terms with his sexuality, and the dysfunctions which accompany finding your way out of the closet and into your first sexual encounters and romantic relationships. (Often the two are not mutually exclusive.)

Rannells tells his story in a witty, often-sarcastic, conversational style which I'm sure belies the anxiety, despair, and depression he felt as things were occurring. There are moments when Rannells recounted incidents which left him emotionally vulnerable, and I'll admit I choked up a time or two. He also sprinkles in a liberal dash of pop culture references which I absolutely loved, and at times he literally made me laugh out loud.

Discussing his fondness for certain color sashes with his altar boy outfit, he said, "Red was my favorite; that was for feast days of martyrs. I think it appealed to me on two levels: I've always loved a martyr story...and I love a classic pop of color. I was dramatic and stylish even as a fourth grader."

Other than being familiar with some of his work, I didn't know much about Rannells, so I really enjoyed learning about his early life. The book ends with his first big break on Broadway, five years before The Book of Mormon, so I found his story really relatable, more about dreams, disappointments, family, friendships, and the search for love and self-acceptance—not to mention wardrobe struggles, figuring out how to call out sick from your job when you have multiple auditions, and trying not to collapse from hunger when you have no money.

I devoured this book in a day. It was so terrific to read a celebrity memoir that was funny, self-deprecating (without trying too hard), and quite enjoyable, one that leaves you feeling like a bigger fan than you might have been when you started. I'll definitely appreciate his performances even more in the future, because I know how hard he worked to get where he is.

Crown Archetype provided me an advance copy of the book in exchange for an unbiased review. Thanks for making this available!

Thursday, November 8, 2018

Book Review: "Roomies" by Christina Lauren

After reading two particularly heavy books, I needed something a little lighter, something that wouldn't leave me emotionally debilitated. Once again this year, I turned to Christina Lauren, two writers whose work I've become a tremendous fan of. (This is the fourth book of theirs I've read this year; the fifth, Autoboyography, was among the best books I read last year.)

I know when I pick up a book of Lauren's I'm bound to find a charming, poignant, utterly engaging, sexy story, full of appealing characters. The plots may be predictable but I usually have a smile on my face when I'm done reading their books, and Roomies was no exception to that rule.

Holland Bakker knows she wants more out of her life, but she doesn't know how to get it. She has always dreamed of being a writer but for some reason can't seem to coax a single word out of her brain. She has depended upon the kindness of her uncles—one of whom is the musical director for one of Broadway's hottest shows—for her NYC apartment and her job, which doesn't fulfill her, but at least she feels part of something.

The only thing that has given her joy over the last six months is her weekly jaunts into the subway station near her house to listen to a street musician whose guitar playing absolutely dazzles her. (The guitarist himself is pretty dazzling, too.) She's never made any contact with him beyond putting money in his guitar case every time she sees him, but she's getting obsessed enough with him that she's even given him a name—Jack.

One night, armed with the courage only alcohol can provide, Holland decides to speak to him—and then fate intervenes, when a homeless man comes after her, wanting her cell phone. The next thing she knows she winds up on the train tracks. Although her musician crush rescued her from a dangerous fate, he disappears before the cops can question them. When she runs into her savior at a concert a few days later, she learns that the Irishman's real name is Calvin—and he's even more talented (not to mention even sexier) than she thought.

In an effort to repay Calvin for his heroics, and help her uncle out of a bind, she gets Calvin an audition for her uncle's Broadway show. He wows everyone, and gets offered a plum position in the orchestra which is sure to make him a star. The only problem? Calvin is in the country illegally, since he let his student visa expire a number of years ago and never did anything about it.

In an effort to help both her uncle and Calvin, Holland makes an impulsive decision and suggests that she and Calvin get married so he can get his green card. She's not willing to admit that she actually has feelings for him, but she figures, how bad could it be to have him around for at least a year? Of course, the fact that she finds him increasingly more sexy every day complicates things, but the chemistry between the two is palpable. But are Calvin's feelings real, or is he just trying to act more authentic to pass their immigration interviews?

"It's not until he's said those words that I understand what really draws me to this. It's unlike anything I would ever do. I am shit at taking risks; I'm bored to hell with my life already, and I'm only twenty-five. Maybe the reason I can't write about fictional life is because I haven't actually lived."

From reading this plot summary, you may have suspicions about how the book will unfold, and you'll probably be right. But that doesn't lessen Roomies' appeal. Holland and Calvin seem utterly believable and completely likable, and I found myself quickly getting invested in their story. You want to root for these characters, you want to shake them when they do stupid things or when they don't say the things they should. And that's the appeal of Lauren's storytelling.

Roomies took a little longer to get rolling than some of their other books, but it's still a fun read, and it once again shows me why Christina Lauren is becoming one of my favorite go-to authors.

Monday, June 11, 2018

Book Review: "Limelight" by Amy Poeppel

If you're looking for an enjoyable read with a lot of heart, Amy Poeppel's Limelight may be the book for you.

Allison Brinkley has her hands full. She's been the most vocal proponent of moving her family from their suburban Dallas home to the wilds of New York City when her husband is offered a new position within his company.

She can't wait to live in a brownstone, enjoy the beauty of Central Park, and spend time with one of her best friends, who has been trying to get her to come to New York for years. She already has a teaching job lined up, too, so she's completely set.

But then reality sets in. She discovers they can't afford a brownstone (more like an apartment in a high-rise building), her friend is escaping to the New Jersey suburbs, and her job has fallen through. All that, and her older daughter is barely speaking to her, her younger daughter is doing poorly in school, and she's already been called into school by her son's principal because of inappropriate behavior. Was moving the right decision?

Ever the optimist, Allison still tries to rally her family—not to mention herself—around the excitement of New York. But when another career opportunity falls through, she starts to despair. Then opportunity comes her way in the most inauspicious of circumstances, when she has a fender-bender with a BMW in front of her son's school—while the "popular mom crowd" watches.

Her accident leads her to a luxury penthouse on Central Park West, where she encounters a foul-mouthed, hungover, spoiled teenager—who happens to be Carter Reid, a famous pop singer and teen heartthrob who seems to be taking a turn down the path of rebellion, spewing curses (and vomit), throwing punches, and causing trouble wherever he goes.

Carter is in New York City, abandoned by those who were working for him, in order to star in Limelight, a Broadway musical adaptation of the famous Charlie Chaplin film. The thing is, though, Carter doesn't want to do the musical and wants to fly home to Los Angeles. He doesn't care that he signed a contract, or what the implications are for his career or his fortune.

Amidst the wreck that Carter is making of his life and his career, Allison finds an opportunity to regain her self-worth, find a purpose, and perhaps finally fall in love with the city that never sleeps—plus she might even get her kids to talk to her again. But it's going to require a lot of patience, marshaling her teaching skills, and buying a lot of cell phones!

This was a really fun read. Even if the story is utterly improbable, it charms you from start to finish. It's a bit of a love note to New York City, a paean of sorts to the power of positive thinking and encouragement, and a look at how if you take the bull by the horns, you can achieve success in the strangest of ways.

I enjoyed Poeppel's last book, Small Admissions (see my review), and I felt the same way about this book as well. Allison is a sweet yet persistent character who is determined not to give up, and although many of the other characters have their faults, I still found myself utterly engaged by the story. (It's probably about 50-75 pages longer than it needs to be, though—Carter's shtick grew thin fairly quickly.)

Poeppel threw in lots of nuggets about Broadway, celebrity gossip, and New York City living along with the plot. This is definitely one of those books that are perfect to relax with on a rainy day, and enjoy the lighthearted story. I'll definitely read whatever Poeppel writes next—and I'm even thinking about checking out the Charlie Chaplin movie, too!