Book Review: "We Burned So Bright" by TJ Klune

TJ Klune is one of my favorite authors of all time. Three of his books have been #1 on three year-end lists. His books leave me sobbing, smiling, and thinking, usually all at once. Thanks so much to Tor Books and NetGalley for the complimentary advance copy of this book!

“‘Do we live to be remembered?,’ Don asked. ‘Or do we live to live?’”

Don and Rodney have been together for more than 40 years, and even got legally married in 2015. They’re both a little grumpy and stubborn at times, but the love they have for each other is fierce and beautiful. They’ve seen good times and bad, but they’ve faced everything together.

And while they take their vows seriously—even “‘til death do us part”—they’re not expecting the news that a black hole is headed for earth and the planet is going to be destroyed in a month. But they’re not going to wallow. They’re going to leave their home in Maine and drive to Washington State, to complete one final task they promised to do.

Along their drive across the country they encounter many different people. Some demonstrate great empathy and love despite their fears, but others definitely threaten the men’s sense of security. But as they reach their final destination, they realize how lucky they are to have shared each other’s lives.

This was absolutely beautiful. Of course it made me cry, but I also thought about what I would do in this situation. I highlighted so many sentences in this book; Klune’s prose always leaves me awestruck!

The book will publish 4/28.

Book Review: "All the Water in the World" by Eiren Caffall

I’m really late to the party in reading and reviewing this, but I’m so grateful to St. Martin's Press and NetGalley for the advance copy I received. Amazingly, this is the second piece of climate fiction I’ve read in the last few months, and it really made me think.

It’s a time after the glaciers have melted and the world is lashed by severe weather conditions, including floods. In what was once New York City, Nonie, her older sister Bix, and their father live in an encampment of sorts atop the American Museum of Natural History. The girls have been taught to hunt and grow their food in Central Park.

Their other responsibility is to try and save the museum’s collections so that work in human history and science are not lost. But Nonie has a heightened sense of when precipitation is incoming, and when a massive storm breaches the city’s flood walls, her family and their researcher friend must flee. They grab what they can from the museum, including a birchbark canoe, and travel north along the Hudson River.

The journey is a harrowing one, fraught with danger and potential disaster. Along the way they not only have to brave the elements, but they also have to face the fears and uncertainties of the people they encounter, survivors who have formed small communities. They don’t have any sense of whom to trust and whom to fear, which proves harrowing.

The characters are really beautifully drawn, particularly Nonie. She, like so many who must brave catastrophe, is wise beyond her years, but she is also tremendously kind and empathetic.

While this moved a bit slower than I was expecting, I found this to be a powerful, emotional, and eye-opening book. In addition to its depiction of a world ravaged by climate change, this is a book about grief, love, and survival. It’s also a powerful tribute to the value of museums and what they help us learn and remember, important messages given the dangers museums face in the U.S.

Book Review: "Dating After the End of the World" by Jeneva Rose

This book was a wild ride! Enemies to lovers plus flesh-hungry zombies…the perfect romance!

Growing up in Wisconsin, Casey’s dad was a doomsday prepper. Every spare moment, Casey had to help her dad building fences, digging pits, creating hiding places. She hated it, because all she wanted was to be a typical teenager, but her peers ridiculed her because of her dad. And she couldn’t even understand why he thought the world was going to end anyway.

“I know you’re supposed to believe your parents, trust what they’re saying, and I have. I’ve believed every word my dad has uttered since I learned what words meant, but now I’m not so sure anymore. I stopped believing in Santa when I was nine years old, and I feel like I’m gonna stop believing in my dad one day too. Maybe I already have.”

The minute Casey turned 18, she fled, desperately wanting a normal life. And 16 years later, she’s living in Chicago, working as a medical resident and engaged to a handsome doctor. One night, a viral outbreak overwhelms the hospital where Casey works. People suffering from some sort of flu suddenly turn into hungry zombies. No one is safe.

As the situation in Chicago grows more dire, Casey realizes the only place she might survive is back in Wisconsin with her dad. He’s created a compound of sorts, housing family, neighbors, even some strangers. Casey is shocked to find that her dad has befriended Blake, the one classmate who made her life a living hell and broke her heart. Now he’s sexy, a former Navy SEAL, and he’s going to keep Casey safe—if she doesn’t kill him first.

I’ve been a fan of Jeneva Rose’s thrillers, but this book proves she can do absolutely anything. This is a little gory, a little steamy, a little emotional, and a whole lot of fun. Glad this was an Amazon First Reads book this month!

It will publish 10/1.

Book Review: "It's Not the End of the World" by Jonathan Parks-Ramage

Can a book be off-the-wall crazy AND scarily prescient simultaneously? Asking for a friend.

Thanks so much to Bloomsbury Publishing and NetGalley for the advance copy of this one!

America in 2044 has seen better days. Climate change has done severe damage, and in Los Angeles, wildfires and smog have gotten so bad you can barely see the skyline—unless you can pay for an artificially clear one. The country is under the thumb of a fascist authoritarian government, with right-wing militias and rampant anti-queer sentiment.

Mason and Yunho are a wealthy gay couple whose financial position keeps them blissfully unaware of just how badly the world is falling apart. They’re spending $100,000 on a 100-person baby shower for their soon-to-be-arriving newborn, and they (particularly Mason) don’t see anything wrong with that.

When disaster hits LA on the day of their shower, Mason should cancel, but it’s not the end of the world, after all. He figures that money can solve this problem too. Yet when he goes out to run a few last-minute errands, he finds himself enmeshed in the chaos that he thought he was insulated from, with threatening consequences.

This book has it all—wry social commentary, political satire (which seems far too on the nose right now), blood and gore, even pink smog that turns people into zombies. It’s definitely a wild ride, but the details of this world that Jonathan Parks-Ramage has created are truly remarkable. And frightening as hell.

I loved Parks-Ramage’s debut, Yes, Daddy, so I was excited to see what his follow-up would be like. This is different in a lot of ways but it proves just how wide-ranging his talent is.

Book Review: "Automatic Noodle" by Annalee Newitz

I really enjoyed this, although it’s definitely not one of my usual genres. I’m not ashamed to admit that my love of noodles is one of the things that drew me to the book. Thanks to my friend Matthew for reading this with me!

It’s 2064, in the aftermath of a brutal war between California and the rest of America. One day a group of deactivated robots awaken in the ghost kitchen where they all used to work in the rubble of San Francisco. With the war over, the robots don’t really have a purpose, and there’s still some in California that don’t think robots should be citizens.

While the group didn’t like cooking the horrible food they had to in their old restaurant, Hands misses their time as a chef for a food truck, while Cayenne loves tasting everything, even if they can’t eat it. They convince their friends, Sweetie and Staybehind, that they should open their own restaurant in the same space. Hands is fascinated by the art of hand-pulled noodles, and so Authentic Noodle is born.

Each robot has a purpose, and shortly after the restaurant opens, it becomes a smashing success online. But they’re determined to keep their identities secret, since there are many who would cause trouble if they knew the food was being cooked and served by robots.

Suddenly disaster strikes, when the restaurant is hit with a barrage of 1-star reviews online, reviews that hit on robot ownership and cooking. Their reputation is on the line, but they’re determined to find out who’s behind this.

Automatic Noodle is so creative and sweet. There’s lots of great messaging here about chosen family, fighting for yourself, and valuing the contributions of outsiders.

Book Review: "The Light Pirate" by Lily Brooks-Dalton

A powerful, poignant book about a world being destroyed by climate change, a story about love, loss, and family, both biological and chosen.

A powerful hurricane is heading for Florida. These storms are becoming more frequent and more destructive with each passing year. Frida, very pregnant, wants to evacuate, but her husband Kirby, a lineman, tries to assure her everything will be fine.

In the calm before the storm, Frida’s two young stepsons go missing. Kirby sets out to find them. And as the storm rages, Frida goes into early labor all alone, giving birth to a baby girl she names Wanda, after the hurricane in which she arrives.

The book follows Wanda through her life, from her curious childhood through her adolescence, as she deals with more loss but learns more about the world around her and how to understand the changes occurring. It also tells of her adulthood, in a world vastly different than she could imagine, and the need for connection.

This is a bleak book in that it paints a picture of our country wrecked by climate change until the point it’s no longer recognizable. There’s a lot of loss in the book as well. But it’s such a beautifully told story of love and survival that I couldn’t get enough of.

Book Review: "Lark Ascending" by Silas House

Silas House's new book is an evocative, powerful story of survival and connection.

In a perhaps not-too-distant future, the U.S. has been destroyed by fires across the country. Lark and his family had left their Maryland home for sanctuary in Maine, but that proves to be fleeting, as religious radicals turn to violence and persecution.

With nowhere else to go, Lark and his parents are able to get on a crowded ship to Ireland, which is apparently the only place where Americans are still welcome. The trip is treacherous and even their arrival is filled with chaos and violence, and ultimately, Lark is the only survivor left from the ship.

Alone in an unfamiliar country, Lark must find his way. Ultimately he finds two companions—Helen, a woman desperate to find her son, and Seamus, a dog who has seen quite a bit in his life. They want to make it to what they believe is a safe haven, but it will take all their strength and courage.

This is a bleak but gorgeously written book. I love the way House writes, and Seamus joins the list of my absolute favorite non-human characters this year. There is so much amazing imagery, I could see it in my mind’s eye.

Definitely not an easy, carefree read, but an important and beautiful one nonetheless!!

Book Review: "Our Missing Hearts" by Celeste Ng

Our Missing Hearts, Celeste Ng's new novel, is profound, emotional, and tremendously thought-provoking.

It’s a dark time in the U.S. After a hard economic crisis and rioting, the country is swayed to believe this is all the fault of the Chinese. Anyone who looks remotely Asian is the target of suspicion, ostracism, even violence. At the same time, the government has banned books it deems objectionable and now has the right to take children away from parents they view as “unpatriotic.”

Three years ago, just as the Crisis was starting, Bird’s mother Margaret, a Chinese poet, left and did not return. Shortly thereafter, Bird (who now goes by his given name, Noah) and his father left their home and moved to a dorm at Harvard, where his father shelves books in the university library. He is taught not to call attention to himself, not to stand out, to do what is asked, and not invite suspicion. It’s a lonely existence for a 12-year-old boy.

Bird and his father have disavowed his mother and her work, but as angry as he is at her for leaving, he misses her too. But a snippet from one of her poems has become a rallying cry for those against the “patriotic” efforts of the country. As more acts of resistance occur, he keeps hoping he’ll catch a glimpse of her at one of them.

When Bird gets a cryptic letter addressed to him which contains only doodles, he knows it’s from his mother. But what is she trying to tell him? He does everything he can to remember the folk tales she told him in an effort to find where she is.

There’s never been any doubt in my mind that Celeste Ng is a talented writer but this book was exceptional. A meditation on motherhood, what we do for our children, and what they take with them, as well as insightful commentary on the ways our country can be easily swayed to make “others” the enemy. The pacing slows a bit at times, but I still found this excellent.

Book Review: "Sea of Tranquility" by Emily St. John Mandel

A slow burn, but a mesmerizing, powerful story about connection, regret, love, music, and time travel.

Did you ever read a book and wonder how you might review it? Not because you aren’t sure how you feel about it, but because it’s so hard to describe? That’s the way I felt while reading this. I loved it, but describing it won’t be easy.

In 1912, a young Englishman has been exiled to Canada by his family after an awkward and inappropriate rant at a dinner party. After many stops and starts, he winds up in a remote town surrounded by a forest. When exploring one day, he looks up into a tree and hears the notes of a violin with the sound of an airship taking off. He doesn’t know what the sounds are or what they mean, but they shake him to his core.

Nearly 300 years later, a writer is on tour of Earth when one of her books about a pandemic is being adapted into a movie. The book contains a scene in which a man plays the violin in an airship terminal while ships depart. At the same time, there are concerns another plague may affect Earth.

Meanwhile, in 2401, a bored hotel detective living in a colony on the moon becomes obsessed with the question of whether life is real or a simulation. He volunteers for time travel and meets a young Englishman who thinks he’s losing his mind, a writer away from her family at the start of a plague, and a friend he’s seen at different stages of his life. Can he simply observe or will he change the course of time?

This is a gorgeous, thought-provoking book but it definitely won’t be for everyone. I love time travel and I love the way Emily St. John Mandel writes, so I was completely hooked.

Book Review: "Once There Were Wolves" by Charlotte McConaghy

Once There Were Wolves, Charlotte McConaghy's latest novel, is a beautiful, haunting look at the destructive effects we can have on the environment and each other.

In addition to being so beautifully written, Charlotte McConaghy’s books are tremendously thought-provoking. Her first book, Migrations, was among the best books I read last year and I won’t be surprised if this book makes this year’s list.

It’s a time in the not-too-distant future when there are few wolves left in the world. Inti is part of a team of biologists who travel to the Scottish highlands to reintroduce 14 wolves into the wild. (Wolves are important to the ecosystem; without predators like them the deer population gets overgrown and they eat all the plants, meaning birds and insects needed to pollinate could go instinct.)

The Scottish people are unhappy about the wolves as they understandably fear for their safety, but wolves don’t attack unless provoked. But when there is a death in town, Inti knows the wolves will be blamed, and she fights to defend them. Could she be wrong, or could it be worse—is there a killer on the loose?

Inti has her own secrets and scars, which cause her to lash out impulsively at times. She also has something called mirror-touch synesthesia, which means that when she’s close to a person or thing, she can quite literally feel their pain. It’s a difficult way to live.

The story flashes back between Inti’s childhood, her time in Alaska where things happened to her and her sister, and the present. This is a violent book at times and those triggered by discussions of rape and violence may find this troubling.

The pacing of Once There Were Wolves is a little slow to start but it’s just such a gorgeous story of redemption and hope—for nature and for humans.

Book Review: "Migrations" by Charlotte McConaghy

Charlotte McConaghy's Migrations is haunting, poignant, and thought-provoking. Wow.

This was definitely what I'd call a "Bookstagram made me do it" book. I hadn’t heard of it until two friends spoke highly of it, and it sounded like a book I’d like. And boy, did I ever.

In a not-too-distant future, nearly all of the world’s wildlife—animals, birds, and fish—are extinct. Franny has tracked the last existing flock of arctic terns to Greenland, and she is determined to follow their last majestic migration.

But to do so, she must convince a ship to follow the birds’ path, and let her join them. She connects with the Saghani, a fishing vessel in search of nearly elusive fish. She convinces them that the birds will go where the fish are and the captain, Ennis, decides to trust her.

It’s a treacherous and harrowing journey. As Franny gets more acclimated with her shipmates it becomes clear that Franny is hiding something. Suffering from night terrors, sleepwalking into dangerous situations, one must wonder whether Franny is not only running toward the birds, but running from something.

This was a beautiful book. It has a similar feel to books like Good Morning, Midnight, Station Eleven, or The Dog Stars, although not quite as dystopian. It’s also a commentary on the risks we face as a world given the way our environment is being abused.

Migrations is one that will stick with me. Franny is one of those beautifully flawed characters you truly feel for.

Book Review: "After the Flood" by Kassandra Montag

"When I think of those days, of losing the people I've loved, I think of how my loneliness deepened, like being lowered into a well, water rising around me as I clawed at the stone walls, reaching for sunlight. How you get used to being at the bottom of a well. How you wouldn't recognize a rope if it was thrown down to you."

This book was utterly amazing. Beautifully written, bleak, tremendously poignant, and full of lyrical imagery and memorable characters, it is hard to believe that After the Flood is Kassandra Montag's debut novel. But the more you read, the more you become fully immersed in this story you realize that debut novel or not, this is one of those books you'll think about and talk about for years to come.

Just over a century from now, our world has been taken over by massive flooding which obliterated much of the landscape, leaving only mountains and random pieces of land scattered through our world, with whole cities left underwater. Myra and her young daughter Pearl live off their small boat, fishing and salvaging to make ends meet, finding people to trade with in the few outposts that are left. It's a bleak existence and Myra always exercises an abundance of caution, because the floods left many lawless people in their wake.

For seven years, Myra has mourned her older daughter, Row, every single day. Row was taken from Myra by her husband just before a massive flood hit their home in Nebraska. Myra had wanted to wait until her grandfather finished building the boat they would use to keep them safe; Myra's husband was afraid and impatient, so he took Row and never came back. Myra knows the chances that Row is still alive are very slim, and she should just focus all of her energy on keeping Pearl safe and happy, but she can't stop dreaming of the moment when she might have both of her girls together for the first time.

"The world will break you, but it's when you break yourself that you feel you really can't heal."

When Myra hears that Row (or at least someone resembling her) was spotted recently at a settlement near Greenland, she is desperate to risk everything to bring about a potential reunion with her daughter. She connects with Daniel, a troubled yet kind man with secrets and regrets of his own, and then they have to find another ship on which to make the perilous journey. When they meet Abran and his crew, she knows she has to hide her real reasons for wanting to travel so far, but she has no choice but to deceive them in order to rescue her daughter.

But there is no guarantee the ship will make it all the way there, because along the way they must battle the elements, bands of raiders bent on revenge for earlier slights, and the uncertainty of whom among them should be trusted. What will they find when they arrive at this colony? Will there be disease, killers, a lack of resources, or, perhaps worst of all, no trace of humanity?

After the Flood certainly is bleak and I kept waiting for things to completely fall apart, yet there certainly is an element of hope in the book as well—hope that Myra will be able to find Row, hope that the ship will make it where it needs to go relatively unscathed, hope that they can perhaps build a new community when they arrive. I honestly couldn't get enough of this story.

This reminded me a lot of Cormac McCarthy's The Road in its exquisite telling of how far a parent would go for their children, but Montag's imagery, her language, and her weaving of present and past made the story unique at the same time. The pacing may seem a little slow at times but it worked well for me.

Simply put, this book is worth all the hype it will get. I won't be able to put it out of my mind anytime soon.

Book Review: "The Grace Year" by Kim Liggett

Kim Liggett's upcoming novel The Grace Year feels like a mashup of The Handmaid's Tale and Lord of the Flies, with a little bit of The Hunger Games mixed in for good measure. Yet at the same time, it's an immensely unique and disturbing story all its own.

"They call us the weaker sex. It's pounded into us every Sunday in church, how everything's Eve's fault for not expelling her magic when she had the chance, but I still can't understand why the girls don't get a say. Sure, there are secret arrangements, whispers in the dark, but why must the boys get to decide everything? As far as I can tell, we all have hearts. We all have brains."

Girls are told that they are dangerous, that they possess the power to lead men into destructive temptation, much as Eve did to Adam. They are led to believe that they have "magic"—that their bodies give off a certain essence when they're on the cusp of their 16th birthday. So all of the 16-year-old girls are sent away for one year, their so-called "grace year," and they're expected to release their magic into the wilderness so they can return purified and ready for marriage if they've been selected, or ready for life as a laborer if not.

Tierney James has always lived her life caring little for convention, not listening to the commands of her mother or the insults of the other women and girls in the community. She's not interested in getting married, in being the property of a man—she looks forward to living a life working in the fields, spending time at one with nature. She's known by many as "Tierney the Terrible" for her wild ways, and no one expects her to be chosen for marriage anyway. But when she is chosen, she is uncertain that she wants that kind of life for herself, although refusing will have grave consequences for her and her family.

The girls are sent into the wilderness and left to fend for themselves. They must deal with the brutal elements, forage for their own food, and avoid the so-called "poachers" that lurk in the woods, who wait for one wrong step so they can kill a girl and sell her essence to the black market. But as the girls begin to form a society of sorts, Tierney realizes it's not the wilderness or the poachers that pose the biggest threat to their survival—it's each other.

"We hurt each other because it's the only way we're permitted to show our anger. When our choices are taken from us, the fire builds within. Sometimes I feel like we might burn down the world to cindery bits, with our love, our rage, and everything in between."

The Grace Year is at turns violent, disturbing, sad, defiant, sexy, romantic, and hopeful. It is a story of young women being made to believe they are dangerous yet deficient, that their only true worth will be recognized if they marry and have children, and that they need to destroy each other in order to secure a happy future for themselves and their families. It is also a story of how much men fear women and seek to control them to overcome those fears.

As outrageous as this story is on many fronts, there are definitely places in which the book is eerily prescient of what is happening in our society today. Liggett did a great job ratcheting up the tension in the book, and creating characters I found myself rooting for, as well as some I was definitely rooting against.

At times, I found the violence in the book to be really disturbing, and after a while, the cruelty of the girls' was very hard to read about. The violence may be a trigger for some, because at times it's fairly graphic. But even when I had difficulty with the book, there was something about the story that I couldn't turn away from.

Reading The Grace Year definitely got me thinking, and I'm certainly thankful that we're not in this kind of situation in our society today. This is one of those books that I won't be able to get out of my mind for a while.

NetGalley and Wednesday Books provided me an advance copy of this book in exchange for an unbiased review. Thanks for making it available!

This book will be published October 8, 2019.

Book Review: "Scythe" by Neal Shusterman

Wow. Mind totally blown by this one.

In a future world, mortality, war, illness, hunger have all been eradicated. Injuries are quickly healed by the body's own (amped-up) healing properties. Even aging is something you can counter—when you're tired of being your age, you can "turn" yourself into someone younger—over and over and over again.

The only way to control the population is through gleaning—killings of seemingly random people—and they are carried out by scythes, individuals commanded to commit these gleanings. Scythes are revered and feared within society, and while each scythe has their own methods of choosing whom to glean and how, they follow a strict code of behavior and have specific quotas as to the number of people they are to glean each year. It is a necessary evil, and death is no longer feared or worried about.

"The ending of human life used to be in the hands of nature. But we stole it. Now we have a monopoly on death. We are its sole distributor."

After each has an encounter with a scythe, teenagers Citra and Rowan are chosen to apprentice to one of the area's most respected scythes, Honorable Scythe Faraday. This is a role neither wants, for although their families will get immunity from gleaning for as long as they live if they are chosen to become scythes, their lives will be relatively solitary and austere, for they must spend most of their days gleaning or preparing to glean. Who would seek out such a life?

As Citra and Rowan learn from Scythe Faraday, they realize the nobility of the role, the conflicted emotions with which many scythes approach their responsibilities, and the physical, mental, and intellectual skills needed to become a good scythe. While the two are drawn to each other, they know that only one of them will become a scythe at the end of the year, and that competition confuses and motivates them. At the same time, they are forbidden from romantic entanglements with each other, so they channel their feelings into their preparation.

But the world of scythedom is in the midst of its own upheaval, and suddenly Rowan and Citra are pitted against each other, being trained by different scythes. Citra becomes apprentice to Scythe Curie, one of the most famous of the early scythes, while Rowan is an apprentice to Scythe Goddard, one of the bold new scythes, who believes more in his celebrity and presence, and challenges the customs of the traditional scythes. It is Goddard who sets a challenge in motion: whichever apprentice is chosen to become a full-fledged scythe will automatically be expected to glean the other.

This is an utterly fascinating, thought-provoking, exceptionally written book that I could not get enough of. Scythe is a compelling meditation on a world without mortality, and how those tasked with culling the population live their lives and approach those they choose to glean. It's a study in conscience, in guilt, in friendship, and in finding nobility in such a disturbing task.

I have never read any of Neal Shusterman's books, but I'll definitely be reading the second book in this series soon (I'm trying to be patient and not devour it immediately) as well as more of his work. He created such a fascinating world I wanted to know more about (I've not made any mention of the Thunderhead, which is the benevolent ruling entity in the world, and that's intriguing in and of itself), not to mention tremendously complex and distinct characters I couldn't get enough of.

I know that YA isn't a genre for everyone, and this book might sound a little out there for some, but this is really a fantastic book. It's better written than many YA books, and it actually makes you think, and invests you in the plot. Give this one a shot.

Book Review: "The End We Start From" by Megan Hunter

Sometime in the future, London is submerged beneath floodwaters, and people fear the end of the world is drawing near. As the floods approach a woman gives birth to a baby boy, Z. Within a few days, she and her husband R must flee their home and search for a safer place.

Each day they worry about whether the floods will find them. When they take refuge with R's parents, they discover that the fear is never far away from them. And while the woman is worried about what is happening in the world around her, and how R is reacting to it all, she spends so much of each day simply marveling at her baby and how he is growing, flourishing even as the future is uncertain. She is overwhelmed by her maternal feelings, by the miracle she and R created.

As the trio moves to a camp where other displaced people are living, the claustrophobia, the uncertainty, the panic becomes too much for R to bear. He leaves his wife and baby, ostensibly to see what other options are out there, but both know what this departure could signify.

"He says it will only be for a week or so. To get a break. To look into other options. He says we should stay, that it is safer. The relief is hanging from him, a loose shirt. I look at the car before I lose it. I try to take in all of its details. Before he leaves, I put his full hand over my face, like a mask. I do this even though there is no point. Even though smells can't be held."

As circumstances force her to move again, she begins making friends with others in similar situations. But she longs for her husband, reflects on their love, and tries not to stagger under her feelings of love and responsibility for her son. She cannot stop living even though she misses her husband, because she must live for her son. She must show him love, experience his moments of joy and sadness, and watch him grow.

I never would have imagined a book so sparsely written could be so lyrical, but The End We Start From feels almost poetic at times. Megan Hunter chose her words so carefully, it was as if she wanted to be sure no excess words distracted from the beauty of her writing.

"Our city is here, somewhere, but we are not. We are all untied, is the thing. Untethered, floating, drifting, all these things. And the end, the tether, the re-leash, is not in sight."

As much as Hunter's prose is breathtaking, the story itself could use a little more meat. Maybe it was her intent for her readers to fill in the blanks she left in the story, but I would have preferred a bit more narrative. I also found the gimmick of referring to every character with their first initial (the protagonist only interacted with one person per letter, it appeared) to be a little twee. I'm never a fan of books that refer to people or places that way.

This was a moving, thought-provoking read, one that I completed in one sitting. (I took a bit longer for lunch because I had to finish this book.) I liked it a good deal but didn't love it as I'd hoped—it's not perfect, and Hunter's storytelling choices may rub some the wrong way. To me, however, The End We Start From signifies the birth of a new literary talent. Megan Hunter is definitely one to watch, because if this is her first novel, I can only imagine what comes next.

Book Review: "The Appointment: Lost & Found (Book 1)" by Luke P. Narlee

Man oh man, I won't be able to get this one out of my head for a while...

It's funny; I used to read a ton of dystopian novels. I remember marveling just how far-fetched they all seemed, how hopeless the authors made life out to be, and how change could be inspired by the resistance of one person. And then (pardon my editorializing) the events of the last few months has brought the far-fetched a little closer. While I'm not ready to volunteer as a tribute, the idea of our country hacked to bits in a battle between the haves and the have-nots, a world where pollution is more the rule than the exception, and people find themselves without food, healthcare, jobs hits a little closer to home for me.

Luke Narlee's The Appointment: Lost & Found isn't quite like that, but there are dystopian elements which seem eerily prescient considering when he must have been writing this. But beyond that, this book is like a cloud formation or one of those Magic Eye puzzles—you aren't quite sure what you're seeing at first, and everyone has a slightly different perspective, but you can't look away, because you're utterly transfixed. And can you ask for much more from a book than that?

The human race is on Lockdown, imprisoned behind a wall which is protected by trigger-happy guards. The expression of emotions is no longer allowed, and to ensure this remains the rule, any form of entertainment—smartphones, music, even photographs—have been forbidden. People shuffle aimlessly through their miserable existence, not making eye contact and barely reacting to the world and the other misanthropes around them.

Jacob Johansen is one of them, but he hasn't completely surrendered to the bleakness even though he knows he should. He keeps seeing these glimpses of memory—people, places, situations—which he has a feeling once meant something to him, but he cannot remember enough, and that makes him both disheartened and frustrated.

One day he receives an invitation to an appointment. He doesn't know who has invited him and what this invitation really means, but he knows he has nothing left to lose, except more time shuffling around in abject boredom and depression. It turns out, however, Jacob has been selected for a "special" project, one which will open up his mind again to what he could be, and remind him of who he once was.

And that's when this book totally takes off. Jacob finds himself in many different situations, perhaps in different worlds, where his life has gone in a wholly new direction. It has almost a Dark Matter-esque feel to it, as you wonder whether there are multiple Jacobs in multiple universes, if these are real memories, or some sort of manipulations. It's just such a cool concept, so vividly told and it really captures your imagination.

One of the great things about this book is I had absolutely no idea what to expect, so I'm being fairly vague in my plot summary so you can enjoy the way it all unfolds. (I'll be honest—I'm still not 100 percent sure what happened but I think Narlee has left some room for interpretation, which is even cooler, in my opinion.) In thinking of the best way to describe this book, I found an old quote:

Narlee's first book, Guest Bed (see my review), also packed a few punches, but it was a completely different type of story. The fact that the same author wrote these two totally different books just proves how talented Narlee is. Not only is the plot complex and memorable, but so are the characters. The book takes a little while to get rolling, but once it does it never lets up.

This may not be a book for everyone, but if you're willing to step outside your comfort zone, I think you'll be richly rewarded, and like me, you'll be ready for Book 2!!

The author provided me a complimentary copy of the book in exchange for an unbiased review. Thanks for making this available!

Book Review: "Barkley Five Oh: A Science Fiction Short Story" by Logan Keys

Oh, man, this story...

Barkley 50 is a robot built in a not-too-distant future. He is programmed to mimic emotions and although he may not understand what the emotions mean, he starts to recognize how they make him feel. Little by little, he becomes more and more intelligent and perceptive of his surroundings and the behavior of the people around him.

As this story proceeds, Barkley moves from owner to owner, further and further into what appears to be a tremendously bleak future. At times he is a companion, at times a protector, a bodyguard, a friend, but the more he understands of the human race the more he realizes that there is a real risk that humanity may not survive. But what does that mean for him? Will he be left all alone in a world that never quite understood or was ready for him?

The closer I get to humanity, the more I see them for what they are. Scared. Simple. Lazy. Genius. Humans. Messy, nutty, stronger than anything—screwed up, cutting and running, life bringing, humans. Courageous, kind, selfless, magical, passionate, organic, weird, and uncomfortably comfortable, humans...loving...and about to be extinct, humans. Everything I hate, and everything I'm longing to be...human.

Logan Keys' story is moving, heartbreaking, awe-inspiring, thought-provoking, and even a little frightening. Barkley is truly one of the most unforgettable characters I've ever read, and although the length of this story worked so well for what Keys was trying to accomplish, I could have read an entire novel with him as the main character. He's truly the embodiment of nearly every robot-believing-it's-human I've ever seen.

For an author to pack so much emotion, so much suspense, so much plot, and so much meaning into 40 or so pages requires tremendous talent. Keys has that in spades. This is the first thing I've read of hers, but it definitely won't be the last. And Barkley 50 won't leave my mind anytime soon.

The author and Le Chat Publishing provided me a complimentary copy of the story in exchange for an unbiased review. Thanks for making this available!

Book Review: "Tell Me How This Ends Well" by David Samuel Levinson

I'm a sucker for a novel about family dysfunction, but a novel about dysfunction that takes place during the Jewish holidays? Sign me up!

It's 2022 and while there isn't quite dystopia, the world is in upheaval: Israel has been dissolved, and all Israeli citizens have been dispersed across the world. And to make matters worse, the U.S. is roiled by anti-Semitism, with random attacks and drive-by shootings harming Jews across the country.

In the midst of this maelstrom, the Jacobson family is gathering to celebrate Passover at the home of oldest son Mo, an actor who was best known for a reality show which featured his wife and five sons, until criticism and threats from anti-Jewish viewers led to the show's demise.

Roz, the family matriarch, is dying, and her three children recognize this will probably be their last holiday as a family. Of course, that means they must spend time with their father, Julian, whose default position has always been to be emotionally and verbally abusive to his wife and children. Daughter Edith (aka Thistle), unfairly accused of sexually harassing a student in one of her classes at Emory University, has always tried to play peacemaker between her siblings and her father. Youngest son Jacob, who fled first across the country and then across the world to get away from his father, has returned after a number of years, bringing Dietrich, his German boyfriend.

"...[Jacob] had thought he'd come to terms with and healed from the worst of his dad's treachery, all those years of unwarranted hostility, by finding Diet and moving to Berlin. Unfortunately, he'd begun to realize that he'd unwittingly managed to smuggle the tyranny of his dad in through customs with him. Pieces of him, at least, and the worst pieces at that."

Jacob and Mo have hatched a plan to make their mother's last days more enjoyable, but they need Edith's buy-in. Edith wants to hate her father for his years of passive-aggressive behavior, but on the flip side, he always treated her as if she was his favorite. But the more she thinks about it, and the more she remembers, she realizes her father might not have been the prince she once thought. However, the siblings are thrown by the fact that after all these years, he suddenly dotes on their mother more, and their mother actually seems happy. Can this be, or are they all waiting for the next shoe to drop?

Tell Me How This Ends Well is a well-written, thought-provoking book which often seems as if it's not sure what it is supposed to be. At times it's a chronicle of severe family and personal dysfunction, as not one of these characters isn't significantly flawed. Other times it tries to provide social commentary on anti-Semitism and the return of worldwide hatred of Jews, and still other times, the book tries to be a wacky crime caper.

I think the book succeeds best when it focuses on the Jacobsons themselves. For the most part, these characters aren't really likable—Jacob is the most sympathetic, and even he is a bit of a mess. But David Samuel Levinson doesn't provide any shading for Julian's character, so every time he appears in the narrative, it made me bristle to the point that I couldn't stand reading those pages. I realize that was supposed to make him unsympathetic, but he was virtually disgusting, and I kept waiting to understand the reasons.

I didn't believe that the anti-Semitism piece always worked well. It was an interesting plot thread, but in places it became almost outlandish. But the kicker was that in the world Levinson created, apparently everyone can tell who is Jewish simply by looking at them, and seeing a Jewish person made most non-Jews want to throw racial epithets, if not incite violence.

As the holidays draw closer, Tell Me How This Ends Well is an interesting exploration of a family that both loves and dislikes each other. At times the parts of the family are greater than the sum, but the Jacobsons are can't-look-but-can't-look-away fascinating, and if nothing else, they'll make you realize your own family isn't so bad.

NetGalley and Crown Publishing provided me an advance copy of the book in exchange for an unbiased review. Thanks for making this available!

Book Review: "Good Morning, Midnight" by Lily Brooks-Dalton

This book was absolutely extraordinary.

Loneliness is a powerful emotion, yet you can feel just as lonely while spending time with people, or in the middle of a crowd, as you might when you're completely alone. Lily Brooks-Dalton's powerful, haunting, contemplative debut novel, Good Morning, Midnight, is a meditation on loneliness, regret, ambition, love, and loss, through the eyes of two unique people.

"He was drawn by the isolation and the punishing climate, the landscape that matched his interior. Instead of salvaging what he could, he ran away to the top of an Arctic mountain, nine degrees shy of the North Pole, and gave up. Misery followed him wherever he went. This fact didn't faze him and it certainly didn't surprise him. He had earned it, and by then he expected it."

Augustine was once a brilliant astronomer, known as much for his devotion to his research as his self-destructive behavior and his reputation as a cruel manipulator of women. At the end of his career he is stationed in an Arctic research center, when news spreads that a catastrophe has affected the world, and all of the scientists must evacuate. But Augustine stubbornly decides to stay put, even though he knows he may never leave. While to his surprise he discovers a mysterious child abandoned in the research center, and that helps assuage his loneliness, when he discovers that the radio waves have gone silent, he wonders what will become of them.

"Even as a little girl the emptiness had called to her, and now she was a wanderer too. Remembering how her journey had begun distracted her from the uneasy question of how it might end."

At the same time, the crew of the Aether has just finished a groundbreaking voyage to Jupiter, going further into space than any before them. Mission Specialist Sullivan reflects on her journey to this moment, and the cost of this achievement—the end of her marriage, barely knowing her daughter. Yet traveling into space is all she has ever thought of, so she has convinced herself that the sacrifices were worth it. But when Mission Control goes silent for reasons they cannot explain, the crew must grapple with the idea that they may never make it home to Earth, and even if they do, life will not be the same as it was when they left.

Does pushing people away make you stronger, or does it leave you more vulnerable? What is the price of achieving your dreams, of reaching the pinnacle of your career, if you really have no one to share that with? Is it ever too late to make a true connection? These are some of the questions Augie and Sully ponder in this beautifully written book.

This truly blew me away. Brooks-Dalton created so much suspense that I kept waiting for a tragic event (beyond whatever has happened on Earth) to occur, yet I couldn't stop reading. I felt what these characters were feeling, and could picture what they were seeing so vividly, and that is a testament to her amazing strength as a storyteller.

It took a little while for the story to get going, but once it did, it honestly moved me and took hold of my heart. It reminded me a little of Peter Heller's The Dog Stars and, although I'm always loath to agree with the comparisons publishers draw, it also had a little bit of Station Eleven in it as well, but for those of you who were unimpressed by that book, it's more similarity of the feelings I felt than the actual plot.

I can't stop thinking about this, and wish the book were longer, because I want more time with these characters. Kudos to Lily Brooks-Dalton for creating an utterly captivating, gripping, truly beautiful world, and giving us the chance to visit.

Book Review: "The Sunlight Pilgrims" by Jenni Fagan

People often comment that there are not many original ideas out there. While that seems true sometimes, at other times you find a book that is pretty unique in certain ways, and isn't at all what you expected. That was definitely the case with Jenni Fagan's The Sunlight Pilgrims. While not everything meshed the way I had hoped, this was a unique and surprising book, and it definitely has stayed in my mind.

It's 2020 and the world is in the grips of the coldest temperatures on record, hitting below zero every day. There's snow in places there never was, rivers are overflowing and then freezing, and a giant iceberg is making its way from Norway to the coast of Scotland. People are panicking, rioting in the streets, and wondering if this is the end of the world. Those who can are fleeing to warmer temperatures, not that there are many places where those can be found.

While he'd like to head to what he believes are warmer climes in Vietnam, Dylan MacRae is on a mission. Reeling from the losses of both his beloved grandmother and mother, and with his family's movie theater being foreclosed upon, he travels to the Scottish Highlands town of Clachan Fells, where his mother apparently bought a caravan (trailer) before her death. He hopes to eventually get to the Orkney Islands, where his grandmother was from, to scatter both of their ashes.

When he arrives in Clachan Fells, he finds a community of people trying to understand what is coming and fearing the worst, expecting that this endless, brutal, unprecedented winter will be deadly for so many. He meets Constance Fairbairn, a survivalist of sorts, and her 12-year-old daughter, Stella, both of whom intrigue him in different ways. Constance lives by her own set of rules and has been judged by her fellow residents for years, and doesn't seem to care—except where their judgment affects Stella.

"Before it was just poverty, pestilence, terrorists, pedophiles, drugs, eating disorders, online grooming, meteors skimming a bit too close for comfort. Now every single person...looks like they are terrified they're all about to become frozen corpses."

Dylan quickly gets enmeshed in Clachan Fells life, and becomes a vital part of Constance and Stella's lives. His presence is welcomed by some but not all, and he finds he is actually more connected to the community than he thought. Stella struggles with identity and self-esteem issues, and is torn between wanting the approval of others and not caring. Beyond worrying about their survival, Constance wants her daughter's life to be easier than hers has been.

This book was intriguing and had surprising emotional depth, as I expected the book to be more about surviving this somewhat-dystopian environment. The characters were tremendously compelling and I found myself rooting for them. I just felt at times the book didn't get fully enmeshed in its plot, and brought up points that it never resolved. My biggest pet peeve about this book, however, was that Fagan didn't use quotation marks when characters spoke, simply m-dashes, so you couldn't distinguish when different characters were talking to one another, or even who said what.

Still, this is more a story about finding yourself and tapping into your own strength than it is about surviving the elements. Jenni Fagan is a talented storyteller, and this book will remain in my mind for a while.

NetGalley and Crown Publishing provided me an advance copy of the book in exchange for an unbiased review. Thanks for making this available!