Charles Yu's National Book Award-winning Interior Chinatown is funny, sharply satirical, thought-provoking, and uniquely told.
Willis Wu doesn’t feel like his life makes much of an impact: he tends to think of himself as “Generic Asian Man.” As an actor, he has played roles as diverse as Disgraced Son, Delivery Guy, Silent Henchman, and Guy Who Runs In and Gets Kicked in the Face. But he dreams of reaching what he sees the pinnacle of success for Asian actors—becoming Kung Fu Guy.
He and his parents live a fairly unremarkable existence in small one-room apartments in Chinatown. Their building is above the Golden Palace restaurant, the hub of the community, where a police procedural called Black and White is in constant production. Willis and his parents and most of the community tend to drift in and out of the series, playing interchangeable parts and hoping their big break might someday come.
As Willis’ star appears to be rising, his consciousness about his role in the world grows. His family history is revealed and illustrates the challenges that Asians have faced since immigrating to America and other places in the world. Suddenly he begins to wonder if what he has dreamed of for so long—becoming Kung Fu Guy—is what he really wants. Is there more?
This is a fascinating, slightly trippy book at times. It’s really funny, as it skewers pop culture and the entertainment world’s treatment of Asians, but it’s also tremendously insightful and sensitive.
At times the book is written as a screenplay, at other times it's more narrative in structure. I’ll admit that there were parts I wasn’t sure were actually happening or if they were in Willis’ mind. But I couldn’t put Interior Chinatown down, and I can totally understand why it won the National Book Award.
Truly a book I’ll remember.
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