"...for most people, memories are like fairy tales, which means they're simpler and funnier and happier and more exciting than how life really is. I don't understand how people can pretend something happened differently than it actually did, but Dad says they don't even realize they're pretending."
Ten-year-old Joan Sully has HSAM, or highly superior autobiographical memory. She can recall every day in her life in explicit detailshe knows what day of the week any day was, what she was wearing, what she was doing, who she was with, and what they said to her.
While this ability certainly comes in handy at times, it's actually very hard to live with. She's not able to enjoy things like movies because something will remind her of a memory from another day, and she'll start replaying that entire day in her head. Not only that, but Joan's mother doesn't like to be reminded how many times she's uttered the phrase "it never fails" over the last six months. (Twenty-seven.)
For someone who can remember everything so clearly, Joan's biggest fear is being forgotten. She saw it happen when her beloved grandmother was diagnosed with Alzheimer's disease, and Joan misses her terribly. An aspiring musician who worships John Lennon, Joan is determined to win a songwriting contest, which she believes will be the first step she needs on the road to notoriety.
Gavin Winters is just starting to experience success as an actor after many years of trying. His life is utterly rocked by the sudden death of his partner, Sydney, and he doesn't know how to cope without him. After the decision to rid himself of anything in the couple's house that reminds him of Sydney gets a little more media attention than he's expecting, Gavin flees their home in Los Angeles for New Jersey, where he hopes to hide out at the home of his old college roommate, who happens to be Joan's father.
At first Gavin is unsure how to handle Joan and her memory, but then he realizes he can use it to his advantage: Joan can tell him in detail each of the times Sydney visited, what he talked about, how he seemed. If Joan shares these memories with him, Gavin agrees to help Joan write her song, and even sing it.
"I was wrong about there being no way of building new memories of Sydney. They can be found, it turns out, in the minds of others."
As Joan shares her memories of Sydney, Gavin starts to discover that there were secrets Sydney was keeping from him. What was Sydney hiding? Was their relationship everything Gavin believed it was, was Sydney the man Gavin thought he was, or were his perceptions vastly different from reality? Sometimes in our desire to remember things, we uncover things we might wish we never knew.
This is a sweet, moving, and thought-provoking book. Val Emmich, who is a terrific musician and an actor, shows real finesse with his debut novel, creating memorable characters and situations that might not always surprise you, but definitely tug at your heartstrings, although not in a manipulative way. (At times Joan seemed a little odd, but then I remembered she was only 10.) If you've ever dealt with the loss of a loved one, you know what it's like to wish you said one more thing, spent more time together instead of worrying about what seemed insurmountable at the time. And if you've ever thought that having a better memory would be a blessing, this book helps you see the flip side of that.
I really liked this book and found it tremendously charming. But can I now put in a plea for no more books featuring characters with unique illnesses or syndromes? So far this year I've seen Moebius syndrome (David Arnold's Kids of Appetite) and prosopagnosia (Jennifer Niven's Holding up the Universe), not to mention the various maladies that affected Ivan Isaenko (in Scott Stambach's The Invisible Life of Ivan Isaenko). I'm a hypochondriac, so I'm thankful that none of these are contagious, or otherwise I'd be absolutely miserable!
I look forward to seeing what's next for Val Emmich. I know I'll keep listening to his music, and I'll read whatever he writes in the future!
NetGalley and Little, Brown and Company provided me an advance copy of the book in exchange for an unbiased review. Thanks for making this available!
Showing posts with label songs. Show all posts
Showing posts with label songs. Show all posts
Tuesday, November 15, 2016
Monday, July 7, 2014
Movie Review: "Begin Again"
What purpose does music serve? When an artist creates a song, should they create it for themselves and hope that people will enjoy their vision, or should they cater to what the audience wants? How far should you follow your instincts? These questions, as well as, can Adam Levine act, are answered in the sweet, tremendously enjoyable Begin Again, written and directed by John Carney, the genius behind Once.
Dan (Mark Ruffalo, suitably scruffy) is a once-successful music executive nearing the end of his tether. Living in a small apartment, alienated from his wife (Catherine Keener) and teenage daughter (Hailee Steinfeld), he drinks too much and has taken too many risks following musicians he believes will be the next sure thing. Everyone is through coddling and indulging him, even his best friend Saul (Mos Def), with whom he co-founded the record company.
One night Dan drunkenly stumbles into a club to find Greta (Keira Knightley), a dejected musician, half-heartedly singing after being goaded onstage during an open mike night. Greta has her own issuesnamely, her boyfriend (Adam Levine), with whom she wrote songs and pursued musical dreams, has suddenly become a star, and left her behind. Despite her lack of performance ability, Dan is immediately taken with Greta's voice and her songwriting, and believes she will be his ticket back into the musical good graces, if only she takes his suggestions. (A scene in which Dan "sees" how he could produce her song is tremendously creative and fun.)
The thing is, Greta isn't so sure she wants to compromise her vision for her music in order to make a hit. She doesn't really care if she sells her musicshe just wants to be able to perform it, at least when she's not wallowing in her misery. But with nowhere to go to record the album, Dan convinces Greta to follow an outlandish ideawhy not record the album all over New York City, in the middle of the elements, with all of the ambient soundstraffic, crowd noise, etc.as part of the album's sound?
As Dan struggles with his own personal problems, Greta is trying to resolve her feelings for her former boyfriend, since he has recorded one of the songs she wrote for him. Will love win out, or will music? Will Greta compromise and embrace Dan's vision for her music, or will she stick to her guns? And will Dan be able to get his old life back?
While most of the plot of Begin Again is fairly familiar, the performancesparticularly Ruffalo and Knightley'skeep the movie fresh and appealing. They're an unlikely pair but Ruffalo's rumpledness (if that isn't a word, it should be) and Knightley's slightly uptight airs mesh well together. Keener and Steinfeld do well with what they're given, and Cee Lo Green tears into his small role with an appropriate amount of gusto.
And to answer the questions I'm sure you're wanting to ask: Knightley's singing is pretty goodher music is actually something I'd find myself listening to. Levine's acting, on the other hand, isn't as impressive as his singing. While his character never really transcends general douchebaggery, some of his lines are delivered with about as much flair and emotion as Green Card-era Andie MacDowell. (Watch that movie and you'll see what I mean.)
While Begin Again doesn't quite reach the level of Once, I really enjoyed this, more because it combined my love of movies with my love of music than anything else. But that's more than enough reason to check this one out. (Plus, for the most part, Levine is still nice to look at.)
Dan (Mark Ruffalo, suitably scruffy) is a once-successful music executive nearing the end of his tether. Living in a small apartment, alienated from his wife (Catherine Keener) and teenage daughter (Hailee Steinfeld), he drinks too much and has taken too many risks following musicians he believes will be the next sure thing. Everyone is through coddling and indulging him, even his best friend Saul (Mos Def), with whom he co-founded the record company.
One night Dan drunkenly stumbles into a club to find Greta (Keira Knightley), a dejected musician, half-heartedly singing after being goaded onstage during an open mike night. Greta has her own issuesnamely, her boyfriend (Adam Levine), with whom she wrote songs and pursued musical dreams, has suddenly become a star, and left her behind. Despite her lack of performance ability, Dan is immediately taken with Greta's voice and her songwriting, and believes she will be his ticket back into the musical good graces, if only she takes his suggestions. (A scene in which Dan "sees" how he could produce her song is tremendously creative and fun.)
The thing is, Greta isn't so sure she wants to compromise her vision for her music in order to make a hit. She doesn't really care if she sells her musicshe just wants to be able to perform it, at least when she's not wallowing in her misery. But with nowhere to go to record the album, Dan convinces Greta to follow an outlandish ideawhy not record the album all over New York City, in the middle of the elements, with all of the ambient soundstraffic, crowd noise, etc.as part of the album's sound?
As Dan struggles with his own personal problems, Greta is trying to resolve her feelings for her former boyfriend, since he has recorded one of the songs she wrote for him. Will love win out, or will music? Will Greta compromise and embrace Dan's vision for her music, or will she stick to her guns? And will Dan be able to get his old life back?
While most of the plot of Begin Again is fairly familiar, the performancesparticularly Ruffalo and Knightley'skeep the movie fresh and appealing. They're an unlikely pair but Ruffalo's rumpledness (if that isn't a word, it should be) and Knightley's slightly uptight airs mesh well together. Keener and Steinfeld do well with what they're given, and Cee Lo Green tears into his small role with an appropriate amount of gusto.
And to answer the questions I'm sure you're wanting to ask: Knightley's singing is pretty goodher music is actually something I'd find myself listening to. Levine's acting, on the other hand, isn't as impressive as his singing. While his character never really transcends general douchebaggery, some of his lines are delivered with about as much flair and emotion as Green Card-era Andie MacDowell. (Watch that movie and you'll see what I mean.)
While Begin Again doesn't quite reach the level of Once, I really enjoyed this, more because it combined my love of movies with my love of music than anything else. But that's more than enough reason to check this one out. (Plus, for the most part, Levine is still nice to look at.)
Labels:
celebrities,
family,
loss,
love,
movie reviews,
music,
parenthood,
relationships,
songs
Wednesday, January 1, 2014
My favorite songs of 2013...
As I've said numerous times before, music is a huge part of my life. I listen to the radio whenever I'm in the car, I'm attached to my iPod when at the gym or on an airplane, and of course, I tend to find myself singinga lotwhenever the opportunity allows. So, as I did last year, I've assembled a list of my top 20 favorite songs of the year (no small feat, this), and linked to a YouTube video for each.
While this list is in random order, my favorite song of the year is:
1. Same Love by Macklemore & Ryan Lewis feat. Mary Lambert: In January of 2013, I wrote about how much this song moved me, and it still does, every time I hear it. I am grateful to Macklemore & Ryan Lewis for bringing this message to mainstream radio. "I might not be the same, but that's not important...no freedom 'til we're equal, damn right I support it."
2. The Wire by HAIM: I love so much about this song, and everything about this trio of sisters. This song has an awesome 70s-ish vibe mixed with a terrific hook. Check out their entire album.
3. Wake Me Up by Avicii: You cannot escape from this song on the radio these days, plus they're fond of playing it in spin classes at my gym. But you can't miss with a beat like this, or Aloe Blacc's uncredited vocals.
4. Beneath Your Beautiful by Labrinth feat. Emeli Sandé: This is a fantastic pairing of newcomer Labrinth and the sublime Emeli Sandé, whom I would let sing me anything she wanted to just to hear her voice. Plus I think the lyrics are far less insipid than so many other songs out there right now.
5. Blurred Lines by Robin Thicke feat. Pharrell & T.I.: Yeah, yeah, I know. The lyrics are misogynistic, and Robin Thicke might not be the most upstanding gentleman out there. But I haven't been able to get this song out of my head since I first heard it, although I have refrained from asking, "What rhymes with hug me?" Gotta love a song that has generated so many parodies.
6. Cups (Pitch Perfect's "When I'm Gone") by Anna Kendrick: I was a little late to discover the magic of Pitch Perfect, but I am no stranger to the appeal of Anna Kendrick. Makes me want to pick up some flip cups, or something.
7. Brave by Sara Bareilles: Another awesome song with a terrific message that took the airwaves by storm this year. I've been a fan of Sara Bareilles' for years, and I'm thrilled about her success, as well as the popularity of this song. Be brave.
8. Locked Out of Heaven by Bruno Mars: Whether you think Bruno Mars is a spectacular talent or a Michael Jackson wannabe (and I definitely fall into the former camp), this song is almost guaranteed to make you start moving at least one part of your body. (Or at least do the refrain along with him. It's okay. I won't tell.)
9. Thrift Shop by Macklemore & Ryan Lewis feat. Wanz: Hell, yeah. The song that single-handedly made thrift shops cool, plus an unbelievable hook. This is, indeed, f--king awesome.
10. Don't You Worry Child by Swedish House Mafia feat. John Martin: Yes, another song you can't get out of your head. But how can you hate on a song with a lyric like, "Don't you worry, don't you worry child, see heaven's got a plan for you"?
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