It’s 1939. Orland Orcott is a well-known director in Hollywood. (Well-known, but not well-liked.) He has a reputation as quite a womanizer, and he treats his actors with a tremendous amount of disrespect.
He throws a big party for his wife’s birthday at their Bel Air mansion. But tensions rise when his wife discovers that his latest mistress has been invited to the party. Shortly after a big blowout argument, Orland gets a phone call and retreats to his study. Not long after, he is found dead in his locked study.
The police are convinced that Orland’s death was a suicide. But Victor Marvel, one of the stars of Orland’s last film, is convinced it was murder. (He played an investigator in three films, so he knows his stuff.) He’s determined to figure out the truth behind Orland’s mysterious death.
There are a lot of people who might be suspects. There’s the director’s son, Tab, who was recently disowned because he is gay; Sheila, his former mistress, cast aside when he found a younger model; and notorious gossip columnist Agatha Mudd, who holds several grudges against him. Then there’s William Taylor, an aging actor who Orland bullied constantly, and William’s daughter, whose reputation the director has been happy to sully.
Aided by his boyfriend, up and coming actor Griffin Fenwick, and his costar and frequent date, Eve Spellman, Victor is one step ahead of the killer. And he’s determined to keep his and Griff’s relationship from the Hollywood rumor mills.
I loved the classic Hollywood setting and the way this book dealt with the issues of the day, like keeping queer actors in the closet and directors abusing their power. I just wished the actual mystery was a little more exciting. The pacing really dragged, and I wanted to start skimming pages.

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