Here’s an existential question: is it a retelling if you’ve never read the original? I know the answer is yes, but the question came to mind when I was reading this enjoyable YA romance. It’s a retelling of Shakespeare’s Twelfth Night, which I never read, so I just enjoyed the story for what it is.
High school makes Viola cranky. She’s not afraid to express her opinions, which gives her a reputation of being prickly and doesn’t gain her many fans. She also is student government VP under Jack, the charismatic quarterback who would rather charm people than do his job, which leaves Vi to be the bad guy. And it seems as if her best friend would rather apologize for her behavior than support her.
“No matter how smart I am or how hard I work, my acceptance is always conditional. And it’s not just me—I don’t know how any girl can exist in the world without being perpetually furious.”
The only place she really feels comfortable is in the world of Twelfth Knight, the MMORPG she loves. But even here she capitulates a bit—she plays as Cesario, a male knight, because she knows that her fellow players would condescend to a girl playing.
And when Jack’s football career gets sidelined by injury, a friend introduces him to Twelfth Knight. While at first he can’t believe he’s playing an online game, he gets hooked pretty quickly. Vi recognizes his character but doesn’t reveal her online identity to Jack. Little by little, they strike up a friendship in the game, and their conversations expand beyond vanquishing their enemies to life and love.
Follmuth is the pen name of sci-fi/fantasy writer Olivie Blake. She has created a really enjoyable story with characters who seem much more realistic than in many YA stories. If you’re familiar with Twelfth Night, you might enjoy this even more!
Showing posts with label Shakespeare. Show all posts
Showing posts with label Shakespeare. Show all posts
Saturday, August 31, 2024
Tuesday, August 2, 2022
Book Review: "Ben and Beatriz" by Katalina Gamarra
Ben and Beatriz is a modern-day YA retelling of Much Ado About Nothing.
Do you like Shakespeare? While I’ve not read or seen a ton of his plays, Much Ado About Nothing is definitely one of my two favorites. I’ve read and seen it, I love the 1990s film adaptation, and also enjoyed the 2012 updated adaptation, so when Graydon House Books invited me on the tour for this retelling, I was all over it.
Beatriz and Ben are both students at Harvard. Beatriz is fiercely intelligent and blunt, a queer, biracial woman in a world that doesn’t quite get her. Ben is handsome, the son of privilege, known for hooking up with nearly every girl who looks his way. Beatriz loathes Ben and what he represents; she gets under his skin but he hasn’t been able to get her out of his mind since they hooked up freshman year.
The last place Beatriz wants to spend spring break is at Ben’s family’s mansion on Cape Cod, but her cousin and best friend Hero is dating Ben’s best friend Claudio, and she’d do anything for Hero. And it’s not long into the trip before Ben and Beatriz are tearing into each other, fighting over every remark and false assumption they make about one another. But of course, they’re also intensely drawn to each other.
The more time they spend together, the more they discover how vulnerable the other is. Beatriz has nightmares from childhood trauma and is trying to find her place in a country that recently elected Trump president, and Ben is tired of the expectations of his conservative family and his abusive older brother, John. Can the two break through the walls they’ve built around them and find happiness?
I enjoyed this very much. It’s fascinating to experience the themes of the original play with modern twists. This is definitely darker and angstier than the play, but these characters are so beautifully complex. I love the creativity of retellings!
Do you like Shakespeare? While I’ve not read or seen a ton of his plays, Much Ado About Nothing is definitely one of my two favorites. I’ve read and seen it, I love the 1990s film adaptation, and also enjoyed the 2012 updated adaptation, so when Graydon House Books invited me on the tour for this retelling, I was all over it.
Beatriz and Ben are both students at Harvard. Beatriz is fiercely intelligent and blunt, a queer, biracial woman in a world that doesn’t quite get her. Ben is handsome, the son of privilege, known for hooking up with nearly every girl who looks his way. Beatriz loathes Ben and what he represents; she gets under his skin but he hasn’t been able to get her out of his mind since they hooked up freshman year.
The last place Beatriz wants to spend spring break is at Ben’s family’s mansion on Cape Cod, but her cousin and best friend Hero is dating Ben’s best friend Claudio, and she’d do anything for Hero. And it’s not long into the trip before Ben and Beatriz are tearing into each other, fighting over every remark and false assumption they make about one another. But of course, they’re also intensely drawn to each other.
The more time they spend together, the more they discover how vulnerable the other is. Beatriz has nightmares from childhood trauma and is trying to find her place in a country that recently elected Trump president, and Ben is tired of the expectations of his conservative family and his abusive older brother, John. Can the two break through the walls they’ve built around them and find happiness?
I enjoyed this very much. It’s fascinating to experience the themes of the original play with modern twists. This is definitely darker and angstier than the play, but these characters are so beautifully complex. I love the creativity of retellings!
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Saturday, March 7, 2020
Book Review: "Foul is Fair" by Hannah Capin
Hannah Capin's Foul is Fair is dark, violent, and utterly crazy, but I am OBSESSED with this book!
If the mean girls of Megan Abbott and Kara Thomas’ books teamed up with Regina George and the cast of Heathers in a retelling of Macbeth, you’d have this amazingly insane book. (And that description doesn’t even really do it justice.)
Elle and her “coven” of best friends—together they’re a quartet of obscenely wealthy, beautiful California girls—decide to celebrate her 16th birthday by crashing a party being thrown by the popular crowd at St. Andrews, a tony Catholic school. That night, something happens to Elle at the hands of a group of dazzlingly handsome, privileged lacrosse players. Something awful. Something for which she and her coven vow to seek revenge.
"I can take every single thing they tried to ruin and make it mine again. Make it a weapon that cuts them down and bleeds them dry."
She reinvents herself as Jade, a new, bewitching, take-no-prisoners student at St. Andrews. She infiltrates the popular crowd and begins to work her plan of turning them all against each other, and finds one boy, her king, to set it all in motion.
There’s a lot here—rape, violence, drugs, blood—but Capin does such an excellent job weaving this story together. I seriously couldn’t read this one fast enough. It is really, really dark, and of course, utterly preposterous in places, but it will stick in my mind for a long, long time.
(True confession time: I never read Macbeth, so other than the similarities in character names, I'm not sure exactly how many parallels there are, but that didn't bother me anyway!)
If the mean girls of Megan Abbott and Kara Thomas’ books teamed up with Regina George and the cast of Heathers in a retelling of Macbeth, you’d have this amazingly insane book. (And that description doesn’t even really do it justice.)
Elle and her “coven” of best friends—together they’re a quartet of obscenely wealthy, beautiful California girls—decide to celebrate her 16th birthday by crashing a party being thrown by the popular crowd at St. Andrews, a tony Catholic school. That night, something happens to Elle at the hands of a group of dazzlingly handsome, privileged lacrosse players. Something awful. Something for which she and her coven vow to seek revenge.
"I can take every single thing they tried to ruin and make it mine again. Make it a weapon that cuts them down and bleeds them dry."
She reinvents herself as Jade, a new, bewitching, take-no-prisoners student at St. Andrews. She infiltrates the popular crowd and begins to work her plan of turning them all against each other, and finds one boy, her king, to set it all in motion.
There’s a lot here—rape, violence, drugs, blood—but Capin does such an excellent job weaving this story together. I seriously couldn’t read this one fast enough. It is really, really dark, and of course, utterly preposterous in places, but it will stick in my mind for a long, long time.
(True confession time: I never read Macbeth, so other than the similarities in character names, I'm not sure exactly how many parallels there are, but that didn't bother me anyway!)
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Thursday, March 15, 2018
Book Review: "The Shakespeare Requirement" by Julie Schumacher
Jason Fitger, the beleaguered English professor who was the protagonist of Julie Schumacher's very funny Dear Committee Members, takes us on a return trip to Payne University in Schumacher's new book, The Shakespeare Requirement. Fitger, pompous and irascible as ever, finds himself elected chair of the English department, and he has no idea of the chaos and aggravation that awaits him.
As if having to work on substandard equipment and in squalid conditions isn't bad enough, the Economics Department and its chair, Roland Gladwell, who convinced the university and corporate sponsors that his department needed state-of-the-art classrooms and technology, now has his eye on the English Department's remaining space. Fitger has to guard himself against angry wasps, faulty air conditioning, and a computer that might workif he could ever get the University's IT department to schedule an appointment. (And don't try to set up a meeting with him on P-Cal, the university-wide calendar system, as he refuses to use it.)
But these problems are just the tip of the iceberg. He has to deal with a department in shambles, get his colleagues to adopt a new-agey Statement of Vision for the department (just ridiculous), and his attempts to get a 90-year-old Shakespearean scholar to retire backfire when the man convinces the press that Shakespeare isn't important to the English Department any longer. Plus, any requests he has have to be approved by the dean, who happens to be his ex-wife's lover. It's enough to make any man crumble.
The Shakespeare Requirement follows Fitger as he navigates university and department politics, tries to figure out exactly what his relationship is with his ex-wife, and wonders what secrets his assistant, Fran, is hiding. The book shifts narration among a number of charactersFitger, his ex-wife Janet; Philip, Fitger's boss and Janet's lover; Fran; Roland Gladwell; Professor Cassovan, the Shakespeare expert; and Angela, a sheltered student away from home for the first time.
What I enjoyed so much about Dear Committee Members (see my review) is that it was an epistolary novelthe whole story was told through letters Fitger wrote to various people within and outside the university. His voice was tremendously memorable and at times hysterically funny, plus it reminded me of a committee chairman I was working with at the time.
However, this book is told in the traditional narrative style, which didn't quite work for me. While most of the characters used the same pompous, high-brow language that Fitger did in the earlier book, the story didn't flow as well in this manner. I thought there were too many characters to follow, and after a while there were so many machinations to keep straight, so much politics to navigate, I didn't enjoy it as much as I had hoped.
Stories of systemic dysfunction and office politics are often humorous, and some may find this funnier than I did. There's no doubt that Schumacher is a talented storyteller, and these characters are fascinating. I'd love her to write another epistolary novel somedayit's a terrific change of pace!
NetGalley and Doubleday Books provided me an advance copy of the book in exchange for an unbiased review. Thanks for making this available!
As if having to work on substandard equipment and in squalid conditions isn't bad enough, the Economics Department and its chair, Roland Gladwell, who convinced the university and corporate sponsors that his department needed state-of-the-art classrooms and technology, now has his eye on the English Department's remaining space. Fitger has to guard himself against angry wasps, faulty air conditioning, and a computer that might workif he could ever get the University's IT department to schedule an appointment. (And don't try to set up a meeting with him on P-Cal, the university-wide calendar system, as he refuses to use it.)
But these problems are just the tip of the iceberg. He has to deal with a department in shambles, get his colleagues to adopt a new-agey Statement of Vision for the department (just ridiculous), and his attempts to get a 90-year-old Shakespearean scholar to retire backfire when the man convinces the press that Shakespeare isn't important to the English Department any longer. Plus, any requests he has have to be approved by the dean, who happens to be his ex-wife's lover. It's enough to make any man crumble.
The Shakespeare Requirement follows Fitger as he navigates university and department politics, tries to figure out exactly what his relationship is with his ex-wife, and wonders what secrets his assistant, Fran, is hiding. The book shifts narration among a number of charactersFitger, his ex-wife Janet; Philip, Fitger's boss and Janet's lover; Fran; Roland Gladwell; Professor Cassovan, the Shakespeare expert; and Angela, a sheltered student away from home for the first time.
What I enjoyed so much about Dear Committee Members (see my review) is that it was an epistolary novelthe whole story was told through letters Fitger wrote to various people within and outside the university. His voice was tremendously memorable and at times hysterically funny, plus it reminded me of a committee chairman I was working with at the time.
However, this book is told in the traditional narrative style, which didn't quite work for me. While most of the characters used the same pompous, high-brow language that Fitger did in the earlier book, the story didn't flow as well in this manner. I thought there were too many characters to follow, and after a while there were so many machinations to keep straight, so much politics to navigate, I didn't enjoy it as much as I had hoped.
Stories of systemic dysfunction and office politics are often humorous, and some may find this funnier than I did. There's no doubt that Schumacher is a talented storyteller, and these characters are fascinating. I'd love her to write another epistolary novel somedayit's a terrific change of pace!
NetGalley and Doubleday Books provided me an advance copy of the book in exchange for an unbiased review. Thanks for making this available!
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