Nadia Turner is smart, destined for a future far better than her parents had. But at the end of her senior year of high school, her mother's unexpected suicide throws everything off-kilter. Her relationship with her father was never completely stable, and now he can't look at her for fear he's reminded of what he has lost. As she tries to make sense of this loss, she begins a relationship with Luke Sheppard, the son of the pastor of her church, a once-golden star athlete whose injury ends his future dreams, leaving him waiting tables at a local restaurant.
Four years her senior, Luke knows his relationship with Nadia is wrong, but he finds comfort in it. Nadia wants more from Luke than he can give, she wants him to take her home to his parents, to hold her hand in public, but instead they must keep everything secret. But when she gets pregnant, she knows the last thing she wants is to be tied to her hometown; she's planning to attend the University of Michigan and isn't going to let anything, much less a baby, hold her back. Although Nadia makes the decision how to handle things, she's unaware of who has their hands in the aftermath.
She spends the summer before college dealing with the consequences of her decision, and she befriends Aubrey Evans, a girl whose mother also abandoned her, although due to estrangement, not suicide. Aubrey and Nadia develop an intensely close bond, yet there is one secret that each girl never reveals to the other, secrets that affect them at every turn.
"...she too understood loss, how it drove you to imagine every possible scenario that might have prevented it."
When Nadia leaves for college, she doesn't come home for several years, and when she does, all of her relationships are more complicated than they were when she left. What does she want, to relive the past or continue building a life completely devoid of connection to what she's known? Can we really outrun the secrets we try to put behind us, no matter whom they may hurt?
The Mothers is showing up on a number of year-end best lists, and I certainly can see why. Bennett has created a narrative rich with emotion, secrets, and, yes, lies, and that sense of longing that I mentioned at the start of my review makes this story even richer. While the elements of the plot aren't necessarily unique, the puzzle pieces come together with great skill and beautiful storytelling. The narrative is accented by a Greek chorus of sorts comprised of the "mothers" of the local churchthe elderly women who have seen it all more than once.
It's funny: all I kept thinking of as I read this book was the John Mayer song, "Daughters," particularly these lines:
Girls become lovers who turn into mothersI hope this book marks the start of a long and illustrious literary career for Bennett, because she certainly knows how to tell a story. The book isn't perfect, and some threads of the story are left unresolved, but it is still a rich and beautiful story worth reading.
So mothers be good to your daughters too
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